Edition #31

May 27, 2014 · Print This Article

Scraps by Emre Kocagil

Delicious Emre Kocagil Leftovers.

Local Boutique Sells Studio Floor Scraps; Calls it Art

WTT? is always on the lookout for a good bargain (aren’t we all?), and this fire sale is the cheapest/ best deal since Kate Ruggeri’s public drawing trade. After Scrap Heap’s drying rack debut was unfortunately dampened by rain last summer at Medium Cool, Sofia Leiby is back with an even bigger roster of artists willing to sell their tra$h for ca$h. Putting her scraps where her mouth is, Leiby will be hocking studio ephemera for $20 or less.

Delightfully affordable work by Leslie Baum for Scrap Heap II.

Flyer by Louis Doulas.

Featuring artists such as Ryan Travis Christian, Ron Ewert, Magalie Guerin, Ben Foch, Josh Ippel, Leslie Baum, Aron Gent, Emre Kocagil, Tyson Reeder and Aya Nakamura, the fragments and sketches will be available for a limited time only from 11-5PM, June 7th at TUSK.

Matisse much? Aya Nakamura’s painted scraps.

Already jealous of whoever picks up this glorious scrap by Edmund Chia.

More information and preview photos can be found on Leiby’s Facebook. All proceeds will go to participating artists. Tusk is located at 3205 W Armitage in Logan Square.

In Memorandum

Diane Arbus, Veteran with a flag, N.Y.C. (1971). © The Estate of Diane Arbus.

Who Wore it Better?

Shannon Straton dressed in Renovar for the Threewall’s Skywalker Benefit on June 7th VS Kimye’s post wedding gown.

The Weatherman Report

Alex Katz, Late Summer Flowers, 2013, 38 color silkscreen on 4-ply, 40 × 55 in, Edition of 50. Vertu Fine Art.

BREAKING: Fitzpatrick to Go Out with a Bang. And a Stage Show. And a Magazine Portfolio.

If you’ve been awe-struck and slack-jawed since Jason Foumberg broke the news of Tony Fitzpatrick’s departure in April, you may also be wondering where the artist will hold his final exhibition as a Chicago resident. Pick up your face, the wait is finally over: Fitzpatrick’s last show, The Secret Birds (knack for titles, huh?) will be held at the Poetry Foundation from July 1st – September 12th.

Fitzpatrick’s Ice Bird.

Formerly only a student of Studs Terkel and the streets, the 55 year old is leaving his lifelong home for the University of New Orleans. His interest in birds not confined to printmaking, Fitzpatrick will study ornithology and natural history in the fall. In addition to the exhibition in the Foundation’s gallery, Fitzpatrick will also produce a stage version of the show, drawn from his poetry and other writings, of the same name. The performance will feature Martha Lavey (Steppenwolf) and music by Frank Orrall (Poi-Dog Pondering). It will premiere on July 31.

Walk on the Wild Side (Drawing for Lou Reed)

In case you’re not totally Tony’d out, Poetry will also run a portfolio in the July/August dedicated to Lou Reed entitled “The Day Lou Reed Set Me Free.” After that it’s time for Fitzpatrick to update his bio before he spreads his wings and flies away.

Look out for info on the opening and performances related to The Secret Birds. Definitely serving high-quality snacks. The Poetry Foundation is located at 61 W Superior in River North.

T around Town

Artist, Matt Schlagbaum, convinces viewers to stare at “blank” wall at the opening for In the land of thieves and ghosts at Heaven Gallery in Wicker Park.

Eileen Mueller really collapsing the distinction between art and life at the Girl Don’t Be Dumb opening at Forever and Always in Pilsen on Friday, May 16th.

GDBD bathed their viewers in their signature pink in and outside of the F&A.

SPOTTED: Chris Hammes and Michelle Harris at In the land of thieves and ghosts.

More ethereal work by Matt Schlagbaum at Heaven Gallery.

