It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:
Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.
Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.
This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.
Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen
Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!
Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.
Cave of Lascaux blows everyones mind: Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
Woman makes strong case for ladies:
In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
Art Newspaper on artists in newspapers:
Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.
Artists confused, think they are musicians
Visual artists do unthinkable and create sound
Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.
Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.
Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.
Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.
Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)
Constellation is located at 3111 N Western Ave.
Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.
We heard there’s going to be a secret (not anymore!) extension of ACRE Residency’s April 15th Application deadline. So there’s really no excuse, APPLY TODAY! You won’t regret it. (Disclaimer: I didn’t.)
In a characteristic move, Pedro Velez calls out an unsuspecting Ryan Coffey on twitter. #RUDE
Chicago closet-cum-gallery, Queer Thoughts, holds successful benefit auction, city continues to wonder why?
Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.
The Weatherman Report
For Chicago IL
Joan Mitchell, Minnesota, 1980 Oil on canvas (four panels), 102 1/2 x 243 inches (260.4 x 617.2 cm). Collection of the Joan Mitchell Foundation, New York.
Because if I hear one more thing about Justin Beiber I’m going to scream.
SAIC Secret Admirers. Looks like SAIC has a crush on Prof. Fleischauer and butts. Also, this is probably the best work from the BFA show. (Courtesy of Sofia Leiby.)
You down with OPP? Chicago’s own artist-turned-entreprenuer, Jenny Kendler, is quoted in this fluffy piece about artist’s websites being not websites, but “constructing a narrative”. At least the photo of Kendler is cute.
The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?
Ed Ruscha, We the People, 2 color lithograph, 14 x 14â€, Courtesy of Gemini G.E.L. and â€œArtists for Obama.â€
We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?
Artist Creates Black Hole in Roger’s Park
Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.
See XXXXXX now so you can say you knew Deville’s work before it was in Venice.
Piranha Club #8: A Tribute to Leoâ€™s Lunchroom
April 27th, 11amâ€“ 9pm. At Roots & CulÂture 1034 N MilÂwauÂkee Ave.
ServÂing a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. DinÂner 6pm-8pm. Kitchen closes at 8. 10 seats availÂable at a time. First come, first serve. BYOB. VegÂeÂtarÂiÂans, of course, are welcome!
Header image is a detail of Daniel Luedtke‘s installation of Untitled (Write Through) and E-touch (both 2013) at the SAIC MFA Exhibition.
Many of history’s greats are known to have painted a sun-dappled landscape or two in their day. Everyone from Winston Churchill to Dwight D. Eisenhower, and even Adolph Hitler have handled a palette. Just like Van Gogh and Gaugain’s portrait exchange, Eisenhower even painted a portrait of his venerable ally, Churchill.
Surprisingly, 43rd President George W. Bush has finally managed to join their ranks, not in political savvy, but through his newfound pastime of “makin’ paintin’s.” By now the entire internet is aware that George W. Bush is a prolific artist, having painted at least 50 dog portraits as well as some landscapes and even a couple n00dz. For once, What’s the T? couldn’t be more proud of our former Commander in Chiefing, and we have created a special hypothetical art collection based on his oeuvre.
The Jogging’s oddly clairvoyant portrait of G.W. from July 2012.
Because we know that you see that red and pink equal sign when you close your eyes and, honestly, who cares about Tilda Swinton?
We know you’re tired of reading them, if you ever did in the first place, so why not just stop writing artist statements once and for all? Iris Jaffe breaks down each and every terrible category. File under: So true. (Article courtesy of Emily Green.)
Upcoming exhibition and other life changing events all taking place on April 6, 2013
The stars must be aligning on April 6th since damn near every gallery in the city is having an opening. It’s ridic. In Logan Square, it’s finally Spring and the Comfort Station is reopening with an exhibition by Isak Applin and Adam Ekberg. Chicago’s fav Italian artist living in Vienna, Helmut Heiss, has also triumphantly returned for his upcoming ACRE show at Slow in Pilsen. Happy sources report that Heiss’s contribution is large and shiny.
