Work by Doug Ischar.
PeregrineProgram is located at 3311 W. Carroll Ave. Reception Sunday, 1-4pm.
The Collectors features work by Corinne Halbert, Chris Lin and Ryan Richey. Visitation Rites II is curated by Chris Smith and E. Aaron Ross.
The Franklin is located at 3522 W. Franklin Blvd. Reception Saturday, 6-10pm.
Work by Holly Murkerson and Neal Vanderbergh.
Roots & Culture is located at 1034 N. Milwaukee Ave. Reception Friday, 6-9pm.
Work by Zacharias Abubeker, Matt Austin, Matthew Avignone, Clarissa Bonet, Kate Bowen, Dan Bradica, Molly Brandt, Billy Buck, Debbie Carlos, Claire Demos, KK Depaul, Todd Diederich, Thomson Dryjanski, Jackie Furtado, Daniel Hojnacki, Kelly Kristen Jones, Kimberly Kim, Natalie Krick, Megan Lee Miller, Meg T. Noe, Jessica Pierotti, Jonathan Pivovar, Josh Poehlein, Greg Ruffing, Justin Schmitz, Christopher Semel, Rafael Soldi, Sonja Thomsen, Michelle Wang, David Weinberg, Nicole White, Krista Wortendyke, Victor Yanez-Lazcano and Gurl Don’t Be Dumb.
David Weinberg Photography is located at 300 W. Superior St. Reception Friday, 5-8pm.
Work by John Marks.
Roman Susan is located at 1224 W. Loyola Ave. Reception Saturday, 7-9pm.
So, for some reason I thought the 2014 Whitney Biennial list was supposed to be revealed in December but instead it came out today!
Congrats to all our friends and the folks we do not yet know. We can’t wait to see the show.
As curated by Anthony Elms, Stuart Comer, and Michelle Grabner:
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, VÃ©rÃ©na Paravel, and Sensory Ethnography Lab
Yve Laris Cohen
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
RadamÃ©s â€œJuniâ€ Figueroa
Gaylen Gerber with David Hammons, Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard Hawkins and Catherine Opie
My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace
PS. Thanks to Jerry Saltz’s facebook for the list.
Ian Curtis had epilepsy, and this particular disorder of his perhaps only exacerbated that self-loathsome something inevitably experienced by us all: our need and sometimes drastic dependency on others to calm us, support us, and keep us alive. Peter Hook, Joy Division’s bassist, was recently at MCA Chicago in support of his new memoir, Unknown Pleasures: Inside Joy Division, and in the book he describes Curtis’ drive to keep playing shows despite knowing that doing so was, potentially, only worsening his illness. In interviews, Hook has stated that a major motivation to write the book was to better “humanize” the band, whose backstory (bookended with Curtis’ suicide in 1980, on the eve of their debut American tour) is often over fraught with doom, gloom, and eventual decay when relayed by outside biographers. Indeed, Joy Division’s dark, danceable post-punk rhythms and playful vocal intonations are, to my ears, incredibly sexy, and Curtis is as responsible for the music’s peculiar buoyancy as he is for its solemn, industrial ennui.
Joy Division, Isolation, 1980
I dwell on Curtis and Hook’s memoir because it helps make clear something sometimes difficult to admit; how darkness has sex appeal, how recognition of a mutual darkness in another can make us feel, in turn, recognized. I’ve recently become obsessed with the website SongMeanings.net, on which users can pontificate and extrapolate upon the lyrical content of practically any popular song ever recorded and released commercially. I adore this site because of the earnestness and tenderness with which users write; it is one of the only message boards I can think of where, instead of routinely attacking one another or a celebrity or whatever, people are vulnerable, and pensive, and surprisingly insightful.
My all time favorite Joy Division song is “Isolation” from their second album, 1980’s Closer, partially because of how Curtis appears to me in my imagination, spinning alone and manically happy. The song features Curtis repeating ‘isolation, isolation, isolation’ as the music builds its spanking beat and synthetic atmosphere, and I like to believe he’s relishing this temporary escape or solitude – particularly when, for Curtis, being alone wasn’t medically advisable. “For some reason,’ writes SongMeanings.net user The1AndOnlyMe, ‘I think Ian was also interested in classic literature, and having this sort of romantic-tragic affair was almost like a fulfillment.” The1AndOnlyMe is referring to Curtis’ love affair with a mistress and, indeed, how this may have allowed him some dramatic respite from the agonies and shame felt in ‘real’ relationships he had with his wife, his child, his mother, and his bandmates.
