Episode 430: EXPO panel Josh Baer, Paddy, and Forrest Nash

November 25, 2013 · Print This Article

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This week!

 

EXPO Panel!

 

“Who owns the internet?”

 

Josh Baer - Baer Fax

Forrest Nash - Contemporary Art Daily

Paddy Johnson - Art F City

 

 

Richard Holland and Duncan MacKenzie - Bad at Sports




EDITION #18

October 7, 2013 · Print This Article

Upcoming & Outgoing

  • Rooting Symposium
    I’m only posting the press release because they say it better than I ever could. If I wasn’t going to be out of town my choice would definitely be the Rooting Symposium Trio Dinner Party on Sunday, October 13th featuring chefs Eric May and Mike Bancroft, Artist Edra Soto (what’s the difference between chef and artist anymore?!).

    Rooting: Regional Networks, Global Concerns highlights food through emerging programs and projects by artists, cultural workers, radical chefs, rural and urban farmers, and small businesses. The program spotlights creative responses to the extreme environmental, social and economic changes facing local and global communities with a focus on the Chicago region and New Delhi, India. The event pulls together local, regional, and international presenters to share projects and best practices addressing soil health, water conservation, advocacy, food production and distribution, and building sustainable communities. Organized by the Rhizome Alliance.

    Events will take place October 5th through October 13th and include the Rooting Exhibition closing reception, a film screening, bus and walking tours to local farms and art centers, a foraging workshop, dinners with Chicago area chefs and artists, and a symposium with keynote addresses, panel discussions, and a farmer’s market. Tickets and information available at rootingchicago.org.

  • Finally! A painting show to be super excited about! Jonas Wood’s exhibition at Shane Campbell Gallery opens October 12th from 6-8pm. 673 North Milwaukee Avenue.
  • Gotta get to the Renaissance Society for the conversation between new Executive Director and Chief Curator Solveig Øvstebø and Associate Curator and Director of Education Hamza Walker. This talk is going to be like that movie Waking Life but without the rotoscoping and more interesting.

    Saturday, October 26, at 3 p.m. The event is free and open to the public.

  • And Øvstebø is cuter than Miley.
  • Last but certainly not least, Osvaldo Romberg’s Translocations: Mies and Melnikov at the Farnsworth House in Plano Illinois will close on October 18th. This exhibition involves three things I love: a road trip out to Plano, a gorgeous house museum in the fall and, of course, a model of Melnikov’s eccentric home in Moscow. But really, the project is great, the weather is perfect and I know you’re looking for an excuse to get out of the city. Bonus points: The catalogue for the exhibition features writing by everyone’s favorite long-lost Chicago critic and educator with a specialization in Argentinean artists, Dan Quiles.

Battle of the Sexes Edition: Artist Jennifer Chan VS. Alan and Michael Fleming.

The Weatherman Report

Gladys Nilsson, Abode, 2013 (Gouache and watercolor on paper, 10 × 14 in) on view at The Nationals Exemplar.

Aiken’s Station to Station dubbed “Epic Fail”

Man, we thought that Pedro’s tweets on the events were harsh, but it appears they were more than well founded. Christian L. Frock reamed Doug Aiken’s Station to Station a new one in the NPR blog last weekend. We also heard form some seriously in the know ladies that the “open air sweatshop” that Frock refers to was actually that offensive.

“Station to Station promised great artists and great art — a train tricked out with video screens dashing across the country — and instead we got some third rate Burning Man rip-off abbreviated rock show with smoke and mirrors, no art, no train, and everything but our DNA stripped at the door.”

Better luck next time, Levis? What do you, dear reader, think of this obvious ploy for marketing material. LMK!

Feminism in the Age of Digital Art, or something.

Funny thing: Even though the first third of this interview based post on the digital art world and feminism by Corinna Kirsch for ArtFCity laments Facebook as [surprisingly] not the best venue for critical dialogue, I came across it where I find most of my fundamental reading, the book. And while I agree with Sofia Leiby’s comment on PJ’s FB that this piece was begging to be written, it felt like just the tip of a humungous iceberg still lurking sinisterly below. Like all good criticism on Facebook, I left with more questions than answers and a desire to revisit things like the Weird Dude Energy exhibition at Heaven by the duo Girl Don’t be Dumb (btw, wtf were they not questioned for this piece!?) and the slippery pink gaze of their eponymous tumblr.