Conceptual Artist Lecture Even More Perplexing Than His Work. Richard Tuttle speaks at The Logan Center on the evening of May 13th

A Tale of Two Anthony’s. Romero and Stepter outside the The Artists’ Congress held at Northwestern May 17th. If you missed your chance to discuss radical politics in the arts, you’ll have another chance June 22nd at the follow up picnic to be held at Mana Contemporary in Pilsen.

Good luck ever looking cool again if you missed the Chicago Looks Spring Swamp held at Elastic Arts Sunday May 18th. You already know we love a bargain! Featuring an unbelievable record swap, boozy punch and choice Buffalo Exchange worthy clothes all for free, the event also had local vendors like Leah Ball and Kokorokoko selling affordable duds and accessories. Shout out to the vivacious Isa Giallorenzo of Chicago Looks and the lovely Leah Ball for hooking it up!




Failing Together: One View of Twin Cities

May 16, 2014 · Print This Article

On billboards, online ads, the exterior of the building, and the entrance to the gallery, the larger than life title of the ongoing Edward Hopper exhibition at the Walker Art Center, via the Whitney and the Dallas Museum of Art, Hopper Drawing: A Painter’s Process, informs us that we will witness that process through which Hopper progressed as he made his paintings. The opportunity to see an artist’s process is rare. We do not often see the fits and starts behind the works in galleries and museums unless we seek them out in the artist’s studio or, like Hopper, after the artist is long ensconced on postcards and will safely draw a crowd.

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Courtesy of Gene Pittman and the Walker Art Center

The Walker’s galleries are filled with drawings, sketches, studies, correspondence, photographs, and extensive explanatory text. These other materials are intended to bring the paintings to life, to reveal the technical depth, tremendous labor, and detailed forethought behind the surface of the paintings. They are elevated to the level of paintings; framed, carefully displayed in vitrines, they create a false narrative of a relatively linear progression from experience or idea through studies and sketches to the finished painting. Even in the particular pieces that show a direction Hopper did not ultimately pursue, there is no room for multiplicity in the narrative, no space to consider the failure of a particular sketch to capture the desired lighting within the crafted momentum toward the completed painting.

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Courtesy of Gene Pittman and the Walker Art Center

I have desired failure recently, wanted to see the failure of artists and the art world, the works that do not leave the mind to become reality, the realized projects that are never shown, the disastrous performances we do not record, the social engagement with zero participants. We must understand our failures and shortcomings, the false starts, the flops, the imperfections we cannot help but embody. Only then can we begin to understand and learn from the ways in which failure is defined for us.

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Saint Paul is one of the few cities to receive significant arts funding from the John S. and James L. Knight Foundation. As part of a larger investment in the arts this spring, the Knight Foundation announced that Saint Paul would be the fourth city to host a Knight Arts Challenge, with $4.5 million available over the next three years. The rules for submitting a proposal were open and meant to expand foundation funding to ideas from individual artists. The rules for the Knight Arts Challenge are simple:

  1. The idea is about arts.
  2. The project takes place in or benefits Saint Paul.
  3. You find other funding to match the Knight Foundation grant.

The application was brief. They encouraged individual artists, collectives, and businesses to apply, specifically mentioning that the idea was of primary importance, not the future concerns about funding or sustainability. It was an open call to experiment, to bring forward the best and brightest ideas that will shape Saint Paul for years to come.

$9 million, including the matching funds, is a tremendous amount of money, even for the already generous Minnesota arts funding landscape, and it will inevitably shape the future of the arts in Saint Paul and the Twin Cities generally. That money, of course, will not fund the hundreds of proposals that do not meet the Knight Foundation’s criteria for success.

