Who is the hell doesn’t know what Highlander is? For shame. All of you, add it to your netflix queue pronto!
This week: Duncan, and a panel of superstar critical thinkers, Lori Waxman, Kathryn Hixson and James Yood discuss, Highlander, Artropolopolopolis, Robert Storr vs. the universe, and regionalism in an action packed, smack down of art critical smartness.
To digress for a moment, in googling everyone’s name to minimize errors I was astonished to find that there once was a Chicago Art Critics Association. Sadly their website was last updated in 2006. It seems to have died of disinterest. I wonder if the meetings entailed “Beat-it” style knife fights, alas Bad at Sports missed the boat there.
Only Duncan will be amused by the opening song, as he knows there can be only one, and only Kaveh Soofi and Dominic Molon by the closing song.
Joseph Mohan. There Duncan, I said it.
Finally, after a six month wait, it is here…
The audio from the 2007 Stone Summer Theory Institute: Is Art History Global?
This will be a series of six or seven 2-4 hour excerpts from the week-long event. In advance of the second iteration “What is an Image?” You can find more info and the application for the 2008 Institute at… http://www.stonesummertheoryinstitute.org
The 2007 participants can be viewed at http://www.badatsports.com/megsmagic/2007-panorama.jpg
Keep in mind that this audio is rough “B-side stuff,” but nonetheless provides a chance to go behind the curtain on this thoughtful conversation.
In this episode we present… “The Intro Round Table Event.”
From The Stone Summer Theory Institute Site…
2007: The Globalization of Art, co-organized with Zhivka Valiavicharska
The book will be co-edited with Alice Kim; please see the book series for more information.
The “biennale culture” now determines much of the art market. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time, there is extensive theorizing about globalization in politics, postcolonial theory, economics, sociology, and anthropology.
This was the first event of the series to bring political theorists together with writers and historians concerned specifically the visual arts and its art history.
Seminars were taught by Fredric Jameson, Harry Harootunian, Thomas DaCosta Kaufmann, Shigemi Inaga, Susan Buck-Morss, James Elkins, and Zhivka Valiavicharska.
Sorry. We were a little slow due to power outages and the mediocre AT&T.
Art Critic Greg Cook (The Boston Globe, The Boston Phoenix) joins Matt Nash, James Nadeau and Christian Holland of Big RED & Shiny to discuss
the 2008 AICA New England Awards.
Using the list of winners as a starting point, they discuss the state of the arts in New England and what they thought was great, mediocre and terrible. Disappointment in the new Institute of Contemporary Art is expressed; AICA is scrutinized; and conclusions are elusive.
And the magic of Mike Benedetto.
February 14, 2008 · Print This Article
THE ARTWORKS Details from The Internal Slipping Out into the World at Large by Mariele Neudecker and Arrival at 2AM by Lead Pencil Studio (top left, top right); Lequita Faye Melvin by Roy McMakin and Without Room by Lead Pencil Studio (bottom left, bottom right).
The short of it (and trust me this is hard to boil down) is that a art duo out of Seattle by the name Lead Pencil Studio had been accused of “copycatting” other Seattle and International artist’s work.
As can be seen in the photos two of their pieces have similar themes and executions. Does this imply intelectual theft, plagiarism, imitation, adaptation, or pastiche. How far can a work go in copying, what is original thought and more importantly (albeit I am sure more inflammatory in art circles to ask) which executed the concept better?
There is an ever increasing news article and discussion on the topic that can be found here what do you think?
The show opens with a bang! Britton Bertran’s car is hit and we are the witnesses.
And as you listen to this week’s intro designed specifically to irritate Duncan, pause a moment and say to yourself…”Seriously? Episode 104?” Richard’s parents have called us both to mention how happy they are. Here we are poised on the cusp of another Bad at Sports season and this week Duncan is joined by friends of the show Lane Relyea and Claire Pentecost to interview/interrogate French American Theorist and Art Critic Brian Holmes.
As we roll over the two year mark we once again are faced with questions about the Bad at Sports Project. We know what we think but once again we want to hear from you. Please email your thoughts about the show and your hopes for it’s future to email@example.com please use the header “Hope Chest.” Thanks in advance for taking the time to help us get better.
Piet Zwart Institute Bio for Brian Holmes-
Brian Holmes is an art and cultural critic, activist and translator, living in Paris, interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. He was the English editor of publications for Documenta X, Kassel, Germany, 1997, was a member of the graphic arts group Ne pas plier from 1999 to 2001, and has recently worked with the French conceptual art group Bureau d’études. He is a frequent contributor to the international mailinglist Nettime, a member of the editorial committee of the art magazine “Springerin” and the political-economy journal “Multitudes”, a regular contributor to the magazine Parachute, and a founder of the new journal “Autonomie Artistique”. He is currently preparing a book in French, entitled “La personnalité flexible: Pour une nouvelle critique de la culture.”
Theo Hakola is a god among men.