Work by Adam Ekberg. In the project space: I Believe in Harvey Dent or Three Months in Valparaiso, work by Jason Robert Bell
Thomas Robertello Gallery is located at 27 N. Morgan St. Reception Friday, 6-8pm
Work by by Judy Natal.
Co-Prosperity Sphere is located at 3219 S Morgan St. Reception Friday, 6-9pm.
New photographs, sculptures, and paintings.
Donald Young Gallery 224 S. Michigan Ave. #266. Reception Friday, 5-7pm.
Release Party for PHONEBOOK 3
Threewalls is located at 119 N. Peoria. Party Saturday, 8-11pm.
Work by Ryan Travis Christian, with collaborative work in Gallery 2.
Western Exhibitions is located at 119 N Peoria St, 2A. Reception Friday, 5-8pm.
Participating curatorial groups and galleries: 2612 Space, 65GRAND, ACRE, Alderman Exhibitions, antenna, ANTIDOTE, Bad at Sports, Chicago Artists, Coalition, BOLT Residency, Chicago Urban Arts, DEFIBRILLATOR, Devening Projects + Editions, Document, Drawn Lots, Green Gallery, Happy Collaborationists, Harold Arts, High Concept Lab, The Hills, Hinge Gallery, Hungryman, Iceberg Projects, Itsa_pony, LVL3, Trevor Martin, Abr Gallery, North Branch Projects, Nudashank, Old Seoul, Packer Schopf Gallery, Peanut Gallery, Pentagon, portage ARTspace, Reference, Reuben Kincaid, Roots & Culture, Sixty Inches From Center, Small Space, Spudnik Press, threewalls, Uncle Freddy‚Äôs Treats, Linda Warren, Western Exhibitions, What It Is, and Propeller Fund grantees 2010.
GeoLofts is located at 3636 S. Iron At. The MDW Fair will continue through Saturday and Sunday, noon to 6pm.
Update: This just in — excerpts from the recordings taken during the MDW Fair will be broadcast on Episode 300 of the podcast!
Bad at Sports is setting up camp at the MDW Fair (pronounced Midway, like the airport) – come check us out over the weekend of April 23 and 24th! Richard, Duncan et al. will set up a casual recording booth area in the style of Storycorp‘s DIY reportage. Bring someone you want to interview – or someone who wants to interview you – and take 7 to 10 minutes to discuss your project your own way, in your own voice. The MDW Fair promises to be the Chicago art event of the season — check out all the details below:
The MDW Fair is a gathering of independent art initiatives, spaces, galleries and artist groups from the Chicago metropolitan area. Held April 23-24, 2011 at The Geolofts, 3636 S. Iron Street, Chicago and organized by Version 11 Festival, Threewalls, Roots and Culture and the Public Media Institute, the MDW Fair aims to highlight the “diversity, strength and vision of the people/places making it happen in the art ecology of our region” and is “a manifestation of the collective spirit behind the region’s most innovative visual cultural organizers, focusing on the breadth of work done here by artists and arts-facilitators alike.” The fair features for-profit, 501(c)3, and commercial and unincorporated galleries, independent curatorial projects and publishers and media groups in over 25,000 square feet of exhibition space that includes a 8,000 square foot sculpture garden with work by local artists.
Full press release below:
San Francisco, CA March 31, 2011 – AOL Inc. [NYSE: AOL] today announced that it has agreed to acquire BadatSports.com, one of the nations leading Contemporary Fine Art & Culture commentary/interview programs based out of Chicago, IL. Bad at Sports is well known throught the world for its fresh take on the current Fine Art scene and will make a strong cornerstone to the growing AOL Culture Network while retaining their editorial independence and unique voice that has proven so successful over the years. Further bolstering AOL’s position as one of the world’s leading providers of high-quality & timely commentary and insight into everything from technology & politics to art & culture.
Founded by Duncan MacKenzie and Richard Holland, Bad at Sports which has operated on a minimal budget and office of dedicated staff has over 5 years grown into a site that reaches millions around the world and has archived over 300 hours of one on one interviews with some of the art worlds most notable up in coming art creators, curators, historians, educators, business insiders and collectors.
AOL’s Editor in Chief Arianna Huffington singled this out as one of the main reasons Bad at Sports was one of the first aqqusitions under her direction. “The work that Holland & MacKenzie and everyone at Bad at Sports has done over the years is close to amazing and shows a level of care and dedication that you need to succeed in the long term in both the publication business and Art/Culture world and made bringing them into the larger portfolio an obvious decision.” she said.