As a community, we must ask ourselves how we can salvage those alternate futures, the failures we may not have the capacity to realize as millions of dollars and thousands of hours support the selected ideas. We need to capture and bring forward all of the ideas submitted to the Knight Arts Challenge and every other arts funding and exhibition opportunity. They will not all be perfect, but they contain the possibilities for reimagining and remaking the future we need. We can be ready to meet the real and pressing challenges of the future – growing inequality, the effects of climate change, lack of substantive communication between people – but to do so we must first learn together from our failures, from our imperfections, from our very human selves.




Edition #30

May 12, 2014 · Print This Article

Disco Fever: Isa Genzken’s Retro-spective at the MCA

You probably know of Isa Genzken as the iconic German artist famous for her wild sculpture assemblages. And you may have heard that her MCA exhibition which opened mid-April had a lot to do with 9/11, but what’s suspiciously absent from the reviews of the show is that Genzken is a super freak. References to disco, colorful music and clubs are constant throughout the exhibition. Genzken’s cement boom box table is solemn but still lyrical, and the 2002-2003 series “Social Facades” are like flattened disco balls. Mirrored plastic panels and bright club kid colors are incorporated in many of the sculptures and 2-D works on view at the museum.

Isa Genzken cement boom box sculpture

One of the most prominent sculptures included in the show looks like and is called “Disco Soon” from the “Ground Zero” series. A multicolored party light in a shopping bag stands out in a room of installation behind the disco sculpture.

Disco shopping mall.

Aside from the disco vibes, the video work on display is pretty entertaining. One piece is a lo-fi amorphous melodrama featuring fellow German art superstar, Kai Althoff. At one point Genzken waxes poetic on the weather reporting in Europe and how much better it is in the US. She also made a tourist-y video of skyscrapers and facades in Chicago called “Drive Chicago” when she visited the city for a show at the Renaissance Society in 1992. It’s presented in a room that’s kind of too bright for video, but you can lounge in those comfy Pippiloti Rist bean bags while you watch.

Disco Soon Sculpture

Disco ‘Soon’ (Ground Zero), 2008.

In addition to video and disco, Isa is the OG queen of selfies (telling you, there’s a lot more than 9/11 and mannequins). Portraits comprise a subtle but sustained presence in her work. Genzken is seen at various points in her life: as a young artist in various statues of undress for a video performance, in still photographs amongst a collage of other artists, as an x-ray image drinking wine and then there’s the photo of her ear taken by Gerhard Richter.

Disco might be silly, but it’s way less ridic than that other major solo retrospective in town. The exhibition is on view at the MCA until August 3rd.

#T of the Town

And you thought there were a lot of openings during the winter.

Caroline Carlsmith’s work at the Northwestern MFA exhibition at the Block made viewers get down. Literally. Emily Kay Henson and Robert Chase Heishman underneath Carlsmith’s table with precisely arranged pyrite.

Diana Harper reading Carlsmith’s poem “The Procedure of Pyritization”.

Way easier to fit entire Northwestern MFA class in a single photo. Raphaël Fleuriet, Caroline Carlsmith, TJ Proechel, Nicole Wilson and Jason Dixon.

Cardinal Cross entrance

The spooky entrance to Cardinal Cross. If you missed the opening you can still visit the exhibition (if you dare!) on May 17th from 3-10PM.

This is your brain on Tony Balko. Peep this video from last weekend’s Cardinal Cross.

Work by Michael Kloss in If I had my life to live over, I’d live over a delicastessen on view at Johalla until June 15th.

Thorne Brandt, Chris Cook, and Anna Cerniglia at the opening for “If I had my live to live over, I’d live over a delicatessen” (mouthful) at Johalla this past Friday night.

Work by Ilie Paun Capriel on view at Johalla until June 15th.

The Weatherman Report

David Hockney, The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 18 December, 2011. IPad drawing printed on four sheets of paper, mounted on four sheets of dibond
92 9/10 × 70 1/10 in. Edition of 10. Annely Juda Fine Art.

All T All Shade

PS- did you hear that the #Logansquarist is “hiring”?

THIS happened Saturday night. You’re welcome. Photo by Mike Paro.

