Work by Robin Juan of HungryMan Gallery, Bill Gross of 65GRAND, Vincent Uribe and Allison Kilberg of LVL3, Kirk Faber of Kirk’s Apartment, Elliot Reed, Erin Nixon and Patrick Bobilin of Noble & Superior Projects.
Noble & Superior Projects is located at 1418 W. Superior St. ONE NIGHT ONLY EXHIBITION, open Friday (tonight) from 6-10pm.
Work by Madeleine Bailey.
ACRE Projects is located at 1913 W 17th St. Reception is Sunday from 4-8pm.
A project by Brandon Alvendia with Todd Bailey and Bridgette Buckley.
Monument 2 Gallery is located at 2007 N. Point St. Reception is Saturday from 7-10pm.
Work by John Neff.
GOLDEN is located at 3319 N. Broadway. Reception is Saturday from 6-9pm.
Curated by Matt McAuliffe. Work by Matias Faldbakken, Sophie Calle, Joe Smith, Andy Kaufman and Benjamin Bellas.
Julius Caesar is located at 3144 W Carroll Ave, 2G. Reception Sunday from 4-7pm.
This weekend is making up for the last couple slow ones. In all, 35 openings, with shows in all the standard art districts, a few museum events, and an awesome array of shows at the weird-ass venues that make Chicago such a vibrant art scene. Here’s my picks:
1. Living Treasure at Pentagon
“Living Treasure is a shadow of Pentagon Gallery’s first opening Nemesis, A show that engaged cultural others and darkness in music, film, literature and athleticism. Living Treasure attempts to take note from Nemesis but focuses on current global issues and America’s involvement with in them. Each artist transforms ideas of violence, destruction, environment, religion, and sexuality by utilizing different mediums and engaging the viewer to be critical of their own social nature. The show it’s self might seem sinister but stays satirical with subject and matter.” Work by Carl Baratta, Carolina Wheat, Montgomery Perry Smith, Theodore Darst, Ryan Ingebritson & Flash Gordon (1980).
Pentagon is located at 961 W. 19th St., 1F. Reception is PLEASE NOTE: Saturday from 7-10pm.
2. Younger Than Janis at Noble & Superior Projects
“The work of all of these artists (who together cover film, sculpture, sound, food, printed matter, painting, photography and video) considers the ephemeral nature of youth and beauty. The work ranges from musings on death to pursuit of an infinite youth, covering all the fleeting affect in between.” Work by Marcel Alcala, Ryan Barone, Lucas Blair, Patrick Bobilin, Connor Camburn, Kevin Clancy, Adam Cruces, Cara Anne Greene, Eliza Koch, Andre & Evan Lenox, Vanessa Macholl, Celia Marks, Ross Meckfessel, Michael Morris, Erin Nixon, Michael Radziewicz, Anna Rochinski, Steve Ruiz, Liz Rugg, Hannah Verrill, Blair Waters, Ali White, Andrew Norman Wilson, and Travis Wyche.
Noble & Superior Projects is located at 1418 W. Superior St. Reception is Friday from 6-10pm, film screening is Saturday from 7-10pm.
3. A Packer Schopf 3-fer: “South County Scrapbook”, “Gleaners, Hawkers, and Reapers” and “Skivery”
Danny Hein: South County Scrapbook – “My drawings are inspired by romantic memories of growing up in rural Indiana. I always felt there was a lot of mystery there. The figures here represent the land. I think of them as corn-fed-ghosts.”
Catherine Jacobi: Gleaners, Hawkers, and Reapers – “The Histories of Objects are platforms from which Jacobi starts her pieces – considering a narrative that has already existed and one that she will have imagined existed. The novelty of form is that it leads you to believe it will endure. Look at a body, her body – immortality it seems is mortal.”
Nancy Bardawil & Casey Gunshel: Skivery – “Nancy Bardawil started her art career as a painter and a sculptor, but for the last twenty years she has been working in film as a director. Although she’s been painting since she was six-years-old, this is the first time she’s shown her paintings in public. As a child, Casey Gunschel learned to draw by way of National Geographic and Dungeons and Dragons monster manuals. That introduction has inspired a lifetime fascination with animals, creatures and all things wild.”
Packer Schopf Gallery is located at 942 W. Lake St. Reception is Friday from 5-8pm.