All of this is to say that isolation and promiscuity may be natural bedfellows. In his 1999 essay “Sex and Isolation,” ex-hustler and American chronicler of all things sexually subterranean, Bruce Benderson, laments the migration of cruising or chance encounter off the streets and onto the internet, saying; “The abandonment of the body is isolation, the triumph of pure fantasy.” Yet, fantasy wants to be recognized, and we depend on others for that. Dating or hooking up online is never really about getting to know someone, it’s about the desire to be known. Furthermore, it’s about the desire to be known as the person we’re writing and editing and framing and Photoshopping and staging for others; about the fantasy we believe ourselves to be and depend on others to corroborate. For Benderson, wary of how American entrepreneurialism and the Protestant ethic (myth?) of self-reliance has led to the shrinking of the public sphere and the routinization of social encounters, the internet represents some vague final stage; “Our minds spit our longings and obscenities into the atmosphere. And media have ensured that these ejaculations are everywhere. The self is now nowhere in particular, and, depending upon how you look at it, we have everywhere, or nowhere, to go.”
Akram Zaatari, Tomorrow Everything Will Be Alright, excerpt, 2010
Interspersed throughout these paragraphs, written late, are four videos by contemporary artists using internet fodder or found internet footage to translate something lonesome, and sexy, and humiliating, and hilarious, about desire and telecommunications. What struck me, in assembling these works (chronicling a decade’s worth of technology), was how each artist respectively appeals to something antiquated, something empty, something romantic, in order to build visual atmosphere and erotic tension complimentary to the sexts around which their works, ultimately, pivot. Like the ‘classic literature’ The1AndOnlyMe accuses Curtis of reading, these four artists seem likewise drawn to the pompous big feelings of carefully composed love and lust, yearning for and incriminating those that feel similarly.
Brittany Southworth-LaFlamme, Thank You For Submitting, 2012
In The Desert (2002), German artist Jenny Vogel edits footage collected from webcams and surveillance cameras into a moody, expressionistic tale of grey-skied, bored longing reminiscent of early film. Chicago artist Doug Ischar‘s exquisitely paced brb (2007) overlays the devastating, self-annihilating or aggrandizing text of two lovers atop an empty desert landscape captured by moving car, soft string music and melancholic imagery of a gay street festival interspersed throughout. Similarly, Lebanese artist Akram Zaatari‘s Tomorrow Everything Will Be Alright (2010) – recently collected and currently on view at MCA, Chicago – features the pithy come-ons and reluctant evasions of ex-lovers typed with caution on an old typewriter, exaggerating the time of careful self-interest while conducting such affairs. Lastly, Chicago artist Brittany Southworth LaFlamme‘s recent work Thank You For Submitting (2012) stages eight men in a pale blue tableaux vivant reading 100 ‘penis poems,’ often appealing to the effaced antiquity of iambic pentameter, that the artist requested and received via OkCupid from users everywhere, or nowhere.
Happy Valentine’s Day.
Work by Doug Ischar.
Golden Gallery: 3319 N. Broadway. Reception Friday 6-9pm.
Work by Scott Jarrett.
Heaven Gallery: 1550 N Milwaukee. Reception Friday 7-11pm.
Friday Night: Columbus Building – 280 S. Columbus Dr, 4:30-5:30pm; MacLean Center – 112 S. Michigan Ave, 5:30-7:30pm; 116 Michigan Building – 116 S. Michigan Ave, 7:30-8:00pm; Sharp Building – 37 S. Wabash Ave, 8:00-8:45pm; Sullivan Center – 36 S. Wabash Ave, 8:45-10:00pm.
Work by Bridgette Buckley, Joe Cassan, Todd Mattei, and Danielle Paz.
Peregrineprogram: 3311 W. Carroll Ave. Reception Saturday 2-4pm.
Work by Faheem Majeed.
Iceberg: 7714 N. Sheridan Rd. Reception Saturday 6-9pm.
OK, so here’s the deal for right now. Every week (well almost every week) I do a pick of shows that I think are most likely worth seeing (I am often wrong). The problem is that I sometimes don’t get to go to all the shows on my list (I generally see art on the weekend and usually just go to openings, I don’t have the “it’s so crowded in here, I can’t see the art” issue, I just shove my way through and look, but I digress). So this week I am giving ya’ll a list of where exactly I am going. I chose this route because I noticed something odd this weekend, there are seven apartment gallery show openings and closings in the next three days. I figured, what the hell, I’m going to be out, some of these places I like, some of them I don’t really like, some of them I’ve never visited, why not make a circuit of them all, a selection of this Chicago art institution known as the “Apartment Gallery” and see the “State of the Apartment” so to speak. And (this was added after the list was mostly done), I like openings that go till 10 or 11 at night, you can cram a lot more in that way.
