by Guest | Nov 22, 2013 | Blog
Towards the end of The Function of Criticism, Terry Eagleton suggests that the “role of the contemporary critic,” which is of course a different thing than the function of criticism – right? a role and a function are different things, but of course the function of something might be to provide a role, or a role might be to serve a function, in both cases it seems like function is greater than, trumps or possibly dictates, role – is to reconnect “the symbolic to the political,” by which he means “engaging through both discourse and practice with the process by which repressed needs, interests, and desires may assume the cultural forms which could weld them into a collective political force.” He is emphatic in pointing out that this role, this idea, is not new at all, but – like many ideas around a liberatory role for art, theory, etc – harks back to an earlier historical moment.
by Anthony Romero | May 7, 2013 | Blog
“Courage is the great enabling virtue that allows one to realize other virtues like love and hope and faith. To have courage is to be willing to look unflinchingly at catastrophic circumstances and muster the will to overcome the fear, never to fully erase and...
by Claudine Isé | Mar 9, 2011 | Blog
The second edition of “Fielding Practice,†a podcast produced for our Art21 column Centerfield: Art in the Middle with Bad at Sports, just posted today. On this episode, Duncan MacKenzie, Dan Gunn, and I are joined by art critic, blogger, and ArtSlant’s Chicago...
by Christopher Hudgens | Nov 23, 2010 | Blog
Kate has done her 30 days, she has her $10,000 and I am sure a stack of non-disclosure agreements signed. The experiment is over and so begins the postmortem. The irony is it is almost pointless doing a review of the job that Kate McGroarty did over the last 30 days...
by Claudine Isé | Nov 22, 2010 | Blog
I’m off this week on vacay to sunny Sarasota, Fl., hometown of the Ringling circus and Pee-Wee Herman, too. Someday, there will be a museum dedicated to Pee Wee, and its curators will write sober wall text on the semiotics of the Big Shoe Dance and the erotics...