This week: BAS on the west coast! We talk to Adriana Salazar and John Spiak, director and chief curator of the Grand Central Art Center, which has an exhibition of Adriana’s work up currently. Also, we talk to Sabina Ott about The Terrain Exhibitions Biennial which is this coming weekend!
Plan your life around seeing us at EXPO!!! You know you want to.
ADRIANA SALAZAR: NOTHING ELSE LEFT
2013 California-Pacific Triennial Partnership with Orange County Museum of Art
July 6 through September 22, 2013
Is there an end to our existence? Can we be separated from our bodies and be transformed into something else? Adriana Salazar’s work has continued to revolve around these questions in different ways. This is why the realm of mortuary customs appeals to her: it presents numerous ways to approach the ultimate unknown.
Her past series of works have attempted to bring inanimate objects to life; crystalize human actions into mechanical devices; worked to blur the line that separates the natural and the artificial. Death has been an ever-present part of her work, understood in a broader sense, in her own words, “I want to address death as a dare to the certainties of knowledge, and as a challenge to deeply rooted traditions. Thus, my work has taken its course transforming mechanical actions, obsolete objects, fading plants and passing life into installations and objects that could become questioning situations themselves.”
For this current series, created during a two-month residency at Grand Central Art Center, the artist desired to go deeper into that moment of transition between life and death, finding out as much as she could about what happens with our bodies, with our consciousness and with everything we build around the death of others. In her words, “I found, amongst other things, that there is an aesthetics of transition, that there are rituals trying to maintain life after death, and laws which govern our bodies, even when we are not fully present. I also found out that there are transitional techniques and an intricate industry around them.”
Some of these techniques of transition have the purpose of dematerializing the body – its physical presence, associated to life and its impermanence – replacing it with a different kind of immaterial presence. In the crematory, a compartment ignites at a very high temperature until the body is almost entirely dissolved. In order to secure the transparency of this transition, all particles of bone are carefully separated from any other solid object that might exist in our remains. These foreign bodies – implants, replacements, metal bodily parts, and every sign of our artificial self – must be removed. All that is left are bones, which are then reduced to the size of grains of sand. These remains are kept in homes, spread at symbolic locations, interned at traditional burials site, or used in other creative manners. The artificial parts, on the other hand, are usually recycled for their metals or tossed away.
Salazar has decided to rescue as many cremated artificial body parts possible. These parts remain as solid as they were inside their bodies and are nevertheless considered residue. She found their value in this very ambiguity. They embody the question of the status of our own existence on a physical level: their materiality creates confusion between those objects as parts of a physical body and our own body, thus opening the gap between our certainties and uncertainties, beyond the matter of human death itself.
The simple presence of these objects puts the status of life into question, allowing us to see, on one hand, the death of usage and value as something applicable to our own bodies. They allow us to see, on the other hand, the possibility of our existence as purely impermanent, earthly and physical. They allow us to see our possible becoming.
Terrain Exhibitions Biennial
September 15 – October 19, 2013
Opening Block Party: September 15, 1 -10 PM
Utilizing multiple homes on the 700 Highland Avenue block, nine artists have created site-specific interventions for this month long event.
Megan Taylor Noe
Opening Block Party:
Terrain artist Claire Ashley will produce an event featuring her inflatable sculptures. Ellen Butler, neighbor, will exhibit her paintings and Elizabeth Rexford’s The Harmonia Quartet will play on the Longfellow Elementary school steps. A reading from Ames Hawkins’ Paper Violets will be performed in addition to Paul Hertz conducting the interactive “Ignotus the Mage” at intervals throughout the afternoon. There will be a plethora of activities and constructive projects for the whole family, such as bookbinding, fluxkit exchanges, Exquisite Corpse drawing games, and a chance for all to participate in creating a surrealist poem imagined by Stephanie Barber. The Taco Bernardo Food Truck will be in Oak Park serving dinner from 5:30 – 8:00PM, an assortment of treats will be provided by neighbors and all are welcome to add to the potluck! The day’s activities will be accompanied by the DJ styles of Rae Chardonnay then followed by neighbor Ryan Todd’s band Officer Friendly. Terrain artist and Director of Aspect Ratio Gallery, Jefferson Godard, will wrap up the event with a curated video program that will be shown from dusk until 10PM.
Here is an update on Carissa Hinz and how you can donate money to her family to aid with the expenses related to this tragedy.
For those who missed the story yesterday, we reported the shocking death of artist Carissa Hinz, 21, last Friday as she was leaving Version Fest. She was killed by a hit-and-run driver who has yet to be apprehended.
Please make all donations to Jackalope
Youtube & The Guggenheim have released their short list for the “Play” Biennial and there is a God since my favorite art video not only is back from the dead but has a new work out. Strindberg and Helium at the Beach tell the tale of a fatalistic Swedish playwright and his best friend a bubble gum pink ballon named Helium. Even though Bad at Sports didn’t make the short list if “Play” does nothing more then vault artist Eun-Ha Park and Strindberg & Helium back into production I call it a roaring success.
