Edition #32

June 11, 2014 · Print This Article

Trending: Florida!

Feeling a little tropical, Chicago? WTT? couldn’t be more proud to see our own cracked out home state finally trending somewhere aside from Buzzfeed.

McCraney addressing the “fancy people” at the Palmer House on June 2nd.

The Arts Alliance of Illinois is even feeling the heat, as they honored award-winning American playwright and McArthur Genius AND Miami native, Tarell Alvin McCraney, at their Voices of a Creative State 2014 luncheon on June 2nd. McCraney speech was (as you might expect from a New World School of the Arts grad) completely captivating, inspiring, and a formidable act for Gov. Quinn to follow. Not to mention he looks like $625,000 in that suit. If you hear me clap once.

The program image for the luncheon featured an image of McArney sporting the Miami area code “305″ shaved into the side of his head. BOSS!

Had to sneak a photo in with the man of the afternoon.

Abraham Richie’s lively Roundtable conversation on #ArtinChi at Western Exhibitions in the West Loop. Peep the internets for posts from the event.

This past weekend Miami art non-profit Locust Projects brought their popular Roundtable Series and it’s moderator and creator, the lovely Amanda Sanfilippo, to Chicago for progressive conversations hosted by stakeholders in Chiacgo’s cultural scene. The Locust Roundtables were a part of EXPO Chicago’s /Dialogues program, in conjunction with the Association of Independent Colleges of Art and Design Conference at the School of the Art Institute of Chicago.

SPOTTED: Sanfilippo (right) & WTT? informant Alexis Bassett (left) at the Starwalker gala on Saturday night. We assume if you’re reading this you’ve probably seen enough images from the evening (or better yet, you were there!) so we’ll spare you any more shots.

Rapid Pulse continues tomorrow night with a performance by the much loved Mikey McParlane, who will be performing with Floridian transplant, filmmaker & musician, Jimmy Schaus (the performance will also include the hottest jogger in LS, Caleb Yono).

We spotted this sneak peek of McParlane’s rehearsal with Schaus last night on the artist’s instagram account.

And here’s a picture of Rick Ross just because.

The Weatherman Report

Judy Chicago, Queen Victoria (Great Ladies Series), 1973. Sprayed acrylic on canvas, 40 × 40 in. Collection of the Brooklyn Museum.

Starving Artist is Anything But

No one will go hungry at the CAC’s Starving Artist benefit June 21, 2014 to be held at their West Loop gallery space. Based on last year’s event, it appears that no one will go thirsty either. Tired of waiting in long lines for booze at benefit events? We counted at least three inventive alcoholic beverages from last year, including a popsicle made of Hennessey and that classic cocktail of old, jello shots. Enterprising gallerist Andrew Rafacz even managed to make an installation of his own by turning a ping pong table into a game of beer pong in 2013.

Andrew Rafacz

Photos or it didn’t happen! Andrew Rafacz, gallerist and professional beer pong athlete.

The event will feature local artists Diana Gabriel, Luftwerk, Alexandra Noe and Edyta Stepien will work with Chefs Matthia Merges (Yusho) and Chris Pandel (Bristol and Balena) and Jared Van Camp (Element Collective). Score! WTT? freakin’ LOVES Yusho (can someone say double fried chicken and seafood too weird/ delicious to be located in Logan Square?). Looking at last year’s roundup, it’s unclear what is art and what’s food so hopefully we don’t see any tipsy art patrons trying to lick Luftwerk’s projections. Wait, who are we kidding? We TOTALLY hope that happens!

From 2013′s Starving Artist, “The Cave” installation by Andrea Morris of Cocomori.

Tickets are available on the organization’s website. Chicago Artists Coalition is located at 217 N. Carpenter Street. See you there?

Reading is Fundamental

  • Conversation in Art Gallery Actually Has Tangible Result. As part of the Locust Projects Roundtable hosted by EXPO and Western Exhibitions, Chicago Artist Writers (CAW) wrote an on the spot review of Nicholas Gottlund exhibition at Paris London Hong Kong with Chicago’s king of conceptual art writing, Brandon Alvendia. Not for the anti-collaborative or the faint of heart.
  • The Aguilar Family Engages Openly. This 6-point perspective recap of the Aguilar Family’s experience at the Open Engagement conference last month in New York City is kind of like reading a Faulkner novel, except that it’s actually enjoyable. Short and sweet, take a minute to read both Part 1 and Park II on the Cultural Reproducers blog.
  • Become Required Reading! As artist Jason Lazarus once said on Facebook, “writing poetry is embarrassing and ecstatic.” Turns out it can also be profitable! Submit your writing to the Guild Literary Complex’s Gwendolyn Brooks Open Mic Poetry Award and you can win $500 and the satisfaction of knowing that you’ve made more money off your writing than most poets.
  • Money can’t buy taste. Or can it? What is good taste anyway? Not the Yusho kind. “If art matters, then we should care about quality. And that means having the courage to forge a standard of good taste,” an article posted to the BBC boldly proclaims. We’re not ready to lead the charge but we enjoyed this meditation on taste for the BBC by Tiffany Jenkins anyway.

Chicago Celebrates Life of Frankie Knuckles With Totally Epic Dance Party


Don’t Snooze on These Upcoming Exhibitions…

In the spirit of Stephanie Burke, here are our Top 3 most anticipated exhibitions opening in the next week.

Postcard image for Black Cauliflower.

Black Cauliflower. New work by Corkey Sinks & Jamie Steele opening June 14th, 6-9 PM and open through July 19th at Roots & Culture.

#BRUTEFORCEFIELD Work by Christopher Meerdo for his ACRE Exhibition, opening at The Hills Esthetic Center June 14th at 7PM. Open by appointment afterward.

Not sure what brutality has to do with puppies but we’re willing to find out.

Alex Chitty for Trunk Show. Opening Sunday, June 15th, from 2PM – 4PM on the rooftop Parking Lot at Home Depot, 1300 S Clinton St. (at Roosevelt). On view on the open road through Friday, July 18th. Follow @trunkshowtogo for updates on the gallery’s location.

Getting Chitty with it!




EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3′s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

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