Just a heads’ up that tomorrow night, Thursday June 23nd, architect and designer Catie Newell’s project Second Story will have its opening at Extension Gallery for Architecture here in Chicago. Our Detroit correspondent Sarah Margolis-Pineo will be posting an interview with Catie Newell in the next few days. Photographs of Newell’s project Salvaged Landscape caught my eye last year, and ever since I’ve been wanting to learn more about her practice and the innovative ways she helps us to re-think the existing urban environment.
Here’s some background on Newell’s Second Story project and its team; visit her website for more information on her work.
Amplifying, transporting, and distorting the volumes surrounding and within a contested existing domestic environment, Second Story reconfigures spaces that were once familiar into an “other” occupation and visual register. Used to imprint the space and excite the atmosphere, this inhabitable texture is driven by the manipulation of factory standard acrylic rods to capture, manipulate, and distort the existing volumes of the second story of Spencer’s Funeral home in Flint, Michigan, a house slated for demolition. Inherently transparent, the material both captures and permits the passing of light, visually distorting its presence and the view beyond, through refraction and reflection, altering both the context, the perception of its physical boundaries, and heightening the role of the building in the neighborhood. The work agitates, relocates, and makes accessible new volumes otherwise once unoccupiable: the exterior zone, the wall depth, and the depth of a windowsill. As a further technique of distortion and interplay of tectonic connection and assembly, the acrylic rods are systematically manipulated through the use of heat. One such technique allows for the bending and forming of components to create a pattern that resonates with its context, but also distorts the a priori relationships within the house to construct depth and volume originally unused or nonexistent. A further alteration is the tapering and pulling of the material, developing extensions and strands that flee in a near weightless in pursuit of space, altering the perception and depth they occupy. The otherness of Second Story is further heightened by suspending the piece above the ground by tethering it to the building’s roof trusses so that it hovers to promote a ephemeral sense of space, an attuned acknowledgement of its surrounding, and an implied stretched atmosphere.
Versailles art show hit by injunction bid
From the wet dreams of the marketing people behind Japanese pop artist Takashi Murakami’s show at Versailles a descendant of the man who built the Versailles Palace in France is seeking an injunction to prevent modern works by Japanese pop artist Takashi Murakami from being shown there. The legal battle is fronted by Sixte Henri de Bourbon-Parme in defence of “respecting the chateau and ancestors.” The ultra-conservative royalist has united with a group, the Versailles Defence Coordination, to file the suit, in which they stake a claim for the “right to access to heritage.” Read more here
Prince Charles offers to oversee London architectural planning
This week in “What could possibly go wrong?” Prince Charles offers to take on key architectural planning role in the vaccum created by the quasi-autonomous non-governmental organisation that had its funding axed in the comprehensive spending review. The offer, announced by the foundation’s chief executive, Hank Dittmar, has been met with dismay by leading modernist architects who fear Prince Charles may use the role to advance his own traditional tastes in design. Read more here
Studio Manager Anne McIlleron talks about her boss William Kentridge
William Kentridge who is the focus of Art:21′s first feature length documentary (recently reviewed here and just broadcast on PBS this week) let his Studio Manager Anne McIlleron speak on what looks to be B-roll of the Art:21 documentary, its interesting but I am still of the opinion that William Kentridge wasn’t the best subject in the world to get this kind of treatment, just me I am sure. See more here
Kronos Quartet Interviewed
I cant get enough of Art Babble I admit and double so for the Kronos Quartet (which Duncan & I caught in concert last time they were in Chicago and were amazing) so when you merge the two together it’s PB&J perfection. See More Here
New Yorker cartoonist Leo Cullum died
Leo Cullum, whose cartoons kept readers of The New Yorker laughing for 33 years, has died. He was 68. Read more here
The art world’s own Bernie Madoff
Lawrence Salander Read more here
Google DemoSlam is previewed
Google has previewed a new site called demoslam built to encourage the creation and rank the best tech demonstrations on the net, part of me has long thought this was something the art world should have created a long time ago, free idea (hey get what you pay for) to whoever has the time and wants to put the work into it, Youtube was built for the Art world and a project like this (even though we all wish it looked like Vimeo). Have at it and God bless at this point I just want a life for a while lol. Read more here
Designer Thomas Perrone, a student at the Art Institute of Philadelphia in collaboration with Jason Mouser has created a chess set using the architectual work of Spanish-born Architect Santiago Calatrava as source material.
The set depicts the Tenerife Concert Hall in the form of Pawn, the Valencia Opera House as Rook, the Communications Tower as Knight, the 80 South Street Housing as Bishop, the Fordham Spire as Queen and the Turning Torso as the King.
Hong Kong Architect Gary Chang took his 344sqft apartment and turned it into the ultimate 24 themed space all in 1 room.
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This week: Richard and Duncan speak with Chicago based artist and 2010 Whitney Biennial participant Julia Fish about her work, Japanese architecture and more!
Before that starts, there is a short pithy segment on C2E2, which was awesome (the show not our bit).
Yes I made a stupid Front 242 musical joke which only I will find funny.