APARTMENT GALLERY OPENINGS (AND CLOSINGS) THIS WEEKEND:
1. Australia at Concertina Gallery
And I quote, “Acting as a springboard for works by both Anthea Behm and Aron Gent, Baz Luhrmann’s 2008 movie Australia provides loaded content for each artist to pick apart and reconstruct. Though the artists work off the same source material, they diverge in form and intention. Triggering questions of cultural ownership and responsibility, Behm and Gent address the cultural transmission between those represented and those representing.” This is how the gallery describes the show. I’m most interested in going to see Anthea’s work, she’s a friend of mine and I’m curious to see what she’s been doing.
Concertina Gallery is located at 2351 N. Milwaukee Avenue, 2nd Floor. Opening Reception: Friday 7-10pm
2. Double Fantasy at Noble & Superior Projects
So this place is brand-spankin’-new. I don’t even know if it is actually an apartment gallery, though all indicators point to that (especially the directions that once you get to the address, “Rear House, Through The Gate!!!”). As you can see by the ever-so-informative card-announcement-thingie, the show features the work of Ivan Lozano and Kate Brock. I can’t find a website for Kate Brock, guess you’ll just have to go to the show.
Noble & Superior Projects is located at 1418 W. Superior St. #2R. Opening Reception: Friday 6-10pm
A two for one in Bridgeport. For those of you who haven’t been there, these two “galleries” are both part of the same apartment, secondBEDROOM located in, you guessed it…and Medicine Cabinet is the name for the installation space/bathroom.
In the secondBEDROOM: “Thad Kellstadt’s After Effects attempts to explore the possible afterlife of objects, once dependent on human touch, now neglected but possessing a new presence. Some believe that the breaking of a mirror brings a lengthy stint of bad luck due to the soul confiscating power of the mirrors reflective surface.” Yep.
and in the Medicine Cabinet: “Pharmaceutical marketing strategies and scenic nature photography combine to serve up a warning: Donâ€™t get too comfortable on that plateau. While the view is spectacular there are other forces at work, just out of earshot and bubbling their way toward the placid peaks.” Uh huh.
secondBEDROOM and Medicine Cabinet are located at 3216 S. Morgan Street Apt. 4R. Opening Reception: Saturday 7-11pm.
4. The Trunk Show at Barbara and Barbara
Barbara and Barbara do love you, as their web address so astutely says. For this round the Barbara-ganza is putting on a show dealing with the idea of travel.The show includes the work of a crap-load of people, incuding: Sierra Berquist, Ben Bontempo, Peter McLean-Browne, Evan Burrows, Pete Cuba, Fred Frederick, Julia V. Hendrickson, Landon Manucci, Colin Nusbaum, Emma Powell, Scott Reinhard, David Schalliol, Elizabeth Stoutamire, Christopher Sykora, Sean Sykora, Jessie Vogel, Kelly Wallis, RustÃ©l Weiss, Hannah Zurko
Barbara and Barbara is located at 1021 N. Western Ave. Opening Reception: Saturday 7-10pm.
Ok, so I’m a bit confused as to who exactly MVSEVM are and whether or not there are two of them. So, instead of linking to the blog that seems like it might be theirs but says they are on vacation, I’m linking ya’ll to the On The Make (another wonderful site) page about the show and gallery. And I quote, “For its second exhibition MVSEVM invites eight diverse artists to contribute site specific works and installations that address the ambiguity of the space as both domestic and professional, private and public, as well as external concerns. In Exhibition 2.10242009 these inquiries manifest in an interrogation of social paradigms, raising questions pertaining to human relationships filtered through biological and technological themes.” Artists in the show: David Brooks, Joe Cruz, Chris Cuellar, Szu-Han Ho, Jesse Vogler, Gabriel Martinez, T UMâ€™, Andrew Yang and Harley Young.
MVSEVM is located at 1626 N California Ave. #2. Opening Reception: Saturday 6-10pm.
6. Deedee Davis and Casey Roberts at Home Gallery
Less of an apartment gallery and more of, well, a home (go figure), Home Gallery is located down in Hyde Park and run by Laura Shaeffer. For this round of exhibitions, Home will be featuring the work of Deedee Davis and Casey Roberts.
Home Gallery is located at 1407 E. 54th Pl. Opening Reception: Saturday 6-9pm.
7. Marginal Waters at Golden Gallery
So, this isn’t and opening, it’s a closing. Golden is also, like Home, on the edge of the “apartment gallery” definition, but what the hell. For this round of Golden-tastic-atude, they are closing out Marginal Waters, work from the 80s by Doug Ischar. And I quote, yet again, “Ischar will exhibit a body of photographs from 1985, never before seen in its entirety, taken on the now defunct Belmont Rocks in the city of Chicago, and a new single-channel video work.” The closing is also rolled together with the catalog release, and there’ll be an interview with John Neff.
Home Gallery is located at 816 W. Newport. Reception/Catalog Release: Sunday 3-6pm.