This week: BAS on the west coast! We talk to Adriana Salazar and John Spiak, director and chief curator of the Grand Central Art Center, which has an exhibition of Adriana’s work up currently. Also, we talk to Sabina Ott about The Terrain Exhibitions Biennial which is this coming weekend!
Plan your life around seeing us at EXPO!!! You know you want to.
ADRIANA SALAZAR: NOTHING ELSE LEFT
2013 California-Pacific Triennial Partnership with Orange County Museum of Art
July 6 through September 22, 2013
Is there an end to our existence? Can we be separated from our bodies and be transformed into something else? Adriana Salazar’s work has continued to revolve around these questions in different ways. This is why the realm of mortuary customs appeals to her: it presents numerous ways to approach the ultimate unknown.
Her past series of works have attempted to bring inanimate objects to life; crystalize human actions into mechanical devices; worked to blur the line that separates the natural and the artificial. Death has been an ever-present part of her work, understood in a broader sense, in her own words, “I want to address death as a dare to the certainties of knowledge, and as a challenge to deeply rooted traditions. Thus, my work has taken its course transforming mechanical actions, obsolete objects, fading plants and passing life into installations and objects that could become questioning situations themselves.”
For this current series, created during a two-month residency at Grand Central Art Center, the artist desired to go deeper into that moment of transition between life and death, finding out as much as she could about what happens with our bodies, with our consciousness and with everything we build around the death of others. In her words, “I found, amongst other things, that there is an aesthetics of transition, that there are rituals trying to maintain life after death, and laws which govern our bodies, even when we are not fully present. I also found out that there are transitional techniques and an intricate industry around them.”
Some of these techniques of transition have the purpose of dematerializing the body – its physical presence, associated to life and its impermanence – replacing it with a different kind of immaterial presence. In the crematory, a compartment ignites at a very high temperature until the body is almost entirely dissolved. In order to secure the transparency of this transition, all particles of bone are carefully separated from any other solid object that might exist in our remains. These foreign bodies – implants, replacements, metal bodily parts, and every sign of our artificial self – must be removed. All that is left are bones, which are then reduced to the size of grains of sand. These remains are kept in homes, spread at symbolic locations, interned at traditional burials site, or used in other creative manners. The artificial parts, on the other hand, are usually recycled for their metals or tossed away.
Salazar has decided to rescue as many cremated artificial body parts possible. These parts remain as solid as they were inside their bodies and are nevertheless considered residue. She found their value in this very ambiguity. They embody the question of the status of our own existence on a physical level: their materiality creates confusion between those objects as parts of a physical body and our own body, thus opening the gap between our certainties and uncertainties, beyond the matter of human death itself.
The simple presence of these objects puts the status of life into question, allowing us to see, on one hand, the death of usage and value as something applicable to our own bodies. They allow us to see, on the other hand, the possibility of our existence as purely impermanent, earthly and physical. They allow us to see our possible becoming.
Terrain Exhibitions Biennial
September 15 – October 19, 2013
Opening Block Party: September 15, 1 -10 PM
Utilizing multiple homes on the 700 Highland Avenue block, nine artists have created site-specific interventions for this month long event.
Megan Taylor Noe
Opening Block Party:
Terrain artist Claire Ashley will produce an event featuring her inflatable sculptures. Ellen Butler, neighbor, will exhibit her paintings and Elizabeth Rexford’s The Harmonia Quartet will play on the Longfellow Elementary school steps. A reading from Ames Hawkins’ Paper Violets will be performed in addition to Paul Hertz conducting the interactive “Ignotus the Mage” at intervals throughout the afternoon. There will be a plethora of activities and constructive projects for the whole family, such as bookbinding, fluxkit exchanges, Exquisite Corpse drawing games, and a chance for all to participate in creating a surrealist poem imagined by Stephanie Barber. The Taco Bernardo Food Truck will be in Oak Park serving dinner from 5:30 – 8:00PM, an assortment of treats will be provided by neighbors and all are welcome to add to the potluck! The day’s activities will be accompanied by the DJ styles of Rae Chardonnay then followed by neighbor Ryan Todd’s band Officer Friendly. Terrain artist and Director of Aspect Ratio Gallery, Jefferson Godard, will wrap up the event with a curated video program that will be shown from dusk until 10PM.
A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding months. All artwork copyright original artists; all photography copyright Paul Germanos.
Above: CourtneyBlades’ partners, Mickey Pomfrey, left, and Blake Cameron Harris, right, in the gallery for the opening reception of “Definitely Living, Likely Cognitive,” on August 9, 2013.
Mickey Pomfrey is one of a relatively small number of people I encounter on a regular basis at gallery openings in Chicago. In spite of that fact, I’d never before brought a camera to the space (CourtneyBlades) which he runs with Blake Cameron Harris. And it was only because I happened to take photographs there on August 9, 2013, that Ria Roberts noticed me, and reminded me to attend Medium Cool: a new art book fair with which she’s involved.
