First: This week Duncan checks in from Roots and Culture and interviews Oli Watt and Jamisen Ogg about the show they put together with Lauren Anderson. Lauren could not make the taping session and Eric May (The Director of Roots and Culture) steps in to make sure the world know
what great work she does.
Next: From NYC! The Amanda Browder Show features three conversations from the Volta Art Fair – NY 2009. Amanda talks with Noah Singer of Imperfect Articles (Chicago), Tracy Candido and Tara Strickstein of Sweet Tooth of the Tiger (NYC) and Joshua Callaghan (LA). All three discuss the hardships of being stuck in a booth all weekend on what happened to be one of the sunniest days all winter. Read more
Yesterday, Collier Schorr had a book signing at Dashwood Books for her latest release “There I Was”. In the fall of 2007 I had a chance to see “There I was” at 303 gallery. The show was a departure from Schorr’s photographic work. Through drawings, photographs, source images, and letters Schorr retells the vivid story of Charlie ‘Astoria Chas’ Synder. While accompanying her father on a interview in 1967 , Schorr met the 19 year old drag racer and his “Ko-Motion” Corvette. By the time the article was released Synder had already been killed while fighting in Vietnam. Based on both facts and fantasy Schorr retells the last days of ‘Astoria Chas’.
The Long Century has a small musing from Schorr about Synder and war films.
“I was talking to a friend about a scene in Full Metal Jacket and he said “that is my favourite war movie”. Later, I thought, what does that mean? What does a favourite war movie satisfy? What makes it so desirable? All narrative cinema pivots on the transformation of a protagonist and so most war movies satisfy this requirement in spades. From An Officer and a Gentleman to Platoon, the young soldier is transformed into a man, either ruined by brutality or recused by structure, there is a simple pleasure in watching someone (other than oneself) abused into a potential killing machine.
…When I starting making drawing’s based on a young friend of my father’s who was killed after just on month of serving in Vietnam, I re-engaged with all those Vietnam movies I thought I loved and I no longer could love them. The fact that they were a fetish for me, and an ideal about masculinity that I couldn’t afford to indulge.”
Read the full article at This Long Century.
For more information and to pre-order a signed copy please visit Dashwood Books
Big Rock Candy Mountain
New work by Tony Fitzpatrick
315 West 36th Street New York, NY
Apr. 1 – May 16
Opening reception for the artist April 1, from 6-8PM.
“Tony Fitzpatrick’s collages are cobbled together from vintage print ephemera and handmade paper with splendor and precision; they are visual poems, reflecting on matters of place, history, and sense of being. Big Rock Candy Mountain delves deep into the transient nature of Depression-era hobos. Here, their language, ideograms, battles, and songs resound throughout Fitzpatrick’s intimate works. His voice references both the historic and current, as the culture surrounding hobo lore may now become parallel to our own. The exhibition is a culmination of the artist’s Lab Grant residency at Dieu Donné, and is on view from April 1st through May 16th, 2009.”
For more information or to see some of the work visit Dieu Donné.
Holla! NYC correspondents Amanda Browder and Tom Sanford hang out with artist Michael Anderson in his Harlem studio. Born in the Bronx in 1968, Mr. Anderson began his artistic career fusing painting and collage but has concentrated on collage since the early 1990s.
Since that time his materials have consisted solely of posters and billboards found on the streets of international cities and physically torn down by the artist. (text from Michael’s Blog).
To prep you when you go see Michael’s show at Marlborough Gallery in Chelsea which opened on March 26th, 2009, Tom and Amanda talk to Michael about his work and end the conversation with a boxing match, as a way to get out their inner feelings. Michael watches in fear….or is it hilarity! Read more
via Art Observed:
Jenny Holzer’s site-specific design for the facade of the Soloman R. Guggenheim museum is now on display. The Guggenheim commissioned the piece to mark the completion of the museum’s three-year restoration project. The piece is a light projection of political statements about terrorism and the Iraq war along with poems by Nobel Prize recipient and Polish poet Wislawa Szymborska. The work was inaugurated September 22 when Mayor Bloomberg switched on the installation causing the epigrams of white capital letters to cascade down the building. The work entitled “For the Guggenheim” will be on display from sunset to 11 PM every Friday through December with a special showing on New Year’s Eve.