This week: Adam Parker Smith, he’s more hilariouser than you, shut up. Lots of inappropriate stuff discussed. Dirty jokes too.
This week: BAS west coast checks in from the YBCA for a chat with Jacqueline Kiyomi Gordon.
This week: Amanda talks to Taylor McKimens!!
Taylor McKimens was born in 1976 in Winterhaven, California and lives and works in New York. He studied at Art Center College of Design in Pasadena, CA. McKimens has exhibited extensively and notably at Deitch Projects, NY, Macro Museum, Rome, The Hole, NY. Most recent exhibitions include: Studio d’Arte Raffaeli, When Things Get Back to Normal, Galerie Zürcher, Paris (solo 2011), New York Minute at The Garage Center, Moscow, curated by Kathy Grayson (2011), Spaghetti and Beachballs, curated by Donald Baechler, Studio d’Arte Raffaelli, Trento, Italy (2011) and Facemaker at Royal T, Los Angeles (2011).
Taylor McKimens initiates us in the suburban desert of the contemporary American wild west, portrayed as an extended backyard calling to be explored. Drainage ditches, weather-worn palm trees, dusty trucks make up the playing field where young characters embark on brave endeavors in an almost Edward Hopper-esque solitude.
McKimens is completely unperturbed by the messier side of things and in fact revels in the drips and oozes that are the traces of life. In one of the show’s major works, Knee Deep, the bright, acidic-colored canvas shows a young, baseball-capped girl stymied in a ditch.
McKimens creates a certain sense of no-time as if she has always been there and will always be there, contemplating her next move. Alternating between loose areas of color with atmospheric gesture and dense areas of confident line quality where even the slightest details, a fly on a shoe, a piece of trash in a puddle, are given equal stature on the canvas.
This week: Giant of consciousness, living legend of mischief, artist, and all around great guy Vince Dermody, co-founder of Law Office.
This week: From OxBow, Duncan, along with with Abigail Satinsky and Elizabeth Chodos, sit down for a chat with Hesse McGraw.
Hesse is a curator and writer and is Vice President for Exhibitions and Public Programs at the San Francisco Art Institute. At SFAI he directs the Walter and McBean Galleries, and oversees SFAIâ€™s public programs, visiting artists series and public education programs for youths and adults. From 2008 to 2013 he served as chief curator at the Bemis Center for Contemporary Arts in Omaha, Nebraska, where he developed anÂ exhibition program focused on site-specific, immersive, cross-disciplinary, and socially engaged projects. At the Bemis Center he produced two-dozen exhibitions, includingÂ major public projects with artists Theaster Gates and Michael Jones McKean.
McGraw was formerly associate director of Max Protetch gallery in New York, and was the founding director and curator of Paragraph, which operates under the non-profit Charlotte Street Foundation in Kansas City, Missouri. He lectures widely and his writing has recently been published inÂ Afterall,Â Art Papers,Â OutpostÂ and in diverse exhibition catalogues.Â Recent awards and grants include an Andy Warhol Foundation Curatorial Research Fellowship, an ArtPlace America grant, a Robert Rauschenberg Foundation Artistic Innovation and Collaboration Grant, an NEA Our Town grant, and a Harpo Foundation grant.