Not sure how this fowards the womens agenda. Still from Sybil Prentice’s Website Nightcoregirl.net, via AFC.

Speaking of weird dude energy, peep this Artlurker post. Rob Goyanes details the fascinating life and art art of Michael Scott Addis. His step-brother is Mickey Rourke and that’s not even the craziest part.




Compiling Reports: EXPO Chicago 2013

September 24, 2013 · Print This Article

In case you thought we maybe glossed over the epic amount of blood sweat and tears that went into last week’s art fair extravaganza, I thought I’d repost a few articles that came out in the last few days including this one from Art in America:

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Strong Sophomore Outing for Expo Chicago

by Brian Boucher

“I’ll tell you what distinguishes this year from last year,” Expo Chicago director Tony Karman told A.i.A. at the fair’s sophomore outing on Saturday, “and I’ll tell you in one word—sales. It was very important that big dealers like David Zwirner and Marianne Boesky do well, and they have.”

Featuring over 120 international galleries at the capacious Navy Piers (up from 100 last year), with views of Lake Michigan, Expo Chicago (Sept. 19-22) represented dealers from 17 countries and 36 cities. Some were returning, like Zwirner (New York and London), Matthew Marks (New York and Los Angeles), and Kavi Gupta (Chicago and Berlin). There were also many first-timers, including Marianne Boesky (New York), Cabinet (London), Massimo de Carlo (Milan and London) and Susanne Vielmetter Los Angeles Projects.

While almost every exhibitor acknowledged that sales were little to none in 2012, nearly all said that business was better this year. Dealers reported a range of sales, starting as low as $4,000 for works on paper by Chicago’s own William J. O’Brien at Boesky. Works in a modest price range found the most ready buyers, but there were outliers. Boesky told A.i.A. of serious interest in an assemblage by Salvatore Scarpitta, Drummer Seargeant (1963), which was tagged at $750,000, and one dealer who declined to be named told A.i.A. that he had sold a million-dollar artwork—and to a walk-in customer, no less. read more

A handful of additional EXPO 2013 accounts can be found here:

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Paul Klein on The Huffington Post, with some lovely installations shots to boot:

This is the second year of this wonderful mid-sized art fair, with substantial galleries bringing some A quality art and almost enough cutting edge galleries showing off exciting artists to watch.There are some gorgeous treasures to be seen. 

A selection from the Annely Juda Fine Art installation.

A selection from the Annely Juda Fine Art installation.

More photos of favorite works via The Chicagoist.

Many reports via Art Fag City over the course of the week/end, beginning with from Paddy Johnson’s mixed reaction:

Importantly, the fair seems an enormous step up from anything Merchandise Mart offered, a mega-fair corporation that’s been largely unsuccessful at handling art. Much as the company does for Volta in New York, Merchandise Mart used their own real estate to house Next Art Chicago, even though its low ceilings were unsuited to showcasing art. Last year, when they closed, the organization claimed that collectors were only purchasing art on the coast lines.

A photo collection courtesy of Paddy Johnson, with “the good, the bad and the ugly:”

It’s impossible to describe EXPO Chicago without offering a few images to tell the story. This slideshow with commentary do just that. Highlights, lowlights, and everything in between below.

Andreas Lolis' marble "cardboard" boxes IN/SITU, EXPO Chicago, 2013.

Andreas Lolis’ marble “cardboard” boxes IN/SITU, EXPO Chicago, 2013.

And AFC’a closing word from Robin Dluzen:

A main concern for EXPO and the exhibiting galleries was last year’s absence of collectors and museums from the wider midwest region and beyond, and this year, EXPO managed to draw them in. William Lieberman of Zolla/Lieberman Gallery (a veteran Chicago dealer, first time EXPO exhibitor) saw his clients from St. Louis and San Francisco; Monique Meloche, also exhibiting for the first time at EXPO and the founder of Gallery Weekend Chicago running concurrently with the fair, had museum groups from Kentucky and Denver buying for themselves and buying for the museums. “MoMA is not going to buy here,” she explains, “But this can be a strong regional place.” It’s not just the out-of-towners making themselves known, but also the more reclusive local collectors. “I had Sanford Biggers in my windows for months,” said Meloche of the artist’s recent exhibition at her eponymous gallery, “I brought him here to the fair and there are Chicago collectors discovering the work for the first time.”