Furthermore, Anthony Romero and Jesse Butcher have an opening at Happy Collaborationists that we heard is inspired by hippies and mud. Word is that Haseeb Ahmed and Daniel G. Baird’s opening at Roots and Culture will dramatically change the gallery space, incorporating a fountain and maybe even fish (but don’t quote us).
Smalltime Archiphile centers on architectureâ€™s place â€“ sometimes event-based, sometimes aestheticâ€“ in usually small, marginal and forgotten incarnations around Chicagoland.
The Patio Theatre is arguably the most magnificent movie house in all of Chicago. With awesome programming by the Chicago Cinema Society, a revamped 1920’s Baroquesque interior and streamlined Deco marquee, Patio uses the vehicle of space, time and, more specifically color, to heighten its graphic grandeur.
Patioâ€™s use of color is palpable and interactive. The culmination of this comes in the auditorium’s screen covering that employs classic vaulting effects with an abundance of color to achieve simulacrum by easily inhabiting both traditional building technique (without traditional necessity) and pushing nuanced ornateness in graphic (without being kitsch).
Sitting there watching a Samurai classic like Shogun Assassin on a Saturday night in Portage Park, not Lakeview, Logan Square, Southport or any other “hot spot” is an added bonus to this prismatic gem. Architecture â€˜looksâ€™ all the time and the colorful Patio Theater trumps most classic Chicago movie houses in terms of how comfortable it is in its own skin â€“ inside and out.
The Patio Theater is located at 6008 W. Irving Park Rd, Chicago, Illinois 60634.
From the Mutiny to the Bad Seeds, music is totally trending.
Fish, the band, at The Chicago Music CD showcase at The Mutiny on Thursday Night Photo courtesy of Chicago Music CD Record Label.
Cla$$’s 3ft triangle stole the show. Photo courtesy of Chicago Music CD Record Label.
My Bad’s Scott Reeder takes a selfie with adoring fans. Photo courtesy of Chicago Music CD Record Label.
#FREETHEUNIVERSE takes over The Mutiny Thursday night. Photo courtesy of Chicago Music CD Record Label.
Now you can stop dreaming about it. Nick Cave(s) sighting courtesy of Caroline Picard.
Everything we know about Passover we learned at Bobby Conn‘s final residency performance at the Hideout last Tuesday. His full band including Tim Jones fronted brass section was nothing short of a Pesach miracle.
Respect the crown: Kim Gordon with White/Light at the MCA last Tuesday night.
Work by Tim Piggott, Daniel G. Baird, Michael Una, Adam Farcus, E. Aaron Ross, Thad Kellstadt, Alex Bradley Cohen, Nick Peterson, Jim Zimpel/Anna Reich, Miguel Cortez, Kevin Jennings, Edra Soto, Jake Myers, Mathew Paul Jinks, Jourdon Gullett, Brian Wadford, Jerimiah Hulsebos-Spofford, Andrew CopperSmith, Rebecca Beachy, Frank Van Duerm, and Phil Parcellano.
TERRAFORMER is located at 3216 S. Morgan St. Reception Sunday from 4-8pm.
SMALL Showroom Opening Party at 3219 S. Morgan St. Reception 5-10pm Dusty Groove Records Party at 755 W 32nd St. Reception 7-9pm Enochâ€™s Donuts + Kevin Heisnerâ€™s Tool Party at 755 W 32nd St. Reception 6-9pm. Paratext Bookstore at 755 W 32nd St. Reception 6-9pm. Bridgepop SpringPop at 3143 S Morgan St. Reception 6-9pm. Ray Emerick Studios Opening at 3149 S. Morgan St., #1. Reception 6-10pm. Research House for Asian Art at 3217 S Morgan St. Reception 6-9pm.
Curated by Liz McCarthy. Work by Sarah Mosk, Caroline Carlsmith, Rebecca Beachy, Lauren Edwards, Sophia Cara Dixon, Emily, Lauren Beck, Robin Hustle, Ellen Nielsen, Meg Noe, Jenny Kendlre, Melissa Demasaukas, Alex Chitty, Megan Diddie, and Caroline Picard.
Roxaboxen Exhibitions is located at 2130 W. 21st St. Reception 7-10pm.