Off-Topic invites artists, curators, writers, and cultural workers to discuss a subject not directly related to the practice of making art. We would like to welcome Caroline Picard as our latest guest with her post, â€œSmells like a Movie Starâ€. Caroline is the director of Green Lantern Gallery and Press. She is an artist and writer currently based in Chicago.
SMELLS LIKE A MOVIE STAR
Celebrities always line supermarket check out lines, always peering at you from glossy magazines dedicated to the torrential madcap folly of their lives. Their faces, bodies, lifestyles wallpaper not just culture but also the basic practice of obtaining foodstuffs. The ubiquitous presence of persona/brands like Jennifer Aniston, Johnny Depp etc., reinforce particular moirÃ©s about success, beauty and sexuality. Where repetition and familiarity elicit desire, the repeated surface of the celebrity remains the poster child of consumer society, reinforcing the criteria with which non-celebrities (thatâ€™s us) measure their own legitimacy, accomplishment and worth. Celebrity provides a filtered perspective through which we view and interpret immediate experience, history and cultural production. The celebrity exemplifies a model for success which, while applauding the individual in an immediate sense, further stabilizes predominant hierarchical structures of society. To consider the influence such a model has on the contemporary art world is of particular interest because of its function as an historically transgressive and transformative force in culture.
Despite the art worldâ€™s (partially self-inflicted) reclusiveness, it has an inextricable relationship to the economic market. That relationship is no doubt reinforced by the ever-increasing number of art students who graduate from secondary institutions and, understandably, expect their respective art practices to afford some semblance of a â€œcareer.â€ The very idea that oneâ€™s status as art marker can be â€˜taughtâ€™ is already far from the modernist perspective of artist as a vessel of inspiration.Â Similarly the sense of the struggling, starving, or â€œcrazyâ€ Van Gogh type-artist also feels old hat, a dusty model which, while adopted by some, nevertheless has been replaced by a new concept, i.e. artist as entrepreneur. Today the artist is expected to negotiate practical obligations in the world, she is encouraged to make a website, to show up on time, to write courteous letters to gallerists, and even developâ€”consciously or notâ€”a public persona. While I tend to prefer the latter attitude of art as â€˜learnableâ€™ (because as a learnable occupation it is denied some of its precious mysticism), it is all the more difficult to see how art can provide new ways of thinking if its modus operandi is dependent on the closed system career-ism of work-as-commodity.
The School of the Art Institute kicks off its current Visiting Artists Program with a lecture by Saya Woolfalk tomorrow, Tuesday February 2nd, at 6:00pm. From the Visiting Artist’s Program website:
SAIC alumna Saya Woolfalk (MFA 2004) will present her ongoing project No Place, a multimedia, fictional future that reworks tropes of sexual, racial, and gender difference. The characters and stories in Woolfalk’s constructed reality evoke travel narratives, science fiction, and the rhetoric of anthropology to investigate human possibilities (and impossibilities). Through diverse forms of installation, video, painting, drawing, performance, and sound, she reflects on human life and its future through configurations of biology, sociality, and the environment. Woolfalk’s selected exhibitions include PS1/MoMA; Museum of Contemporary Art, Chicago; Indianapolis Museum of Contemporary Art; Studio Museum in Harlem; and Momenta Art. She has been an artist in residence at Skowhegan, Yaddo, Sculpture Space, and the Studio Museum in Harlem. Presented in collaboration with SAIC Alumni Relations.
Want to bone up on Woolfalk’s work prior to the lecture? Here are some links to get you started:
Saya Woolfalk Artist’s Page at Zg Gallery, Chicago
Saya Woolfalk Performs No Place: A Ritual of the Empathic at Performa 09
Woolfalk’s lecture will be held at the SAIC Columbus Auditorium, 280 S. Columbus Drive.
This round of VAP lectures is especially strong. Don’t forget to mark your calendars for these upcoming SAIC Visiting Artist Program lectures (click here for further details):
Doug Aitken, Monday, February 22nd, 6pm
Amy Franceschini, Thursday, March 11, 6pm
Doris Salcedo, Monday, March 15, 6pm
Matt Keegan, Tuesday, April 6, 6pm
Ryan Trecartin, Wednesday, April 14 and Thursday, April 15 at 6pm