This is an epic return to form. First we repatriate Brian Andrews as he returns to work in the mother ship and for DePaul University.
Then we are joyously joined by our sponsor for the month, SAIC‘s low residency MFA program! For those of you already establishing your practices and looking to take the next step this program is for you.
Then Irene Hofmann rewrites the script at Site Santa Fe to buck the proliferation biennial trend and provide a fertile ground for those of us participating in the Pan American experience.
Then roughly 46 minutes in Ben Davis and Duncan start to solve arts journalism and end up solving art!!! They are two the best conversations we’ve had at EXPO and you’ll enjoy them. Occupy this show!
January 5, 2011 · Print This Article
I don’t usually follow the ins and outs of who is in and out at the art magazines, but the news that Bloomberg and The Art Newspaper reporter Lindsay Pollock had been named Art in America’s new Editor in Chief did catch my eye–admittedly, only via this post by AndrÃ¡s SzÃ¡ntÃ³ in Artworld Salon yesterday. I thought SzÃ¡ntÃ³’s directives about where AiA should strive to fit within the art mag landscape were particularly interesting, and worth sharing:
“So what now with Art in America? It clearly needs an energy boost. Its detached, ivory-tower approach, where long reviews dutifully appear long after exhibitions have closed, seems like a quaint anachronism. The magazine has a reputation for pulling its punches. Its cautious academism is out of synch with a culture where opinions are supersized. What new leadership can bring to the magazine above all, I think, is a fruitful demolition of the walls that divide scholarly and aesthetic writing, on the one hand, and thoughtful journalistic appraisals of the â€œdark sideâ€ of art as an institutional and â€“ gasp â€“ commercial system.
No oneâ€™s better suited to open up those fertile pathways than Lindsay, who sees the life of art as an all-encompassing totality that spans from the artist studio to the scholarly study to the champagne and canapÃ©-besotted halls of Art Basel.”
So far, from what I can tell AiA’s announcement has been greeted with a giant snore, but I guess it does provide an opportunity for some of us to opine on the relative importance of the (printed) art mag at this particular historical moment. I continue to be surprised at the reverence that people feel for print publications (even, on occasion, myself). Beyond that, I don’t have an opinion – but if you do, go on over to Artworld Salon and tell ’em what you think.
UPDATE: Charlie Finch weighs in on Pollock’s appointment over at Artnet. Some funny lines delivered by Finch here, but WTF is “andropause” supposed to mean?
*CAA Study finds over-reliance on part-time faculty in American higher education.
*New York Times looks at how artists are adjusting to economic hardship.
*Edward Winkleman asks his readers why the view that art is ‘unmasculine’ still persists?
*Chicago artist and illustrator Lauren Nassef’s “A Drawing a Day” still going strong.
*Joanne Mattera bites back after receiving a cease and desist letter warning her not to write about vanity galleries (a.k.a. ‘pay to show’ schemes).
*Chicagoist’s report on the Society for News Design’s conference and discussions about what’s happening in the Chicago journalism scene. Very interesting write-up here, including follow-up comments.
*”The practice of art gets the criticism it deserves”–Great piece on how the internet is changing critics and art criticism by John Haber.
*Another good read on the above topic: “Arts Writing and ‘The New Thing'” at Peripheral Vision. (Meg has also twittered numerous of-the-moment links on the topic of arts journalism this past week, make sure to check those out too).
That’s all for now. I’m off to see Several Silences at The Renaissance Society.