Dmitry Samarov writes in Art on its Own Terms:

My strategy at these fairs has always been to run through the entire thing quickly, then return to anything that made my eye stop. Most years that amounts to four or five paintings or drawings and this year was no different. There was a good corner where a David Park portrait was next to an Elmer Bischoff figure painting, with a Richard Diebenkorn drawing round the corner. I was also happy to see a Leon Kossoff painting along with a couple of drawings. There was an Alice Neal children’s portrait too, that made all the work around it look like newspaper clippings. The thing I liked best though were a couple small Harold Haydon cityscapes.

Terraniums edit

Chicago Magazine got a kick out of Seattle-based artist Vaughn Bell, mini earth-and-moss terrariums that were “available for adoption this weekend at the Expo Chicago art fair on Navy Pier.” 

And finally — Artslant Thomas Connors interviewed Tony Karman:

TC: A fair of modern and contemporary work must be something of a balancing act. You’ve got the de Kooning collector on one hand and the Simon Starling fan on the other. And I’m guessing the blue chip collector isn’t looking to acquire an emerging artist.

TK: Let me disagree with you. To some extent, there are certain collectors who will only want to buy that de Kooning. But other lifelong collectors want to be in the vanguard; they are going to look to the younger work because that is equally exciting to them. That’s probably more the norm. A great collector likes to have a balance of contemporary work and historical material.




Repost: 6 Must-See Discussions at EXPO Chicago courtesty of Art Fag City

September 16, 2013 · Print This Article

6 Must-See Discussions at Expo Chicago

by PADDY JOHNSON on SEPTEMBER 13, 2013

Joel Sternfeld | McLean, Virginia, December 1978 | 1978. via participating gallery Luhring Augustine

Expo Chicago launches next week and I’m already preparing. So far that means reading the website schedule and mentally preparing myself for reporting on the fair. I’ll be heading out to Chicago next Thursday to check out Expo and participate in “Dialogues”, a series of panel discussions on contemporary art launched in partnership with The School of The Art Institute of Chicago. Contemporary Art Daily’s Forrest Nash, The Baer Faxt’s Josh Baer, and myself will speak on a panel about digital publication moderated by Bad at Sports Founders Richard Holland and Duncan MacKenzie.

Perhaps thanks to the fair’s partnership with the institute, the panel discussions look a lot more interesting than the normal gamut of collector centric talks fairs normally launch. As such, I’ve put together a list of the discussions I’d most like to see. Check out Johnson’s list here.




Friday’s Twitter Roundup | 10.16.09

October 16, 2009 · Print This Article

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Kilian Rüthemann & Niklaus Wenger

On this week’s roundup I looked at some work by Kilian Rüthemann & Niklaus Wenger, watched a fist fight between two women on a bus, and read about Ken Isaacs’ Knowledge Box on the Wall Street Journal. I am finishing up a long day at work and getting ready for openings in the west loop. Hope to see you there.

I couldn’t agree more. @TylerGreenDC on the hetero-normalizing of David Hockney.

The WSJ on Ken Isaacs’ Knowledge Box at Sullivan Galleries.

For all of you history nerds. 

Uhh…this makes me feel uncomfortable in a way I can not describe.

That’s a mouthful | Public Water Purification Island via @pruned

There is nothing I love more than a fist fight on a bus. (via @TWBE)

http://twitpic.com/li0qe – @artfagcity The only thing that could compliment “God Bless America”, Victoria secret runway wings.

I am sort of into this installation from Kilian Rüthemann & Niklaus Wenger.

Christopher Knight discusses right wing attacks on the Obama’s new painting by Alma Thomas. 

RT @cmonstah A new arts website http://hyperallergic.com/ by @hragv debuted this mornin’…

Just what the we need, another art school movie.

Best start to a Hirst review ever. “These paintings are dreadful.” I couldn’t agree more.

Ian Baldwin on London’s recent updating to the tube map. 

@artfagcity has an interview with Frieze Executive Director Amanda Sharp. Check out that hideous font. ( photo was changed after thiw tweet)