“Engagement with thought leaders, tread setters and those that create the culture of tomarrow is as important to AOL’s growth as is the engagement of our established audience and having spoken with Operations Manager Christopher Hudgens at length about the ideas he had for the role Bad at Sports in expanding the art & culture division of AOL under the supportive hand of our new Editor in Chief will only continue to show AOL’s commitment to quality and a greater conversation on the internet. I look forward to what they can produce with the full support and resources of AOL behind them.” said David Eun, President of AOL Media and Studios.
This acquisition will further AOL’s strategy to become the global leader in sourcing, creating, producing and delivering high-quality, trusted, original content to consumers. Bad at Sports will remain headquartered in Chicago,IL, as a wholly owned AOL unit. Deal terms were not disclosed.
This press release contains “forward-looking” statements within the meaning of the Private Securities Litigation Reform Act of 1995 regarding business strategies, market potential, future financial and operational performance and other matters. Such forward-looking statements include, but are not limited to, statements regarding the anticipated benefits of the transaction and other statements identified by words such as “may,” “will,” “intend,” “should,” “expect” or similar expressions. These statements are based on management’s current expectations and beliefs, and are subject to uncertainty and changes in circumstances, including, but not limited to, the satisfaction of the closing conditions to the transaction and the parties’ performance of their obligations under the agreements; changes in our plans, strategies and intentions; the competitiveness and quality of our products and services; our ability to retain, hire and develop key employees; and the intensity of competition. Any forward-looking information is not a guarantee of future performance and actual results may vary materially from those expressed or implied by the statements herein, due to changes in economic, business, competitive, technological, strategic and/or regulatory factors, as well as factors affecting AOL’s operations and businesses. More detailed information about these factors as they relate to AOL may be found in the section entitled “Risk Factors” in AOL’s Annual Report on Form 10-K, filed with the Securities and Exchange Commission. AOL is under no obligation to, and expressly disclaims any obligation to, update or alter the forward-looking statements contained in this press release, whether as a result of new information, future events or otherwise.
AOL Inc. (NYSE:AOL) is a leading global Web services company with an extensive suite of brands and offerings and a substantial worldwide audience. AOL’s business spans online content, products and services that the company offers to consumers, publishers and advertisers. AOL is focused on attracting and engaging consumers and providing valuable online advertising services on both AOL’s owned and operated properties and third-party websites. In addition, AOL operates one of the largest Internet subscription access services in the United States, which serves as a valuable distribution channel for AOL’s consumer offerings.
About Bad at Sports
Bad at Sports located at badatsports.com and based in Chicago, IL is one of the worlds leading contemporary fine art commentary/60 minute art interview programs. Founded in 2005 as a podcast by co-hosts Duncan MacKenzie and Richard Holland, Bad at Sports has grown into a website that is read and listened to by people in every major metropolitan city around the globe. With over 300 60 minute episodes with leading art world over a thousand posts Bad at Sports has and continues to document the Art world from within with a unique and valuable position of insight.
The five year behemoth is upon us! Episode 260 kicks off with a discussion with Mary Jane Jacob and Michelle Grabner about the artist and studio. Then we turn the camera on ourselves and have a discussion about where we are and where we are headed, if anywhere.
Thanks for listening! It has been a great five years!
P.S. Cauleen S. you are a sad, sad, petty whiner. Grow the hell up.
Once a long time ago, back when I was a pious art dude scouring the web for feelings/opinions about art in Chicago, I used to relish and hitting refresh on your podcast pages and more recently the “new” blog. The comment sections there were a source of snickering, consternation, approval, dismay and WTFness. It was also a place to *facepalm*. It epitomized for me a simultaneously voyeuristic community that is silently opinionated (the anon’s) while at the same time coming off as grossly redundant by the self-promoting (the signed-in’s). There were also a lot of useful in-between comments that reflected a more intelligent community.
Then, inexplicably, it got phased out. (And by phased out I mean comments went from always there, to being available for a couple of days and then turned “off”, and finally, as of April 14, 2010 – completely gone.)
I miss them horribly. I also have the feeling that I’m not the only one.
I also know why you did it, or at least I have a good idea why. Anybody who was as interested in the comments as I was knows why too. Really, there is no need to rehash those things here except to say that I was often appalled by what I read. At the same time I learned and liked a lot: history, ideas, theory, Richard’s comic book stuff, Amanda’s insanely awesome cackle-laugh. Speaking of history, I hoped Christopher archived those comments. There must be pages and pages of them. Lots of good stuff and horrible stuff, all invaluable. I smell a zine in the making.
