Considering Coexistence: An Interview with Jenni Nurmenniemi
It’s a lot about hosting. It’s a lot about listening and being super sensitive to nuances. We somehow set certain loose parameters, follow what emerges, and then try to tease out meanings. Meanings in plural because I don’t feel it’s possible to construct a coherent or singular narrative around art and ecology.
Why are we doing art at all? An interview with Eiko Honda
What does it mean to be modern? And can we possibly find a different kind of modernity by narrating our current issues and past events differently? Might that change the future as well? And of whom? How can we try to extend one’s imagination beyond our established conventions? The historiography of language—of one of the most fundamental commons—and of artistic practice that works with the human tool of imagination— might have some answers to the queries.