We are embarking upon a new little project. Over the next 80 or so weeks we are going to do a series of micro broadcast studio interviews with the local heros that we have some how forgotten or over sited in our slapdash and ramshackle scheduling.
That’s right, I said we are going to be live on the radio – boom – step back. Minds blown. But sadly, only for the few blocks around the interviewed artists studio. How it will work is, a few days before the broadcast we will let you know roughly where and roughly when we are going to do the chat. Then we will rock it out, if you are interested show up in the neighborhood with a radio and find us. We will, of course, archive the conversation and release it at our leisure some time in the near-ish future.
We are going to get started Monday around 8:30 pm in Albany Park near Lawrence and Kimball with Carl Baratta and Oli Watt. I’m pretty sure we are going to rock 91.1 fm. (#neverforget) It is going to be magic.
As we move forward with micro broad casting chicago art or the MBCCA project we need a little help from you. Here is how…
We need to figure out our initial list of the people whose contributions to our art history or the Chicago arting life have been so big that it is embarrassing that we have not already had them on the show. We have been compiling a list (which I have carved into my studio wall) but it doesn’t feel complete.
We have a lot of the obvious people Jessica Stockholder, Michael Rakowitz, Jeanne Dunning, Dan Peterman, Barbara Rossi, Phil Hanson, David Hartt, Karl Wirsum, John Sparagana, Susanne Doremus, Gladys Nilsson, Doug Ischar, Kay Rosen, Phyllis Bramson, Jim Nutt… I could go on, possibly forever, but what we would like to know is, who do you think it is important to get on the record? Who do you think that it is tragic and disappointing that we have not already rocked the mic with? To that end, I am enabling comments again, but just for this specific post, in the hopes that we collectively can produce a list which reflects the gaps in Bad at Sports audio production and archive. That being said, I’m reserving the right to delete any comment I want for any minor infraction upon human decency.
Yes. It is true! We rocked Miami this year! It was an epic good time… Lives were changed. Bad decisions were made, but we all survived! Three cheers for the art carnival that is the Miami Basel weekend.
Dana has already done a great job of sharing the gonzo good time that is Miami and you yourself will get a chance to hear what Bad at Sports did with Cannonball and PULSE, but probably not till February. In the mean time you will have to be contented with the knowledge that we made 6 gig posters with 6 incredible artists, we rocked the local air waves at 91.1 fm, knocked out 14 interviews over 4 days, and partied like rock stars.
Thanks go out to…
Chuck Loose and Iron Forge Press
Christian Kuras and Duncan MacKenzie
Dan Grzeca for making great posters!
(we sold a bunch but we have a few left which we will sell to you in January when everyone is back from the break. They are outstanding.)
INTERVIEWS with… (in order of appearance)
Rachel Adams and Jennie K. Lamensdorf – Curators
Mary Mattingly – Artist
TM Sisters (Monica and Tasha López De Victoria) – Artists
Frank Webster - Artist
Josh Rogers and Lesley Weisenbacher – Collectors
R&R Studios (Roberto Behar & Rosario Marquardt) – Artists
Dawn Kasper - Artist
Sharon Louden – Artist/Author
Sylvie Fortin – Director or the Biennale de Montréal
Tatiana Hernandez – Knight Foundation
Adler Guerrier - Artist/Gallerist
Patti Hernandez and Domingo Castillo – Artists
Christy Gast - Artist
Jillian Mayer – Artist
The show would not have happened with out the help of these three cats… (hug them next time you run into them…)
The following images were taken by Vinson Valega
Sure. 91.1 fm seems like a strange band width but we will never forget, you shouldn’t either.
November 25, 2013 · Print This Article
“Who owns the internet?”
Josh Baer - Baer Fax
Forrest Nash - Contemporary Art Daily
Paddy Johnson - Art F City
Richard Holland and Duncan MacKenzie - Bad at Sports
Work by Regina Mamou.
City Gallery in the Historic Water Tower is located at 806 N. Michigan Ave. Reception Friday, 5:30-7:30pm.
Conversation with author Lane Relyea, moderated by Duncan MacKenzie with Shannon Stratton and Abigail Satinsky.
threewalls is located at 119 N. Peoria Ave. Reception Friday, 6:30-8:30pm.
Work by Rory Coyne and Lauren Levato Coyne.
Century Guild is located at 2136 W. North Ave. Reception Saturday, 7-10pm.
Work by Meg Duguid, Bruce Conkle, Micki Tschur, Paul Mack, Mariano Chavez, Sarah Beth Woods, Marie Walz, Scott Wolniak, Sabina Ott & Michelle Wasson, Catie Olson, Andy Pizz, Eyeball Mansion, Nick Drnaso, Sarah Leitten, Andy Gabrysiak, Scott Anderson, Taylor Hokanson, Paul Somers, Edra Soto, Ryan Standfest, Bert Stabler, Matthew Novak, Kevin Budnik, Jeffrey Boguslawski, Ryan Travis, Christian Lars, Bra Jim Zimpel, Tom Torluemke, Tim Ripley, Eric Lebofsky, Andy Burkholder, Erik Lundquist, Krystal Difronzo, Marieke McClendon, Lyra Hill, Alyssa Herlocher, Joe Tallarico, Chris Cilla, Andy Gabrysiak, Chris Kerr, Keith Herzik, Kevin Budnik, Jason Robert Bell, Abe Lampert, Ryan Travis Christian, Jo Dery, David Alvarado, Ryan Standfest, EC Brown, Grant Reynolds, Max Morris, Otto Splotch and Anonymous.
