This week Art Practical and Bad at Sports combined to produce audio that astounds! Listen as our hosts taken on wild ideas like “twitter” and “Christopher Knight’s paternalism.” Laugh along with them as they celebrate and demonize their brothers and sisters at #superscript15.
Thanks again to the Walker and MNArtists.org for making our dreams a reality.
Critics roll out. We be unpacking this shit left and right! And hell yes, I’ll check that privilage.
This week we present the artists Roberto Behar and Rosario Marquardt of R & R Studios. We talk displacement, Miami’s writing of it’s art history, and how artist reclaim and present public space.
Thanks to Cannonball, Pulse Miami, and Art Practical.
This interview was recorded in Miami, December 2013.
This week: San Francisco check in with an interview with art collective/gallery Will Brown.
Will Brown is a collaborative project that currently takes form as an experimental exhibition space in San Francisco’s Mission District. Will Brown is Lindsey White, Jordan Stein, and David Kasprzak.
On February 2, 2013, David Kasprzak, Jordan Stein, and Lindsey White opened the exhibition The Ghost of James Lee Byars: A Retrospective in their space, Will Brown, located in the Mission neighborhood of San Francisco. The retrospective takes place in a pitch-black room that is itself an installation piece; it purportedly houses both the oeuvre and the spirit of the deceased artist, who declared all of his work to be cancelled upon his death. The absurdity that underscores the exhibition has become a hallmark of Will Brown in the year since its inception. Bad at Sports contributors Brian Andrews and Patricia Maloney spoke with the three collaborators just a few weeks prior to the opening to learn more about the philosophy that guides their singular form of exhibition making, about how the space came into being, and to find out exactly who or what is Will Brown. This interview is part of the ongoing collaboration between Bad at Sports and Art Practical, where you can read an abridged version of their conversation.
This week: And now for something completely different!
This weekâ€™s episode comes to us from our friends at Art Practical, whose current issue delves into the rich history of sound art in the San Francisco Bay Area. The included essays and interviews constitute a fraction of the rich and varied world of experimental sound. Here, Art Practicalâ€™s contributing editors Catherine McChrystal and Kara Q. Smith offer an all-audio version of that issue with samples of work by the artists profiled in that issue, including:
Maryann Amacher, Joshua Churchill, Paul DeMarinas, Chris Duncan, Jacqueline Gordon, Aaron Harbour, Shane Myrbeck, Pauline Oliveros, Ethan Rose, and the San Francisco Tape Music Center.
The Bay Areaâ€™s technological reign has established San Francisco as a destination for sound artists and experimental composers seeking to advance their practices through the genesis of new mediums. They explore soundâ€™s capacity to conflate sensory experience; from the earliest days of sound art, artists and experimental musicians discovered in the genre a medium that is inclusive, participatory, disruptive, and that could embody their political goals. This episode explores how sounds are both aural and physical, producing reverberations that register in our ears and bodies and that locate or disorient us in space.
You can check out the articles included in Art Practicalâ€™s Sound Issue here.
This week: Bad at Sports changes in to 88.5 “the shack” for NADA Miami where we were kindly and patiently hosted by Ox-Bow and Jonas Sebura and Alex Gartelmann (who let us set up our lunacy in their sculptural installation).
We talk to John Riepenhoff, artist, gallerist, awesome person (who has work in a show at Western Exhibitions opening this Friday).
Then Art Practical sums up the fair(s) and Patricia expresses her desire to cross genre to breed with a sandwich. Which is odd in that early in the show, and uknown to Patricia, Richard expresses the crushing sadness caused by the loss of a sandwich when Abu’s on Farwell changed owners and became awful.
This show is a fucking masterpiece, stop reading this and listen.