Now you guys are the big time – with your own openings, famous artists/dealers/curators/museum directors and blogger friends all over the world. You are still BaS, still awesome and still essential, but you’ve self-censored yourselves. I know it was hard to monitor the bullshit that happened in those comments and you played Switzerland very well most of the time (Duncan got a little testy here and there – but that’s cool). Can’t you find a new unpaid intern to do this for you, the next Meg Onli?
So what happens now? You post this letter (I hope) and then no one can comment on it? Wait, can I say whatever the hell I want right now? AND NO ONE CAN DO ANYTHING ABOUT IT! Anyways, thanks for receiving this letter to the editor, and I hope this rant makes up for all the time I was an anon.
First and foremost, thanks for sending your concern our way. When we removed comments with the new site launch on November 1st, 2009 I had expected we would have received a lot of flack via email. But alas, this is the first to grace our inboxes. Also, I appreciate your understanding of why we turned comments off.
When I first joined BaS back in 2006 there had been talks about what to do about comments that were getting out of hand. Mainly the name-calling and *facepalming* (as you so eloquently put it). I was adamantly against it as were the majority of members. But, over the past 4 years my opinion has changed. When I took over the blog and began “managing” other bloggers (Claudine excluded) I started to see offensive comments in a different light. These were people I worked with being attacked and many people I had asked to participate with us declined and listed the uncouth comments as a reason. I am up for debate but the behavior that was happening was getting out of hand and at times embarrassing. Although there were great things that did happen in the comments section it seems that much of what is missed was the “He said what?” aspect. (I use the male pronoun because they overwhelmingly dominated the space.)
Monitoring comments, although an option is really not something that is feasible for us currently. To set up an adequate moderation of comments would mean either sacrificing some aspect of the project or finding someone that solely wants to focus on that. If someone would like to moderate comments on a daily basis please email us and we would consider it.
With all that being said, Claudine and I have been working to open up the blog. Our series, “Off-Topic” was one small solution to having outside voices on the site. We have also been discussing how we can use the Bad at Sports’ facebook page in a way that will facilitate more conversations. If anyone has any suggestions we would be totally up for hearing them.
I would just rather be known for the place to go to hear/read artists having conversations and not the place to go and see people sling mud at each other.
Thanks for the letter,
Britton, as you well know I have always respected your opinion and your feedback examines the issue in a complete and thorough way, I could not possibly have put is so succinctly.
The reason we, after a vast amount of hand wringing and debate, ended the ability to post comments was due to the increasing amount of time we had to spend dealing with off-blog correspondence from people who were mad as hell that someone said something about them, posted under their name, and/or were afraid to post commentary or contribute feature pieces to the blog as they did not want to endure the at time acrimonious personal attacks. We went so far as to have a meeting to discuss the issue face-to-face and examine it from all sides. Monitoring the messages seemed like a solution, deleting offending posts, but I cannot, and will not act as occasional censor. I find censorship in all its forms be an aberration, I think that it is unfair and totally subjective to pick and choose who says what, I don’t want to be deleting the posts of someone who I think is a jackass. Just because someone in a jackass does not mean they don’t add to the dialog. So we would be posed with defining the rules for deleting posts. We agreed on the big things, direct threats, criminal behavior, libel (which is a stickier wicket), but then you get to more difficult issues of who defines who is a bully, who is a troll, who is a schmuck. We couldn’t do it in a way that would make for articulable rules.
So in the absence of some clear mandate, we were left with two choices, leave things be, and continue to diffuse possible problems (and potential litigation) or we pull the plug and the hell with it, disappointing, but certainly something that would resolve the problem. While a cop-out we all have jobs, partners, obligations, many have kids, there are times where we opt for the path of least resistance. Not ideal, but true.
Meg, now the Editor in Chief of our blog, the person who essentially runs at least half of the BAS empire, started as our intern. She is amazing and has worked harder than anyone during her time at BAS. If I was paid for this, she would have to be paid more than I was as she earned it.
Sadly, finding an intern with the work ethic and vision of Meg is a one in a million and I don’t see us getting someone to pitch in sufficiently to create and police a new comment system.
So, we are left with encouraging listeners/readers to submit letters such as your and phone comments (312-772-2780). I fear you have been more-or-less the lone voice who has given feedback post removal. Under we have a better plan, we need to stick with what we are doing. Send all better plans my way!
As a quick post script all of the comments are still on display with their corresponding posts and we view them as an invaluable part of the Bad at Sports site. In the end the trade was made to get better articles from more people. Remember anyone can pingback any of our articles with their responses on their respective blogs or sites. We never want to limit the volume of talk but had to trim the audible volume of the talk.
Got a response to this post? Let us know! Email your response to firstname.lastname@example.org. We’ll feature thoughtful responses to issues generated by our posts in our Letters to the Editors Feature.