This week: Duncan, Brian, and Abigail Satinsky in conversation with Christine Hill at theÂ Open Engagement conference, which took place from May 13 to 15, 2011 at Portland State University.
Open Engagement is an initiative of PSUâ€™s Art and Social Practice MFA program that encourages discussion on various perspectives in social practice.
Hill has exhibited and lectured widely internationally. She has been the subject of numerous publications and she shows regularly. Recent solo exhibitions include Ronald Feldman Fine Arts, New York; Galerie EIGEN+ART, Berlin; the Museum of Contemporary Art Leipzig; the MigrosMuseum in Zurich and the Martin-Gropius-Bau in Berlin. Â She was included in documenta X in 1997, and has participated in numerous international group exhibitions. Her work has been reviewed extensively, including in Artforum, The New York Times, The Village Voice, Art in America and in considerable international publications. The Â³Volksboutique Style ManualÂ² is in the collection of the Museum of Modern Art, New York. Â The Volksboutique project Â³MinutesÂ² was included in the 2007 Venice Biennale under the curation of Robert Storr. A forthcoming review of Volksboutique sculptural work will be shown at the New Museum in Weimar, Germany in April 2012.
The current Organizational Venture, The Volksboutique Small Business, is housed in Â her studio’s storefront in Berlin’s Prenzlauer Berg neighborhood and is open to the public. For more information and opening hours, you can contact firstname.lastname@example.org
This week: HolyÂ bicenquinquagenary Batman!Â Brian and Duncan (and guest stars including but not limited to Randall Szott) talk to Creative Time chief curator, author, and all around interesting guest Nato Thompson.
This show is the second in the series of interviews recorded at the Open Engagement conference at which Mr. Thompson was a guest. This series already charts among some of my favorites in the history of the show. Enjoy!
Since January 2007, Nato has organized major projects for Creative Time such as Democracy in America: The National Campaign (2008), Paul ChanÃ‚â€™s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelsonâ€™s A Psychic Vacuum. Previous to Creative Time, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions such as The Interventionists: Art in the Social Sphere (2004), a survey of political art of the 1990s with a catalogue distributed by MIT Press.
His writings have appeared in numerous publications including BookForum, Art Journal, tema celeste, Parkett, Cabinet and The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He recently curated an exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book on art and activism is due out by Autonomedia in October 2009.
This week: The first in our series of interviews from the Open Engagement conference that took place in Portland this past May. We start off with an excellent discussion that Randall Szott, Duncan, Brian and the occasional Incubate person had with artist, writer, lemon tormentor Ted Purves. Topics include; Ted’s work, the past present and future of Social Practice and what it means to be an artist today.
This series of interviews (thusfar, I’ve only gone through the first two) are some of my favorite discussions that (the royal) we have had in the 5 years of the show. Great stuff!
Ted Purves is a writer and artist based in Oakland. His public projects and curatorial works are centered on investigating the practice of art in the world, particularly as it addresses issues of localism, democratic participation, and innovative shifts in the position of the audience. His two-year project, Temescal Amity Works, created in collaboration with Susanne Cockrell and based in the Temescal neighborhood of Oakland, facilitated and documented the exchange of backyard produce and finished its public phase in winter 2007. His collaborative project Momentary Academy, a free school taught by artists over a period of 10 weeks, was featured in Bay Area Now 4 in 2005 at Yerba Buena Center for the Arts in San Francisco.
Ted recently received a visual arts grant from the Creative Capital Foundation and a Creative Work Fund grant from the Elise and Walter Haas Foundation.
His book, What We Want Is Free: Generosity and Exchange in Recent Art, was published by State University of New York Press in 2005.
The Open Engagement conference is an initiative of Portland State Universityâ€™s Art and Social Practice MFA concentration and co-sponsored by Portland Community College and the MFA in Visual Studies program at Pacific Northwest College of Art and supported by the Cyan PDX Cultural Residency Program. Directed by Jen Delos Reyes and planned in conjunction with Harrell Fletcher and the Portland State University MFA Monday Night Lecture Series, this conference features three nationally and internationally renowned artists: Mark Dion, Amy Franceschini, and Nils Norman. The conference will showcase work by Temporary Services, InCUBATE, and a new project by Mark Dion created in collaboration with students from the PSU Art and Social Practice concentration.
The artists involved in Open Engagement: Making Things, Making Things Better, Making Things Worse, challenge our traditional ideas of what art is and does. These artistâ€™s projects mediate the contemporary frameworks of art as service, as social space, as activism, as interactions, and as relationships, and tackle subject matter ranging from urban planning, alternative pedagogy, play, fiction, sustainability, political conflict and the social role of the artist.
Can socially engaged art do more harm than good? Are there ethical responsibilities for social art? Does socially engaged art have a responsibility to create public good? Can there be transdisciplinary approaches to contemporary art making that would contribute to issues such as urban planning and sustainability?
Open Engagement is a free conference May 14-17, 2010, in Portland, Oregon. This annual conference will be a focal point of a new low residency Art and Social Practice MFA that PSU hopes to launch in Fall of 2010.
This years conference will host over 100 artists, activists, curators, scholars, writers, farmers, community organizers, film makers and collectives including: Nato Thompson, The Watts House Project, Linda Weintraub, Ted Purves, Henry Jenkins, Wealth Underground Farms, Brian Collier, Anne E. Moore, David Horvitz, Chen Tamir, and Parfyme.
If you listened to this weeks epically long show then you might know that the Southern Graphics Council:Global Implications Conference starts today. If your into printmaking and are in the Chicago area go check out the conference this week, and say “Hi” to Duncan.
Southern Graphics Council: Global Implications Conference
March 25 – 29, 2009 / Chicago
“Printmaking is the artmedium that is most responsive to changing technologies, while also retaining many otherwise obsolete techniques. As print artists, we find ourselves uniquely situated. We employ the latest digital imaging tools and centuries-old techniques for hand mark-making. We make exquisite, precious objects and democratic gestures. We are able to share our imagery and processes with anyone, anytime while also creating community, dialog and collaboration in our own shops.
As our world becomes increasingly interdependent, local practices are at once threatened, celebrated, worthy of preservation and dangerously divisive. As printmakers, our medium is likewise evolving, its borders increasingly permeable. Our traditions are a source of strength, but also a source of isolation. We now realize that our resources are limited, that what is done in one location will probably affect someone, somewhere else.
The 2009 Global Implications Conference features exhibitions, demonstrations, lectures, panel discussions, private collection viewings, and special events at over 40 locations around Chicago.
Keynote speakers include Kathan Brown, Enrique Chagoya, Anne Coffin, and Jane Hammond.”
For more information including the schedule go here.