Here’s what’s got my attention, web-wise, so far this week:
*San Diego Museum of Art director Derrick R. Cartwright appointed director of the Seattle Art Museum.
*Art Institute of Chicago director James Cuno hopes to initiate massive fundraising drive for free Museum admission.
*No Boys Allowed: yearlong exhibition at the Pompidou Center is for women-only.
*Scope Basil is only three weeks ago away, and still ‘aint got no permit.
*”I spent a year asking why the contemporary art bubble was the biggest, bubbliest bubble of them all”: Ben Lewis’ The Great Contemporary Art Bubble preview clip on YouTube ( ART21’s Ben Street has a funny post on the film too).
*Speaking of Twitter, it could be coming to a t.v. near you.
*Beautiful/Decay needs YOU to help pick the theme for its next limited-edition publication. Winner gets a copy of the book. For free!
*CAA Study finds over-reliance on part-time faculty in American higher education.
*New York Times looks at how artists are adjusting to economic hardship.
*Edward Winkleman asks his readers why the view that art is ‘unmasculine’ still persists?
*Chicago artist and illustrator Lauren Nassef’s “A Drawing a Day” still going strong.
*Joanne Mattera bites back after receiving a cease and desist letter warning her not to write about vanity galleries (a.k.a. ‘pay to show’ schemes).
*Chicagoist’s report on the Society for News Design’s conference and discussions about what’s happening in the Chicago journalism scene. Very interesting write-up here, including follow-up comments.
*”The practice of art gets the criticism it deserves”–Great piece on how the internet is changing critics and art criticism by John Haber.
*Another good read on the above topic: “Arts Writing and ‘The New Thing'” at Peripheral Vision. (Meg has also twittered numerous of-the-moment links on the topic of arts journalism this past week, make sure to check those out too).
That’s all for now. I’m off to see Several Silences at The Renaissance Society.