Work by Anaïs Daly (ceiling) and Ron Ewert on view at Johalla until June 15th.

18th street was packed on Friday night as art lovers (?) came out of the woodwork for Pilsen Art Walk. This is the scene outside of ROOMS gallery during a performance in the front window.

Work by Jeremiah Jones on display at rooms. Watch the video (of the video), it’s really cool!

Christian Cruz with Elee Eck at the ROOMS gallery opening for Jones Friday night.

The opening for Miss Kilman and She Were Terrible Together curated by none other than Matt Morris at The Hills Esthetic Center on Saturday night.

Morris with Ben Foch and Chelsea Culp at the opening for the exhibition, Miss Kilman and She Were Terrible Together at The Hills Esthetic Center on Saturday night.

Giving good face: Andrew Holmquist with Eric Ruschman in front of a painting by Joan Snyder at The Hills.

Can’t decide if I was more into this belly button eye print or the painting of Tupac. Like Chromatic Consortium, we loved this show for the effortless mixing of more recognizable names like Richard Hawkins, Miller/Shellabarger and Alex da Corte with students from Morris’s undergrad studio seminar.

Ladies Who Wear Leopard: Curator Kristin Korolowicz VS. The Franklin’s Edra Soto at Dock 6 Design + Art #7 this past Friday.

Trending

Vitrines

If you’ve been to the SAIC MFA show, you know the process and trappings of exhibition display are IN. Here are just a few recent encounters.

Matt Morris sculpture

With back to back exhibitions at Peregrine Program and The Hills, Matt Morris is right on trend. His exhibition i’m issue; i’m free is on view at Peregrine until May 25th.

OG exhibition practice: work by Larry Bell on display at the Art Institute. Did you know Bell was born in Chicago?

Arguably one of the contemporary kings of vitrine making, Dan Baird has impeccably executed work on display in There is a Screen with Ryan Lauderdale at LVL3 until June 15th.


Happy Mothergirl Day

Mothergirl “What You Look Like, Now” performance at the MCA. Photo by Abraham Ritchie.




Images of Our Future: One View of Two Cities

April 18, 2014 · Print This Article

Changes are coming to the Twin Cities. Spring is slowly arriving. Daylight lingers. I can look up and around when walking outside. I notice the holes from trees felled in last summer’s storms, but I find the tulips poking through in their place. We need this renewal. We need these moments to gather strength after winter’s long cold nights before heading out into the rush of spring. I have seen great shows throughout the Twin Cities, great works of art, openings and closings left and right, an embarrassment of riches. I am, however, still lingering in the quiet moments, the eddies in the cultural stream rushing around us.

I have been consistently impressed with the Minneapolis Institute of Art’s New Pictures exhibition series. Last year’s Stan Douglas and Sarah Jones‘s exhibitions were excellent, expanding into multiple places throughout the MIA, engaging other works in the collection, rewarding multiple viewings. Tucked into a small gallery, next to flashy 20th century design and big name artists, New Pictures 9 features Rinko Kawauchi’s works from Illuminance. They are quiet, thoughtful moments that stretch into deep concentration and surprising connections

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Rinko Kawauchi, Untitled

Kawauchi’s investigations of light, as the title suggests, come forth in large individual prints and clustered groups of smaller images. The arresting images of a dead deer with livid blood, a cluster of fish eyes, a sparkling diamond are quickly lost in the iterations of light. The exhibition builds a language of light, but there is no need to become fluent to be absorbed in depth of her process, her exploration as end not as means.

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Rinko Kawauchi, Untitled

The looping video, Illuminance, extends and enlivens the process, endlessly teasing out the subtleties of light in the everyday situations it presents. The subtle, ambient audio soundtrack was barely audible at times, but the suddenly louder rushing of water or rustling of leaves brought her abstracted process back from the realm of static image making to the world around us. The beauty of the exhibition is that Kawauchi presents no conclusions, but it prepares us to see the world differently. I left full of questions. I struggled to distinguish the works in the rest of the museum from the play of gallery lighting, the wash of grey, clouded light from the windows, the sudden shadows of people walking past.

