EDITION #16

August 26, 2013 · Print This Article

The scene at Iceberg Projects Saturday.

Art Lovers Gravitate to Rogers Park Galleries

Rogers Park was the place to be Saturday night with killer back to back openings taking place within blocks of one another. The weather couldn’t have been better and both shows had robust turn outs. Unioned Labors at the aptly named Bike Room featured not one but three different collaborative projects from duos. Small and whimsical, this show packed a big punch. Alberto Aguilar & Alex Bradley Cohen filled the space’s hallway with a mural pieced together with delightfully bold and colorful paintings on cardboard and complimented by a playful soundtrack. Inside the gallery itself a video of Aguliar’s & Cohen workin’ it out in the Bike Room’s backyard that shared a similar soundtrack. Amanda Ross-Ho and her father, Ruyell, used one of his playful abstractions that reads “Less is Not More” to adorn one of Ross-Ho’s signature oversized t-shirts. The most somber offering, Frank Piyatec & Judith Geitchman‘s rhythmic black and white text and abstractions were arranged into a giant checkerboard.

Oren Pinhassi, Untitled, 2013.

Naama Arad, Marfa, 2013.

Rhoades Scholar, curated by New Capital‘s Chelsea Culp and Ben Foch at Iceburg Projects, was similarly sparse yet arresting featuring one piece each from young guns Murat Adash, Naama Arad, Marie Alice BrandNer-Wolfszahn, and Oren Pinhassi. Adash also staged a performance where sightseers focused attention on various objects and people in the Iceberg space during the opening. Particularly mind blowing were Arad’s and Pinhassi’s work. Pinhassi’s backpack looked like it was dipped in papier-mâché and wrapped in a chalk-covered blackboard. The mutant backpack was placed open and empty on the floor revealing that crappy red nylon that’s suppose to be water proof but never really keeps anything safe. Despite all this there was definitely something magnetic about this unassuming backpack combining school daze nostalgia with the sculptural sensibility of Rachel Harrison and Kate Ruggeri. Naama’s sumptuous oil pastel drawing also pulled on our heartstrings by pairing a technique learned in grade school with stunning use of color and line. This rug inspired work was not your grandma’s tapestry.

Work by the family Ho.

Definitely recommend going to the ends of the Red Line to check out these shows. Also recommended: beef patties from the Caribbean American Bakery on the way.


Iceberg Projects open by appointment.

The Bike Room open by appointment.

Caribbean American Bakery located at 1539 W Howard Street.

The Weatherman Report

Max Ernst, Humboldt Current, 1951-52. Oil on canvas, 36 x 61 cm. Photo: Foundation Beyeler.

The scene at Iceberg Projects Saturday.

Better Luck Next Time leads to Hilarity, Danger

Fed up with the lack of cable television at the Steuben Lodge, ACRE residents and staff took matters into their own hands last weekend recording live the first ever episode of “Better Luck Next Time,” a newlyweds-style game show for artistic duos. Hosted by Carlos Danger and Vanna Ruffino, collaborators were pitted against each other to see who’s vibin’ the hardest.

Hosts Carlos Danger and Vanna Ruffino.

Carlos Danger valiantly and hilariously lead the unwilling contestants to reveal some of their deepest gripes with one another. Points were awarded on a somewhat unconventional basis after the audience mutinied against the show and its producers, demanding sympathetic half-points for weary contestants. Danger and Ruffino were ultimately able to win over the unruly mob and the pilot was a huge live success.

Live from the Chalet Studio.

Lucky to see this early preview, WWT? has heard that there are plans to put the show into syndication in Chicago.

Dispatch from ACRE

After Tom Friel’s poetic piece on the ACRE experience last week, we know we don’t have to tell you how awesome it is to retreat into the woods for two weeks.

“Please” and “Thank you” rumored to be in use in Steuben.

Colin Dickson’s installation on the property. Photo courtesy of the artist.

Good feelings abound.

What’s sah-rong?

When it feels so right?




EDITION #7

April 15, 2013 · Print This Article

Super pro-fesh and stylin’ rope jumper, artist, Miami native and three-time SAIC freshman, Walter Latimer after his mind blowing performance at this year’s Art Bash.

Say what!?

News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.

Video courtesy of Jack Schneider.

T of the Town

Spotted: Matt Austin at the opening for Todd Diederich’s Luminous Flux opening at Johalla Projects with a proof of Diederich’s forthcoming book printed by LATITUDE and available through The Perch.

Spotted at the Katelyn Farstad opening: Julius Ceasar throwing shade at The Propeller Fund in their half-hearted donation appeal.

  • We heard there’s going to be a secret (not anymore!) extension of ACRE Residency’s April 15th Application deadline. So there’s really no excuse, APPLY TODAY! You won’t regret it. (Disclaimer: I didn’t.)
  • In a characteristic move, Pedro Velez calls out an unsuspecting Ryan Coffey on twitter. #RUDE
  • Chicago closet-cum-gallery, Queer Thoughts, holds successful benefit auction, city continues to wonder why?
  • Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.

The Weatherman Report

Joan Mitchell, Minnesota, 1980 Oil on canvas (four panels), 102 1/2 x 243 inches (260.4 x 617.2 cm). Collection of the Joan Mitchell Foundation, New York.

Now on view at The Poetry Foundation.

Reading is Fundamental

  • SAIC Secret Admirers. Looks like SAIC has a crush on Prof. Fleischauer and butts. Also, this is probably the best work from the BFA show. (Courtesy of Sofia Leiby.)
  • You down with OPP? Chicago’s own artist-turned-entreprenuer, Jenny Kendler, is quoted in this fluffy piece about artist’s websites being not websites, but “constructing a narrative”. At least the photo of Kendler is cute.
  • Performing Audiences and Choreographing Coughs. Finally, some real journalism. NPR’s Alva Noë tackles the long-standing question of why audiences cough so damn much during live performances. “They are uncomfortable. They are uncertain. They are, very often, bored out of their minds.” What a surprise. In related news, Rapid Pulse is back for a 2013 installment.

AAM calls out Obama Budget

In an unusual turn of events, everyone is talking about the Obama Administration Budget Proposal for the 2014 Fiscal Year.

The American Alliance of Museums analysis of Obama’s proposed budget is less sexy than a big schmoozy gala, but actually worth reading. As is CultureGrrls somewhat-matter-of-fact budget post.

The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?

Ed Ruscha, We the People, 2 color lithograph, 14 x 14”, Courtesy of Gemini G.E.L. and “Artists for Obama.”

Surprisngly absent from the AAM document is a mention of the $59 million dollar increase to the Smithsonian Institution to fund, amongst many other initatives, The National Museum of African American History and Culture.

We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?

Artist Creates Black Hole in Roger’s Park

Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.

See XXXXXX now so you can say you knew Deville’s work before it was in Venice.

April 27th, 11am– 9pm. At Roots & Cul­ture 1034 N Mil­wau­kee Ave.

Serv­ing a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. Din­ner 6pm-8pm. Kitchen closes at 8. 10 seats avail­able at a time. First come, first serve. BYOB. Veg­e­tar­i­ans, of course, are welcome!