May 3, 2013 · Print This Article

A. The Death Instinct and the Life Instinct:

The Death Instinct: separation, individuality, Avant-Garde par excellence; to follow one’s own path to death—do your own thing, dynamic, change.

The Life Instinct: unification, the eternal return, the perpetuation and MAINTENANCE of the species, survival systems and operations, equilibrium.

– Mierle Laderman Ukeles, Manifesto for Maintenance Art, 1969!

Publications discussed here (an asterisk means it came out less than 365 days ago):

  • Let It Sink by Jim Joyce (victimsofmathematics at gmail, 2013)*
  • Filmme Fatales Issue 1, ed. Brodie Lancaster (, 2013)*
  • Cha-Ching! by Ali Liebegott (City Lights/Sister Spit, 2013)*
  • Collisions by Brendan Monroe (, ??)
  • Life Form by Amélie Nothomb, trans. Alison Anderson (Europa Editions, 2013)*
  • Rumspringa by Tom Schachtman (North Point, 2006)

Right now I’m taking a class with some painters—mostly we read, and talk—and the other day, we were talking about endings. For painters, I’m learning endings mean say, photography, and intubated paint, and Rodchenko. I’m a writer so I started thinking about Samuel Beckett, the Independent Press Association, Kathy Acker’s parrots and pirates, her red/read. But more generally, meditating to “This body will be a corpse,” and to be fair that really just used to crack me up. It is very hard for ex-Sad Teenage Girls like myself to meditate to that, because for so long we were like “Yes I know, hurry up already.” Read more