EDITION #26

March 19, 2014 · Print This Article

March Goes in Like a Lion and Out Like a 501(c)3

Nothing says Spring like “Gala,” WTT? couldn’t be more excited to see the ice finally THAW. Speaking of, have you bought tickets for the Links Halls annual spring fling? It’s on April 4th, and really more like a three-storey drunk performance art odyssey than a party. Last year I got an sickening sparkly free mani from Aiden Simon at the Girl Don’t be Dumb salon, went inside of a space photo booth, saw Hope Esser ice skate on soap and watched more burlesque than I’d like to admit. For performance art, it’s not too weird, it’s really fun and it’s not that expensive for how open the bar is, what more could you ask from a Thursday night? And the inclusion of DJ CQQCHIFruit and La Spacer this year? Too much.

Enough gushing. Clearly, this benefit season is going to be huge, but don’t worry, WTT?s got you. Here are some notes on the best auctions and charity bashes around, in my not-so humble opinion. Can not wait to see what everyone looks like without a coat on!

Spotted: Todd King getting his feet did at THAW in 2013. Andrew Mausert-Mooney does his best Jesus in the front.

THAW

You already know the scoop, tickets can be purchased through their website.

hArts for Art 5 : LVL3

LVL3′s annual benefit auction is known to bring great names at reasonable prices with all works starting at $30. Past years auctions have featured Jon Rafman and Israel Lund amongst others. This years is no exception. We also love the LVL3 auction because the raffle prizes are copious and always awesome and it doesn’t hurt that each year the event benefits local non-profit, Arts of Life. Learn more about the auction and the organization here on the LVL3 website. Full disclosure: I take no prisoners on the auction floor. The event takes place on March 29th from 6 to 10PM at 1542 N. Milwaukee Ave. Last bid is accepted at 9:30PM so be on time!

Summer Forum : Hosted by TUSK

Sandwiched comfortably in-between the LVL3 and R&C auction is the Summer Forum fundraiser and art auction at everyones favorite bite-sized boutique, TUSK. There are quite a few repeats from both LVL3 and the R&C auction, though it doesn’t look like anyone got the hat trick. E-Dogz will be on hand, serving some serious benefit crossover and unlimited food with the purchase of a ticket ($25 presale or $35 ATD). Advance online bidding begins March 31, and the IRL event starts at 7pm on Saturday, April 5th at TUSK, 3205 W. Armitage Ave.

Roots & Culture 8th Annual Spring Gala

You don’t have to be Hamza Walker to know that Roots & Culture’s Eric May throws some of the best events in Chicago. Did someone say sangria and tapas? The lineup for the auction is pretty impressive too. Britton Bertran wasn’t kidding when he called the night’s auction list an Who’s Who. The List features some of my favorite Chicago art luminaries and at least one Whitney Biennial-er.

I’d tell you who I’m excited about seeing at the auction, but I want the art all for myself! Find out yourself, the auction takes place May 3, from 7-11PM at 1034 N. Milwaukee Ave.

Threewalls

Spring benefit season is bookended by major heavy hitters with Threewalls rounding out the season. Another reliably good time, this year’s gala is being held in the spacious digs down south at Mana Contemporary. The full lineup hasn’t been revealed but, I’m jazzed on the news that DJ Earl (who you might have read about in the last edition of the T) will be there. The details might still be a little fuzzy but you can already buy tickets on their site. Looking forward to finding out what a Gunnatowski “wearable” looks like.

FLASHBACK! Trending artist Jesse Malmed (right) with Trunk Show co-director, Raven Munsell (left) and artist Jason Lazarus (center) at Salvage One last year for Threewalls Spring Gala.

The Weatherman Report

Charles Ephraim Burchfield, Early Spring, 1917, Watercolor and graphite on paper, 21 × 28 1/4 inches. James Goodman Gallery.

Bad at Sports finally trending.

What’s the TRENDING?

Pillows: After being relegated to cameos in the backgrounds of painting and photographic portraits for centuries, pillows are finally stepping out on their own. Last week during the Whitney Biennial/ New Yawk City hullabaloo the internet was plastered with images of the biennial and various fairs, but nothing stood out more than the freaky pillows of Bjarne Melgaard at the #WhiBi. With the help of NY based artist and collaborator Amanda Browder, Bad at Spots finally reached the cutting edge with their Volta bed-in installation and recording booth. As if the original Richard and Duncan aren’t creepy enough on their own, Browder created life-size pillow versions for the Volta booth. Good work, team!