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Rinko Kawauchi, Untitled

Whenever I visit the MIA, I am drawn to the period rooms, sparsely populated, austere, in sharp contrast to the lines for the cafe and the children running between family activities. They are moments of concentrated attention and time. They simultaneously hold the past of their objects and the past of their meticulous reconstruction in one moment. I entered the period rooms to consider the light they would have seen, the electric light that illuminated it now never envisioned in their original homes.

As I exited The Providence Parlor, I saw a little girl pull on her father’s hand, point excitedly to a portrait of George Washington, and exclaim, “Dad, look! It’s President Obama.” I could not have said it better. The world is new with spring, with refreshed eyes that allow us to see our future in our past, to see our presidents for who they really are.




EDITION #26

March 19, 2014 · Print This Article

March Goes in Like a Lion and Out Like a 501(c)3

Nothing says Spring like “Gala,” WTT? couldn’t be more excited to see the ice finally THAW. Speaking of, have you bought tickets for the Links Halls annual spring fling? It’s on April 4th, and really more like a three-storey drunk performance art odyssey than a party. Last year I got an sickening sparkly free mani from Aiden Simon at the Girl Don’t be Dumb salon, went inside of a space photo booth, saw Hope Esser ice skate on soap and watched more burlesque than I’d like to admit. For performance art, it’s not too weird, it’s really fun and it’s not that expensive for how open the bar is, what more could you ask from a Thursday night? And the inclusion of DJ CQQCHIFruit and La Spacer this year? Too much.

Enough gushing. Clearly, this benefit season is going to be huge, but don’t worry, WTT?s got you. Here are some notes on the best auctions and charity bashes around, in my not-so humble opinion. Can not wait to see what everyone looks like without a coat on!

Spotted: Todd King getting his feet did at THAW in 2013. Andrew Mausert-Mooney does his best Jesus in the front.

THAW

You already know the scoop, tickets can be purchased through their website.

hArts for Art 5 : LVL3

LVL3’s annual benefit auction is known to bring great names at reasonable prices with all works starting at $30. Past years auctions have featured Jon Rafman and Israel Lund amongst others. This years is no exception. We also love the LVL3 auction because the raffle prizes are copious and always awesome and it doesn’t hurt that each year the event benefits local non-profit, Arts of Life. Learn more about the auction and the organization here on the LVL3 website. Full disclosure: I take no prisoners on the auction floor. The event takes place on March 29th from 6 to 10PM at 1542 N. Milwaukee Ave. Last bid is accepted at 9:30PM so be on time!

Summer Forum : Hosted by TUSK

Sandwiched comfortably in-between the LVL3 and R&C auction is the Summer Forum fundraiser and art auction at everyones favorite bite-sized boutique, TUSK. There are quite a few repeats from both LVL3 and the R&C auction, though it doesn’t look like anyone got the hat trick. E-Dogz will be on hand, serving some serious benefit crossover and unlimited food with the purchase of a ticket ($25 presale or $35 ATD). Advance online bidding begins March 31, and the IRL event starts at 7pm on Saturday, April 5th at TUSK, 3205 W. Armitage Ave.

Roots & Culture 8th Annual Spring Gala

You don’t have to be Hamza Walker to know that Roots & Culture’s Eric May throws some of the best events in Chicago. Did someone say sangria and tapas? The lineup for the auction is pretty impressive too. Britton Bertran wasn’t kidding when he called the night’s auction list an Who’s Who. The List features some of my favorite Chicago art luminaries and at least one Whitney Biennial-er.

I’d tell you who I’m excited about seeing at the auction, but I want the art all for myself! Find out yourself, the auction takes place May 3, from 7-11PM at 1034 N. Milwaukee Ave.

