This week: Bad at Sports changes in to 88.5 “the shack” for NADA Miami where we were kindly and patiently hosted by Ox-Bow and Jonas Sebura and Alex Gartelmann (who let us set up our lunacy in their sculptural installation).
We talk to John Riepenhoff, artist, gallerist, awesome person (who has work in a show at Western Exhibitions opening this Friday).
Then Art Practical sums up the fair(s) and Patricia expresses her desire to cross genre to breed with a sandwich. Which is odd in that early in the show, and uknown to Patricia, Richard expresses the crushing sadness caused by the loss of a sandwich when Abu’s on Farwell changed owners and became awful.
This show is a fucking masterpiece, stop reading this and listen.
This week: Mark Staff Brandl reports from Art Basel 2011!
This Week: Our listeners take over. After a painfully silly intro with Richard, Duncan, and Claudine, we turn it over to those who recorded their own interviews at the MDW Fair 2011!!
This week: As part of the Art Los Angeles Contemporary art fair, which took place January 27-30 at the Barker Hanger of the Santa Monica Airport, the crew from Art Practical produced “In and Out of Context: Artists Define the Space between San Francisco and Los Angeles,” a series of conversation that imagined the two cities as “a continuously evolving constellation of dialogues, shared interests, and overlapping approaches.
In this episode Patricia Maloney and Art Practical editor Victoria Gannon chatwith San Francisco-based artist Luke Butler, again in the parking lot of the Santa Monica Airport, as part of their ongoing quest to find a quiet spot away from the bustle of the fair. Butler reflects on his longstanding admiration for Captain Kirk while Patricia and Victoria wonder if he’ll suddenly start speaking in Klingon. Later, Patricia and AP editor Tess Thackara speak with artist Sarah Cain about her years living and working in the Bay Area before relocating to Los Angeles, her working process, and the oases she finds in LA.
Luke Butler received his MFA from California College of the Arts in 2008. Heworks in paintings and collage; much of his imagery comes from pop culture, most often from television and movies of his childhood including Starsky and Hutch and Star Trek, along with other iconic images, such as that of former U.S. presidents. Butler’s work was included in the 2010 California Biennial at the Orange County Museum, Newport Beach, CA. He is represented by Silverman Gallery in San Francisco, CA.
Sarah Cain received her BFA from the San Francisco Art Institute in 2001 and her MFA from the University of California Berkeley in 2006; she attended Skowhegan in 2006. Her work has been exhibited at the San Francisco Museum of Modern Art; the Santa Barbara Contemporary Arts Forum; the Orange County Museum of Art, Newport Beach, CA; KN Gallery, Chicago; and the Seiler + Mosseri-Marlio Gallery, Zurich. Cain received a Pollock-Krasner Foundation Grant in 2007 and a SECA Art Award in 2006. She is represented by Anthony Meier Fine Arts, San Francisco and Honor Fraser Gallery, Los Angeles.
Also check out last weeks show with Lisa Anne Auerbach and Michael Parker/a> if you didn’t catch it, they have a great conversation on torn porn and being one’s own bumper sticker to the Shakers and how artists can make change in the work. Airport parking lots, who ever thought so many interesting conversations were going on at them?
April 30, 2011 · Print This Article
This week: Patricia tailgates with Lisa Anne Auerbach and Michael Parker!
As part of the Art Los Angeles Contemporary art fair, which took place January 27-30 at the Barker Hanger of the Santa Monica Airport, the crew from Art Practical produced “In and Out of Context: Artists Define the Space between San Francisco and Los Angeles,” a series of conversation that imagined the two cities as “a continuously evolving constellation of dialogues, shared interests, and overlapping approaches.”
In this episode Patricia Maloney, Catherine Wagley, and artist Elyse Mallouk tailgate with LA-based artists Lisa Anne Auerbach and Michael Parker from the back of Auerbach’s aqua blue Mini Cooper, parked behind the airport hanger. As prop planes rumble by on their way to takeoff, Auerbach and Parker discuss topics ranging from torn porn and being one’s own bumper sticker to the Shakers and how artists can make change in the work.
Lisa Anne Auerbach’s practice is interdisciplinary and takes the form of photography, publications and, more often than not, knitting. Combining humor with a biting critique of the complacency and routine of modern life, her work inserts itself into the visual and social fabric of the communities that she engages. She received her BA from the Rochester Institute of Technology and her MFA from Art Center College of Design. She is represented by Gavlak, West Palm Beach, Florida.
Michael Parker work makes use of the concept of Temporary Autonomous Zones to produce microtopias, experiments that are situated between idealist notions of community and pragmatic methods for narrating the actions of individuals and groups. He received his BA from Pomona College and his MFA from the University of Southern California. His work was recently featured in in “Landfill, Part 2.” in Art Practical.