Detail of Norwegian American artist Bjarne Melgaard’s cracked out living room installation. Image by Hyperallergic.

Browder with pillows only a mother could love.

Jesse Malmed: Usually it’s difficult for individual artists to be in enough places at once to qualify as a trend, by that’s no problem for trending artist, Malmed. The co-director of Trunk Show and UIC grad student must not sleep. This past weekend Malmed did double duty at the MCA, as one of The Nightingale programmers on Friday night and then again on Saturday for his own presentation of selections from The Body Electronic: What Television Taught Me about Art, a live televisual lecture performance. Trunk Show also hosted an opening/ 5-act play by artist Brandon Alvendia outside the Multiples fair on Sunday and whatever HALLWALLS2 is had an opening on Monday afternoon. And that’s just over four consecutive days. If you’re interested in getting in on the Malmed Madness, and you clearly should be, the artists’ MFA show at UIC is opening on April 18th. If you feel like waking with the sun tomorrow, he’s also hosting a dawn equinox performance, more info here.

Eric Fleischauer’s official Alvendia for Trunk Show Vine. More official documentation can be found on Fleischauer’s “vine box”.

I’ll take all of it! Images from Drapes by Ashley Scott.

Drapes: Thank god standing out and looking good are finally back in style. The Ashley Scott designed brand has already been getting some much deserved exposure for her tremendous style, but the recently released images for the Chicago designers ‘Drapes of Wrath’ Collection, styled by Mister Wallace and shot by Foto by Mateo, are to die for. Not only are the boys beautiful, the accessories are killer (see what I did there?) and SO MANY TASSELS. The collection debuts April 1st, check out the rest of the images and prepare for the wrath on the the Drapes website.

Foto by Mateo gets Draped.

Chicago CD Showcase Back for 2nd Edition at The Mutiny

What? Did you really think we’d spend out St. Patty’s day anywhere else? Sorry Charlemagne Palestine. If you missed last year’s showcase, here’s a little refresher. Don’t do it again!

Despite reports that Thorne Brandt would never play, he softened a tough crowd with his flashing lights and “worst samples ever.”

After last year’s majorly lazery blow out, Free the Universe was resurrected as Apocalypse Forever. Their “children of the corn” performance was a seriously trippy affair.

The love child of Chicago CD Showcase.

This years showcase saw the merger of two of last years performers. Pajama band made their jammy debut featuring members of Fish, Phish, Ghosts and My Bad at The Mutiny on Monday night.




Recoloring Queer and Transgender Performance Art: Reflections on Recent Performance Panels

November 19, 2013 · Print This Article

Guest Post by Autumn Hays 

Let us start off by acknowledging that there is a distinct difference between Queer and Transgender subjects. It’s important not to lump these two together. Though related and often overlapping, these are not interchangeable terms. Queer being a reclaimed pejorative for gay, and transgender being a person whose self-identity does not conform unambiguously to conventional notions of male or female gender. (see more.) With that in mind what I would like to look into a reoccurring concern in the discussions that take place around both queer and transgender performance art.

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Artist Micha Cárdenas. (photo- Fran Pollitt)

In the last month I have seen multiple panels touching on the subject of new Queer and or Transgender works. There was a definitive connection between all panels: and attempt to shake up current the definitions, and what some define as new codified zones of safety. When I say zones of safety, I am referring a kind of identity politics that sits safely in a form of expression that is confortable enough for new standards of acceptance. Artworks that sit in this comfort zone fail to realize the full potentiality of the subjects and often begging to forum it’s own predictable cliché. The challenging of the formulation of a tamed queerness or transgender performance is an often-highlighted theme appearing in new works. The formulation of a safely circumscribed zone undermines the attempt to reconsider the subject due to an inadequate scope.

Queer and or transgender arts panels often attempt to define the new wave of artists making work in these areas. Today many artists are attempting to define a new direction that departs from the identity work that came out the 80s and 90s. Often these earlier works are ascribed the quality of crying out for recognition. Much of the work being produced today is looking for finer definitions, as opposed to this preliminary awareness.