Antena is located at 1755 S. Laflin St. Reception Friday, 6-9pm.
Curated by Ginger Krebs.
Sullivan Galleries is located at 33 S. State St. Reception Friday, 5-7pm.
March 15, 2013 · Print This Article
Saturday, March 16, 2013 4:00-6:00 pm
Chicago Cultural Center, Millennium Park Room, 5th Floor
Panel Discussion & Book Release with Joyce Fernandes, Stuart Keeler and Allison Peters Quinn
There are all kinds of overlaps in this art world of ours, old friends and close friends and collaborators — I find myself working with people in different capacities all the time. This weekend my press, The Green Lantern, is releasing a book three years in the making. It’s a project that exemplifies the overlap and intersection of various networks — what is perhaps especially fitting, given that it centers on the subject of socially engaged art practice. To celebrate the release of the GLP’s next book, “SERVICE MEDIA: IS IT PUBLIC ART? OR IS IT ART IN PUBLIC SPACE?” we’ll be having a panel discussion at the Cultural Center, moderated by Bad at Sports’ own, Duncan MacKenzie. Details are as follows:
Inspired by The Green Lantern Press’ 30th title, Service Media: Is it “Public Art” or is it Art in a Public Space?, this panel, a Poetry Center of Chicago Heap of Language Series event, will discuss unconventional art works and practices that take place outside of galleries. As such, the panel extends a conversation that Service Media begins, from text-on-the-page to an evening of public discourse. Service Media: Is it “Public Art” or is it Art in a Public Space? is a collection of essays that investigates socially engaged art. Editor Stuart Keeler strives to reexamine the terminology surrounding this discipline, just as ensuing contributors explore and critique a range of socially minded projects as artists, administrators and critics. It’s a collection that deserves attention for its careful assessment of a once-radical practice that has since become a staple in contemporary art practices and institutions alike.
Joyce Fernades, Executive Director of archi-treasures since 1998, is a cultural worker whose career encompasses extensive experience in arts administration, lecturing and teaching, critical writing, and visual arts practice. Her primary focus has been to develop innovative community arts practices. As Executive Director of archi-treasures she works hard to facilitate strong community partnerships by recognizing and honoring the tremendous assets and resources that are available in all communities, and designing creative projects that leverage and complement those assets. Fernandes is also the former Director of Exhibitions and Events at the School of the Art Institute of Chicago, and the former Program Director at Sculpture Chicago. She received her MFA from the School of the Art Institute of Chicago and her BFA from Tyler School of Arts in Philidelphia.
Stuart Keeler is an artist of public spaces who organizes exhibitions and multi-platform projects with the collaborative role of “curator” as the conceptual identity of his practice. Is it “public art” or is it art in public space? The role of the artist is challenged by his investigative projects interpreting social praxis as an innovative business model. Keeler aims to model a new process of curatorial practices by engaging with a continuing dialogue in public space centered on the expanded role of the artist. With an MFA from the School at the Art Institute of Chicago (2005), Keeler has exhibited at Gallery 400 UIC, Yerba Buena Center for the Arts, Center on Contemporary Art, Espace-Art Unit, The Hyde Park Art Center, John Michael Kohler Arts Center among others. Innovative curatorial projects include Art 44|46, Chicago, Le Flash! – Atlanta, LEITMOTIF, Nuit Blanche – Toronto. Keeler has completed over 75 public art commissions in North America and Internationally. He is currently completing a commission a the San Diego International Airport with Swaroskvi Crystal–Austria. He currently holds the position of Director/Curator at The Art Gallery of Mississauga, Canada.
Allison Peters Quinn is the Director of Exhibitions at the Hyde Park Art Center (Chicago), where she has curated exhibitions, and produced symposiums, performances and publications since 2004. She has organized significant exhibitions for emerging and established artists such as Cándida Alvarez, Theaster Gates, Kelly Kaczynski, and Bibiana Suárez. She has served on critique panels and taught graduate seminars at the School of the Art Institute of Chicago and The University of Chicago Graham School. Awarded the Ramapo College Curatorial Prize, she has served as juror for the Artadia Award, Efroymson Award, and the Ragdale Foundation. Her writing has appeared in Proximity Magazine and artists’ monographic publications including William Steiger: Transport (2011) and Altogether Mutable: The Work of Mary Lou Zelazny (2009). Allison studied a MA at the Center for Curatorial Studies, Bard College, and a BA at the University of Wisconsin – Madison.
Founded in 2005, The Green Lantern Press is an artist-run, non-profit press focused on emerging or forgotten texts in order to bridge contemporary experience with historical form. We celebrate the integration of artistic mediums. We celebrate the amateur, the idealist and those who recognize the importance of small independent practice. In a cultural climate where the humanities must often defend themselves, we provide intimate examples of creative thought. Dedicated to the “slow media” approach, the Green Lantern Press conceives each book as a curatorial site; small editions are printed with artist plates, ephemeral inserts and silk screen covers. We are efficient about the material we use, economic about our proportion and intent on local production. More information at www.press.thegreenlantern.org
An independent not-for-profit arts organization founded in 1974, The Poetry Center of Chicago’s mission is to promote poetry through readings, workshops, residencies and arts education, to make poetry accessible to the general public, to stimulate and encourage young poets, and to advance the careers of poets by offering them professional opportunities. The Poetry Center is in residence at the Chicago Cultural Center. A Heap of Language is the Poetry Center’s 2012/13 Event Series, at the Chicago Cultural Center.