4. Action! at Chicago Art Department
“ACTION! is a Chicago Art Department exhibition themed around the idea of the Hollywood summer blockbuster movie. Since the release of Jaws in 1977, the summer movie season has, for better or for worse, become characterized by over the top, big budget, action, special-effects laden movies that we now know as “the summer blockbuster”. The art in this exhibition looks at the summer movie as cultural phenomena and symbol, as nostalgia and memory, and yes even simple, mindless fun.” Work by Ryan Roberts, Christophe Roberts, Clare Rosean, Nat Soti, Jim Jeffers, Ali Serradge, Sarah and Joseph Belknap, Kayce Bayer, Chris Lin, and Kerry Flaherty.
Chicago Art Department is located at 1837 S Halsted St. Reception is Friday from 6-10pm.
5. Visible City: Map Room at Fill in the Blank Gallery
“Visible City: Map Room is part of an ongoing body of work by Aaron Delehanty in which painted images and drawn maps work together to build a mythos of a nonexistent place called Visible City. This exhibition highlights two features of this city—its urban physical space and its mental space—by showing scenes of the city as being designed in harmony with its surroundings. The maps of Visible City are strange and unique, different from your usual map because Visible City is a different kind of human settlement.”
Fill in the Blank Gallery is located at 5038 N. Lincoln Ave. Reception is Friday from 7-11pm.
Man, I love when the name of a gallery references where it is located. I mean, how convenient? Noble and Superior Projects had their first opening this past weekend with their show DOUBLE FANTASY featuring the work of Ivan Lozano and Kate Brock. The brand spanking new gallery is run by SAIC grad students Erin Nixon and Patrick Bobilin.
The space is an apartment that is not trying to be anything more than what it is. You enter through the kitchen. The show consists of an installation by Lozano and a small room of Brock’s photography. The installation is a projected video with sound, two circles on of video the wall, the bottom image falling onto a mirrored floor. The bottom is a male face, in agony or ecstasy, in extreme slow motion. The top image is more amorphous shapes, colors and patterns. The sound is repetitive and loud, like exceptionally unpleasant dance hall music. The piece is encompassing and engrossing, spilling off the wall onto the floor, changing the color of the entire space, with mesmerizing patterns. I couldn’t stop watching. Knowing a little bit of Lozano’s work, I understood the allusions to disco and could tease out the origins of the bottom face from some gay porn. However, because there wasn’t any literature available at the show, I think some of the subtleties that could have been enjoyed (where the footage came from, heck, even the title of the piece) were inaccessible.
Brock’s work was photography displayed in a small room off of the installation. There were four small black and white images, three slightly larger color, and four large color prints. They were all portraits of semi naked, thin, attractive people in various environments, sitting, standing, lounging, wearing brown paper bags to cover their heads. They are expertly executed portraits, visually stunning, with urban landscapes and intimate interior spaces as the backdrops. From the gallery website, the series (BAGHEAD, not sure why all caps) “highlights the shape of the body and forces the viewer to imagine each of her characters through the prism of an irreconcilable anonymity.” Well, yes. Because there is no face to connect your gaze, you are left looking at these people and their attractive bodies. I enjoy this idea of removing agency, and how the relationships between the characters are complicated by the lack of eye contact, in the series however it comes off as a sort of one-liner.
I did appreciate the dialog between Lozano’s work and Brock’s. There was delicate connection between where to place or locate the gaze in the photographic as well as an extreme emphasis on the gaze in the larger than life face in the installation. In the conversation between the work, Lozano’s work felt much more secure in a time and place (post-AIDS epidemic) while Brock’s work felt very contemporary it did not feel deeply attached to a history.
More so than the show itself, chatting with Nixon and Bobilin really excited me about the future of the space. They want to focus on two artists at a time; one working in a way that must be “experienced” (I’m thinking more video, installation, performance) and the other in a way that is able to be easily distributed. For this show, I got to take home a small photo of Brock’s work (packaged in a paper bag, no less). I think this could be a very dynamic experience, and with so many galleries or shows focused purely on one concept or the other, I am interested to see how this plan develops.
Noble and Superior Projects is located at 1418 W Superior St in Chicago, IL. They are open to the public Saturdays from 12-6 and monthly for openings. They can be contacted at nobleandsuperior (at) gmail.com