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“Queer Chicago” ‘ Artist Keijuan R Thomas. Defibrillator on 19 October 2013. (photo- Isabelle McGuire)

We could go on to talk about the subject of the word Queer as discussed during the roundtable “New Queer Aesthetics” in late October. Queer New York International Arts Festival (QNYI)  had come to Chicago to exhibit a Queer Fest as an extension of the one in New York at Defibrillator Performance Art Gallery . The Chicago show featured artists Suka Off, Bruno Isakovic, Gabreiela Mureb, and Keijaun Thomas. Queer fest distinctly pulls itself away from other Queer festivals which they feel are accepted ideas of the term Queer. As one of the festivals curators, Zvonimir Dobrović, explained, the festival seeks to redefine and challenge preconceived notions of the term Queer. Not all work is made by the LGBT community and instead is defined loosely by a sort of norm-challenging ascetic. After struggling through various definitions, redefinitions, embracing, rejections, fears of washing out the word of meaning completely, and other post-modern linguistic dilemmas an audience member mentions queerness in regards to race, specifically the colored queer. Why is this important? Because the conversations began to progress from the semanticlogical, what is Queer, to what are current Queer issues are concerned about, who are we dealing with the queer female of color in art today.

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“Transgender/Arts- A Roundtable on the Future of Transgender Cultural Production” at the The School of the Art Institute of Chicago on 6 November 2013. (photo- Noah Davies / SAIC)

This November I attended a panel at the School of the Art Institute of Chicago. Transgender / Arts : A roundtable on the future of transgender cultural production, which  included panelists Trish Salah, Jules Rosskam, Julian Carter, David Getsy, and Micha Cárdenas. During the panel many valid points were made about Transgender art. Micha Cárdenas presented important question to the panel, “Where are the trans women of color in art?” Many of the panelist themselves who specialize in Transgender arts could in fact not think of a single artist. The panel began to discus a kind of film festival, performance and art transgender normative narrative. A washed down version, where you began to see something constrained, not quite all the way there. Sitting in a place somewhere in academia where it is comfortable and safe.

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“Autonets” Artist Micha Cárdenas. (photo- Fran Pollitt)

How does performance readjust and challenge Queer and Trans identity without losing site of the community in general? There is something that happens to us when we are about to fully realize the other; we find a way to compromise, to only go so far. Many Queer or Trans artist today are attempting to push at the boundaries of a newly accepted normative narrative and point at the things we are forgetting, those who still don’t have a voice. The Art world, the world, is still white male dominated. In a way the lull of sleep we put ourselves in this supposedly post-feminism, post-racism, post- sexism, post-gender issues world that we keep referring to as better than it was before is more dangerous. Because hiding under that comfort is the fact we haven’t changed all that much, we should be forging new grounds and making sure it doesn’t fall asleep.

If I was asked where the new queer or trans aesthetic is headed today, I would say somewhere within the struggle of continuous disturbance, in the understanding that things aren’t there yet and we have to keep shaking it up, shaking ourselves up, so we don’t become our own worse enemies, the perpetuators of a normative Queer of Trans identity. As performance art specifically keeps pushing on with another panel at the Hemispheric Institute for Performing Arts, this week discussing “Race & the Colonial Impulse: Queer Performance Practices”, I look forward t a continued discussion that bridges gaps in the dialogue between racial queer and transgender  issues in the arts.

 

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Autumn Hays is an Artist, Curator, Teacher and Writer. She graduated the School of the Art Institute of Chicago with an MFA in Performance where she received the John Quincy Adams Fellowship. She received her BA in Visual Arts at UCSD. Hays was the recipient of numerous scholarships, grants and awards including two major Jack Kent Cooke association scholarships.Currently she is assistant curator at Defibrillator and Directing Coordinator of the Rapid Pulse International Performance Art Festival. www.autumnhays.com




Episode 407: Jessica Baran

June 17, 2013 · Print This Article

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jessica baran
This week: Part 2 of our residency project at the Contemporary Art Museum of St. Louis! This week we talk to critic, poet, gallerist, the award winning Director of the Fort Gondo Compound for the Arts Director and Art in America contributor Jessica Baran. This was one of those interviews that I will look upon as a personal favorite. Besides Bad at Sports declares war on Art News. What could be better.

 

http://jessicabaran.com

http://www.fortgondo.com

Contemporary Art Museum St. Louis

Fort Gondo Compound for the Arts

Jessica Baran

Equivalents

White Flag Projects

Andy Warhol Foundation

Folk Art

Jennifer Kronovet

Paul Foster Johnson

George Romero

Roger Ebert

”Close Reading” The art of Close reading

Lori Waxman

Thomas LaniganSchmidt

Donald Judd

Jerry Saltz

Peter Schjeldahl

Art in America

Art News

Jessica Baran is the author of the poetry collections “Remains to be Used” (Apostrophe Books, 2010) and “Equivalents” (winner of the Besmilr Brigham Women Writers Award, forthcoming from Lost Roads Press, 2013), as well as the poetry chapbook, “Late and Soon, Getting and Spending,” produced by All Along Press (2011). She lives in St. Louis, Missouri, where she is a freelance art writer and co-curator of the fort gondo poetry series.




