This week: Duncan talks with Rochelle Feinstein.
Rochelle Feinstein, Painter and printmaker
Ms. Feinstein received a B.F.A. from Pratt Institute in 1975 and an M.F.A. from the University of Minnesota in 1978. She lives and works in New York City. Her work is exhibited widely in solo and group exhibitions in galleries and museums in the United States and Europe, and is included in numerous public and private collections. Among recent awards and grants she has received are a Guggenheim Fellowship, a Louis Comfort Tiffany Foundation Fellowship, a Joan Mitchell Foundation grant, and a Foundation for Contemporary Performing Arts grant. She was appointed to the Yale faculty in 1994 and is currently professor of painting/printmaking. Read more
Bad at Sports has realized that society is doomed and is now accepting applications for it’s Ayn Randian compound in the mountains where we will build a new society cleansed of the truly icky.
This week, the Art-School Grad Student who’s sleeping around: 26, female, Upper East Side, straight, single.
1:50 a.m.: Making out with Tattoo Guy. Have bad spins. Tell him I need water and to sober up before hooking up again. He gives me a line of his own stuff.
10 a.m.: Know this is going to be one hell of week as feeling in love with Tattoo Guy, and now super-depressed. Make appointment with school shrink.
11:30 p.m.: In bathroom, I notice prescription bottle. Shouldn’t look, but who wouldn’t? Suddenly sick-feeling. Valtrex. Shit. Could I have contracted from five-minute intercourse with condom?
With the financial market squeezing donors, collectors and the backers of the art market, the word recession has been a new mantra that has plagued the New York art scene. This week Amanda Browder (host of the Amanda Browder Show) and Tom Sanford (BAS reporter and artiste) talk with Craig Houser (curator), Les Rogers (artist) and John Lee (dealer/gallery owner) about the current financial recession in New York and how it compares to the most recent recession in the 80’s. Watch out Elizabeth Peyton, your neck is first.
Next: Mike Benedetto (jackass, BAS film critic) reviews The Watchmen.
IMPORTANT: be sure to stick around after the credits for a very special and heart rending public service announcement from Mike, that, much to his surprise, I actually did run in the show. Read more
First: This week Duncan checks in from Roots and Culture and interviews Oli Watt and Jamisen Ogg about the show they put together with Lauren Anderson. Lauren could not make the taping session and Eric May (The Director of Roots and Culture) steps in to make sure the world know
what great work she does.
Next: From NYC! The Amanda Browder Show features three conversations from the Volta Art Fair – NY 2009. Amanda talks with Noah Singer of Imperfect Articles (Chicago), Tracy Candido and Tara Strickstein of Sweet Tooth of the Tiger (NYC) and Joshua Callaghan (LA). All three discuss the hardships of being stuck in a booth all weekend on what happened to be one of the sunniest days all winter. Read more
Yesterday, Collier Schorr had a book signing at Dashwood Books for her latest release “There I Was”. In the fall of 2007 I had a chance to see “There I was” at 303 gallery. The show was a departure from Schorrâ€™s photographic work. Through drawings, photographs, source images, and letters Schorr retells the vivid story of Charlie â€˜Astoria Chasâ€™ Synder. While accompanying her father on a interview in 1967 , Schorr met the 19 year old drag racer and his “Ko-Motion” Corvette. By the time the article was released Synder had already been killed while fighting in Vietnam. Based on both facts and fantasy Schorr retells the last days of â€˜Astoria Chasâ€™.
The Long Century has a small musing from Schorr about Synder and war films.
â€œI was talking to a friend about a scene in Full Metal Jacket and he said â€œthat is my favourite war movieâ€. Later, I thought, what does that mean? What does a favourite war movie satisfy? What makes it so desirable? All narrative cinema pivots on the transformation of a protagonist and so most war movies satisfy this requirement in spades. From An Officer and a Gentleman to Platoon, the young soldier is transformed into a man, either ruined by brutality or recused by structure, there is a simple pleasure in watching someone (other than oneself) abused into a potential killing machine.
â€¦When I starting making drawingâ€™s based on a young friend of my fatherâ€™s who was killed after just on month of serving in Vietnam, I re-engaged with all those Vietnam movies I thought I loved and I no longer could love them. The fact that they were a fetish for me, and an ideal about masculinity that I couldnâ€™t afford to indulge.â€
Read the full article at This Long Century.
For more information and to pre-order a signed copy please visit Dashwood Books