Bad at Sports Credits Animation

April 14, 2010 · Print This Article

As part of the Apexart Gallery show “Don’t Piss On My Leg & Tell Me It’s Raining” by Bad at Sports a animated credits crawl done in the style of the late great Saul Bass was created by Christopher Hudgens to showcase the spirit and members of Bad at Sports that make all of it possible. Thanks to everyone that came and enjoy.




Hobo Clown by Allison Schulnik

December 22, 2009 · Print This Article

The Mark Moore Gallery is having a solo exhibition of the work of Allison Schulnik open January 9th. Showcasing her second solo show there and her latest series of Hobo Clown inspired works. Below is a stop motion animation work done by the artist for Grizzly Bear’s latest music video. Enjoy.




Tuesday’s Video Pick | Dock Ellis & the LSD No No

November 17, 2009 · Print This Article

On this week’s pick we bring you James Blagden’s animation “Dock Ellis & the LSD No No”.  The short film chronicles Ellis’ infamous game where he pitched a no hitter while on LSD. Although the animation is entertaining, Ellis’ own account of the historic event is what really makes this video work.

via No Mas:

Sadly, the great Dock Ellis died last December at 63. A year before, radio producers Donnell Alexander and Neille Ilel, had recorded an interview with Ellis in which the former Pirate right hander gave a moment by moment account of June 12, 1970, the day he no-hit the San Diego Padres. Alexander and Ilels original four minute piece appeared March 29, 2008 on NPRs Weekend America. When we stumbled across that piece this past June, Blagden and Isenberg were inspired to create a short animated film around the original audio.

For more information please chec out No Mas.

Got a response to this post? Let us know! Email your comments to  mail@badatsports.com. We’ll feature thoughtful responses to issues generated by our posts in our Letters to the Editors Feature on Saturdays.




It’s Color Theory, Charlie Brown!

November 2, 2009 · Print This Article

Picture 41

A little mini brush-up on color theory and its uses in animation, by way of Bill Melendez’ beloved 1966 TV special It’s the Great Pumpkin, Charlie Brown: this essay, written by L.A.-based animator Justin Hilden, contains a scene-by-scene analysis of the use of color on the special, focusing particularly on its emotional and dramatic effects. Read more




All the Great Operas in 10 Minutes

August 11, 2009 · Print This Article