5 Chicago Collectors Make ARTnews’ Annual List of World’s Top Collectors

July 6, 2009 · Print This Article

Here are the Chicago-based collectors on the magazine’s 2009 list, in alphabetical order as listed on ARTnews’ website:

Neil G. Bluhm
Chicago
Real estate
Collection focuses on Contemporary art

Stefan T. Edlis and H. Gael Neeson
Chicago; Aspen, Colorado
Plastics Manufacturing (Retired)
Collection focuses on Contemporary art

Anne and Kenneth C. Griffin
Chicago
Hedge fund
Collection focuses on Impressionism; Post-Impressionism

Elizabeth and Harvey Plotnick
Chicago
Publishing and investments
Collection focuses on Old Master prints; Islamic ceramics

Penny Pritzker
Chicago
Real estate, hotels (Hyatt), and financial information
Collection focuses on Contemporary art

None made the magazine’s Top Ten list. Interestingly, Chicago has just slightly fewer collectors on the list than the 6 boasted by Los Angeles (9 if you count those who have secondary residences in Southern California) as reported by Suzanne Muchnic on the L. A. Times’ Culture Monster blog.

This is the first time in my life I have ever paid any attention to this list or its rankings–so take it for what it’s worth to you.




Art News Roundup: Week 2

October 25, 2008 · Print This Article

A week has already gone by and it’s time again for the Art News Roundup, Yeeehaw! This week many great things happened that we would have loved to cover but Duncan died on the Oregon Trail from a snakebite and Richard got dysentery. Christopher and Amanda made it only to open a saloon in a local mining town where Amanda sings twice nightly and Christopher rigs the roulette wheel to never fall red cause you always bet on black.


What can a bankrupt art investor do after he/she looses their home? Sleep in the Guggenheim!

Called “theanyspacewhatever,” the Guggenheim’s latest offering includes a hotel room, created by Carsten Holler — one of 10 artists who make up the exhibition in which artists mix visual arts with other disciplines such as literature, architecture, design and theatre.

The Swedish-based Holler asked if the museum would consider the concept of a sleepover for his Revolving Hotel Room.

“We were very interested in it, because it does in many ways encapsulate the concerns of these artists to really stretch the parameters of what a museum can be,” chief curator Nancy Spector said.

“At night our guests will be able to stay in the museum and enjoy the exhibition by themselves.”

London council votes to paint over Banksy, then installs a camera to watch the camera that didn’t catch him”
Westminster city council in London decided Friday to paint over guerilla-artist Banksy’s largest work in the city.

The council ordered the removal to send a message to graffiti artists.

Robert Davis, deputy leader of the council and chair, told BBC News, “If you condone this then you condone graffiti all over London.” To that I say your right but damn if it isn’t better then any graffiti I have seen in a long while.

Sotheby’s Lost $15 Million Paying Guarantees
Sotherby undersold artworks in auction or failed to sell whatsoever to the tune of $15 million US on guarantees of a minimum price the auction house had with sellers, Sotheby’s said in a filing late yesterday with the U.S. Securities and Exchange Commission. Good news? with the US dollar at it’s current rate it isn’t that much.

Bilbao’s Guggenheim overpays for art
Director Thomas Krens travels the world living like a playboy and overpaying (for no ulterior motive beyond he’s just a good guy I am sure) with no regard to the bottom line or profitability of the larger company? That is unheard of in the art world! I am [mock] shocked, surprised and amazed that someone can be that irresponsible?

Russians Turning To Art Market As Recession Looms
Russia decides now is the time to get into the Art Market and fair activities. It’s so crazy it brilliant! Now is the time to buy, when no one has the liquid cash. I guess sitting on the worlds diamonds makes that easier to do then most?

Christo and Jeanne-Claude fight to drape a 40 mile stretch of the Arkansas River in Colorado
[artist name] fights [city name] council to enable [cloth type] to be publicly displayed [fill with large dramatic environmental scenario] but some say it’s a stunt that has run it’s course and only props museums needs for tent pole events to get attention. Yet others say it’s an epic event that is shocking and helps elevate the cultural awareness of artistic institutions that glow in the presence of such temporary one of a kind installations over permanent collection additions.