Threewalls

Spring benefit season is bookended by major heavy hitters with Threewalls rounding out the season. Another reliably good time, this year’s gala is being held in the spacious digs down south at Mana Contemporary. The full lineup hasn’t been revealed but, I’m jazzed on the news that DJ Earl (who you might have read about in the last edition of the T) will be there. The details might still be a little fuzzy but you can already buy tickets on their site. Looking forward to finding out what a Gunnatowski “wearable” looks like.

FLASHBACK! Trending artist Jesse Malmed (right) with Trunk Show co-director, Raven Munsell (left) and artist Jason Lazarus (center) at Salvage One last year for Threewalls Spring Gala.

The Weatherman Report

Charles Ephraim Burchfield, Early Spring, 1917, Watercolor and graphite on paper, 21 × 28 1/4 inches. James Goodman Gallery.

Bad at Sports finally trending.

What’s the TRENDING?

Pillows: After being relegated to cameos in the backgrounds of painting and photographic portraits for centuries, pillows are finally stepping out on their own. Last week during the Whitney Biennial/ New Yawk City hullabaloo the internet was plastered with images of the biennial and various fairs, but nothing stood out more than the freaky pillows of Bjarne Melgaard at the #WhiBi. With the help of NY based artist and collaborator Amanda Browder, Bad at Spots finally reached the cutting edge with their Volta bed-in installation and recording booth. As if the original Richard and Duncan aren’t creepy enough on their own, Browder created life-size pillow versions for the Volta booth. Good work, team!

Detail of Norwegian American artist Bjarne Melgaard’s cracked out living room installation. Image by Hyperallergic.

Browder with pillows only a mother could love.

Jesse Malmed: Usually it’s difficult for individual artists to be in enough places at once to qualify as a trend, by that’s no problem for trending artist, Malmed. The co-director of Trunk Show and UIC grad student must not sleep. This past weekend Malmed did double duty at the MCA, as one of The Nightingale programmers on Friday night and then again on Saturday for his own presentation of selections from The Body Electronic: What Television Taught Me about Art, a live televisual lecture performance. Trunk Show also hosted an opening/ 5-act play by artist Brandon Alvendia outside the Multiples fair on Sunday and whatever HALLWALLS2 is had an opening on Monday afternoon. And that’s just over four consecutive days. If you’re interested in getting in on the Malmed Madness, and you clearly should be, the artists’ MFA show at UIC is opening on April 18th. If you feel like waking with the sun tomorrow, he’s also hosting a dawn equinox performance, more info here.

Eric Fleischauer’s official Alvendia for Trunk Show Vine. More official documentation can be found on Fleischauer’s “vine box”.

I’ll take all of it! Images from Drapes by Ashley Scott.

Drapes: Thank god standing out and looking good are finally back in style. The Ashley Scott designed brand has already been getting some much deserved exposure for her tremendous style, but the recently released images for the Chicago designers ‘Drapes of Wrath’ Collection, styled by Mister Wallace and shot by Foto by Mateo, are to die for. Not only are the boys beautiful, the accessories are killer (see what I did there?) and SO MANY TASSELS. The collection debuts April 1st, check out the rest of the images and prepare for the wrath on the the Drapes website.

Foto by Mateo gets Draped.

Chicago CD Showcase Back for 2nd Edition at The Mutiny

What? Did you really think we’d spend out St. Patty’s day anywhere else? Sorry Charlemagne Palestine. If you missed last year’s showcase, here’s a little refresher. Don’t do it again!

Despite reports that Thorne Brandt would never play, he softened a tough crowd with his flashing lights and “worst samples ever.”

After last year’s majorly lazery blow out, Free the Universe was resurrected as Apocalypse Forever. Their “children of the corn” performance was a seriously trippy affair.

The love child of Chicago CD Showcase.

This years showcase saw the merger of two of last years performers. Pajama band made their jammy debut featuring members of Fish, Phish, Ghosts and My Bad at The Mutiny on Monday night.