- What is this you say? The Art world has a habit of being delinquent on payments (even more so since October of 2008) and that can have larger ramifications throughout the entire ecosystem? Balderdash I say, pure poppycock; where did I put my monocle. Read more here
- A new Art Fair called of all things “VIP” that has no physical location and is 100% virtual on the net, marketing is not discussed nor noticable yet, there is no meet and greet which is the cornerstone of art, you will be expected to buy without ever seeing the work in the flesh & they want to charge $20,000 a booth and be held 22-30 January. If this didn’t have Gagosian, Sadie Coles, Emman uel Perrotin and David Zwirner involved I would be rolling on the floor laughing, oh wait I still am. Laugh more here
- Auction house Christie’s has hired, from outside, a former publishing, record company and Disney executive as its new CEO. Read more here
- Chuck Close does a public interview at the Art Institute of Chicago, where he discusses his life, art, and the creative process. Watch more here
- The Art Institute of Chicago Sues the Engineering Firm that built it’s Modern Wing citing cracks in concrete floors, condensation clouding the main vestibule glass and an air-conditioning system that can’t maintain a safe climate for artwork. The estimated cost of repairs is $10 million. Read more here
- Stuart E. Hample, Humorist and Cartoonist, Dies at 84. Read more here Also Howard Brodie, Combat and Courtroom Artist, Dies at 94 Read more here
- Deep in us we all love science and have had great joy in the data coming from the Large Hadron Collider and even more in the sillyness surrounding it but it’s interesting to watch scientists fall all over themselves trying to address what would happen if the beam hit anything organic. Watch more here
One more video from the “Play” Biennial, this is fun lol.
Ever had a week where you put too much on your plate? Only me? Well this weekend we can all take it a bit easier but in the mean time here are some things you might have missed while trying to be well rounded.
Lets start with Newcity (what no longer using my YCDToT green color scheme?, reds nice to I guess who had a interesting article a while back about the Spice Barrel District in Near South Chicago being turned into a Creative Industries District for galleries, studios, fashion warehouses & other design/visual art incubator projects is getting more attention on many sites and news articles as the story continues to grow and is worth a look if you missed it. Read more here
Pantone releases next years designer colors for both Men & Women; seems Beeswax will be the hot word this spring lol. Read more here
Why no artist should underestimate the toxcisity of chemicals and value of good ventalation, even though I still refuse to wear gloves while I paint with Flake White or Cobalt Violet. What can I say I prefer to do it nude. Read more here
Swedish outfit called TAT (The Astonishing Tribe) made a highly believable video on portable media ID in 2014 (is it just me that finds it odd thats not far off?) which the least likely aspect isn’t the mirror with email but that Apple still makes a non portable OS? Read more here
The Perfect table after a overly packed week for the person on the move, a zen water ripple table that you can drink tea on and the ripples are real, even in California. So lets say your a young British man who’s been working on you house for some time, teaching classes and making art to pay the bills and trying to expand your art career all at the same time but just ran out of Tetley’s well worry not atleast you will be relaxed while you struggle to swallow what passes for tea in the States. Read more here
The great part of the Art World is that it is in constant flux and endless energy. Artists and other members of the community create more commerce, impact, reach & community with $100 then most corporations can do with $1,000. The Art World cleans up and resets urban landscapes, moves when the price gets too high and then does it all over again. Lower Manhattan is a testament to the Art world and not anything City Hall has singlehandedly done. Yes there are aspects that can drive you mad; as in the endless herding of cats, debating fringe points of view that even Fox News would balk at and the deep seated hatred/fear of money or success. That said though, I would take a smart art world person over a smart MBA any day of the week. Ideas come and go but drive and tenacious originality/agility makes them a reality. Vegas was once a dream like that.
For good or ill there was once a dream to make Las Vegas an art capital. To make what was already a destination place for many into something that would include an art & culture discussion. During the time of the drive to reinvent Las Vegas as a family friendly, high culture venue, many casinos built collections and galleries to showcase great works for a small admission fee. Years later that proved to be a dead end. People didn’t want to pay to see works that were not of the highest order of notoriety while in Vegas and even fewer would make the trip with that as a priority. The casino’s multi-million collections now adorn the check-in areas and the galleries are reconstituted for other uses. Interestingly enough once again the poor artist comes along and is renting out the space to work in for later exhibitions in LA. You can read more here.
All in all though that is the Art World every day and the Business world every fiscal quarter. You dream what could be, do as much preparation as possible, swing smart and hard and hope at the end of the day you get your investors more then they paid and build an core infrastructure that can grow into something more. Something better.
You go out swinging every day, hoping that you can find that one idea that is better then the rest and you can gladly spend a lifetime building into something that brings joy, growth and money to all who enter it. You suffer the pain, the failure and the missteps knowing that she is out there just waiting to be found, that opportunity to plug in your skills and view with the needs of the community. Thats why we do this every day, that is the art world where dreams die daily so that other, better ones, might take their place for us all.
- The Brooklyn Museum continues to try to position itself better to increase traffic, now by extending it’s hours to 6pm on Wednesday’s and 10pm on Thursday & Friday from 5pm. They plan to hire a few more part time staff to cover the extended hours but state that the current budget and suggested admission will more then cover that added cost. read more here
- Metropolitan Museum of Art exhibition on Picasso that just closed pulled in a record 700,000+ visitors over a 17-week period. This makes it the most attended exhibit since the Impressionist art show in 2001. read more here
- The Italian state and the city of Florence fight over ownership of Michelangelo’s David. read more here it is a fight that is akin in logic and the boredom of lawyers who need to charge hours to the battle between the FBI & Wikipedia over it’s use of their seal in a entry on the FBI this month. read more here
- Trafalgar Square’s fourth plinth contenders are unveiled, a cake, a cock, a organ, a topographic relief map of the UK, kid on rocking horse & a Field Marshal. The Bad at Sports oddsmaker’s take is as such: field marshal 1:1, cock, 2:1, organ 4:1, kid on rocking horse 6:1, cake 10:1, topographic map that can only be properly seen from above and below is nothing other then a jagged white shape 1000:1, an artistic discussion that the general public will actually engage in and might remeber for more then a year…… priceless. read more here & here