By stressing the feral and ruderal, we ask: What happens if we don’t imagine technology only in terms of human forms of externalization, but also of internalization and unexpected proliferation and growth? That’s why Le Guin and feminist re-imaginings of technology matter: we want to get away from thinking of technology as the story of human omnipotence. Rather technology, the science of craft, is an open ended process and it’s always embedded in a particular locale and multispecies worlds.
The Aesthetic Origins of the Anthropocene: An Interview with Jeremy Bolen, Emily Eliza Scott, and Andrew Yang
The concept of the Anthropocene is premised on the fact that humans have been these causal agents on a planetary scale. The question is, given that we’ve had that effect, what kind of new causes can we be, what kind of agency can we bring to it?