Bea Fremderman, Brian Khek, and Micah Schippa
“Definitely Living, Likely Cognitive”
August 9 – September 1, 2013
1324 W. Grand Ave.
Chicago, IL 60642
Above: Scott Speh of Western Exhibitions.
Above: Ed Panar & Melissa Catanese of Spaces Corners.
(art book fair)
12:00 — 8:00 PM
August 11, 2013
1314 W. Randolph St.
“2 of a kind”
June 29 – July 21, 2013
1542 N. Milwaukee Ave, 3rd Floor
Chicago, Illinois 60622
Yhelena Hall’s da Vinci-like creation is built from fabric stretched over a frame, which method of construction reminds a Chicago resident of Linda Warren’s artist Juan Angel Chavez. But, maybe, within Warren’s stable the better comparison is to Conrad Freiburg–for as helium escapes its imperfect balloon, Hall’s wooden machine has a self-destructive potential.
Joshua Albers and Yhelena Hall
PARALLELS / A Collaboration with ACRE Residency, Part 2
August 2 – 24, 2013
1431 W. Chicago Avenue
Chicago, IL 60642
Like Yhelena Hall at The Mission, Conrad Freiburg chose to present freestanding, three-dimensional objects made largely of wood, in the company of smaller, wall-mounted graphic works, which in this case are still images rather than video. Unlike Hall, around the perimeter of gallery interior Freiburg set a race, which in turn carries bearings or marbles as such activity is initiated by visitors. Four years ago, in June of 2009, Monica Herrera arranged a similar work at 65GRAND, there observed with an additional audio component: falling marbles “played” upon successive wooden elements with each drop in elevation.
“Before the Grave and Constant”
June 7 – August 10, 2013
Linda Warren Projects
327 N. Aberdeen (151)
Chicago, IL 60607
Eliza Fernand, Jodie Mack, Monica Herrera
Curated by Thea Liberty Nichols
June 19 – July 25, 2009
1378 W. Grand Ave. (old location)
Chicago IL 60622-6450
Above, left-to-right: Jessica Harvey, Kera MacKenzie, and Jenny Buffington at the “pARTicipatory” opening on August 9, 2013.
When I hold a camera to my face and look through the viewfinder I’m blind to the room around me, so that it’s especially surprising to be struck at that moment. I write here with authority as I’ve suffered the aforementioned indignity on multiple occasions. On August 9, 2013, for the second time at one of Myers’ openings, someone threw something at me while I was taking a picture. If the games, and food, and liquor, all now frequently available at gallery openings, have served to draw in a certain sort of person then, maybe, they’ve done so only at the cost of another sort of person. After six years of work on this photographic project, my patience has been exhausted.
HATCH Projects Residents: Chaz Evans, Amber Ginsburg, Mothergirl, Jake Myers, Hoyun Son, and Latham Zearfoss
HATCH Curatorial Residents: Meredith Weber and Anna Trier, a/k/a the Happy Collaborationists
August 9 – August 29, 2013
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
Sonnenzimmer print and design studio is Nadine Nakanishi and Nick Butcher. On July 14, 2013, Nick and Nadine held a sort-of art benefit / garage sale, during which Michael Bingaman (electronics), Josh Berman (cornet), Anton Hatwich (double bass), and Matt Schneider (guitar) played music. There, I bought a big Taschen contemporary art compendium for three dollars, and got a Design Bureau magazine for free. Everyone was cool! And John Corbett was there–because he’s really good about attending these things. Even my mother was happy.
“On the patio at Sonnenzimmer”
10:00 AM – 6:00 PM
July 14, 2013
3605 N. Damen Ave., Rear
Chicago, IL 60618
Columbia College Chicago: Portfolio Center – Industry Events
Above: Nick Albertson
Above: Ryan Bringas
Above: Meg Noe
Above: Tim M. Johnson
Above: Rikki Levine
The scale of the event was overwhelming. The quality of almost all of the work was very high. I spent most of my time with those presenters who seemed to have a fine arts orientation. Rikki Levine, above, was something of an exception as she seemed (?) most interested in travel and documentary work. But, her book (portfolio) looked too good to ignore. Whether they knew it, not a few graduates produced material recalling John Opera or Jessica Labatte. And I should have been yet more forceful in my exhortation to go out and look at what’s being made here and now.
Columbia College Chicago
Portfolio Center – Industry Events
May 16, 2013
1006 S. Michigan Ave.
Chicago, IL 60605
Allan Sekula died on August 10, 2013 after a long struggle with cancer.
“Polonia and Other Fables”
September 20 – December 13, 2009
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
Jeffery Austin, Marne Provost, Kimberly Kim, Meg T. Noe, Jonathan Pivovar, John Brookes Turner
Curated by Jonathan Pivovar
Supported by Columbia College Chicago’s Photography Department
July 12 – 14, 2013
Chicago Art Department
1932 South Halsted #100
Chicago, IL 60608
The timing of this exhibition is either fortuitous or tragic depending upon one’s knowledge of the not dissimilar installation on Michigan Avenue, and sense of humor.
“THE CHARACTER AND SHAPE OF ILLUMINATED THINGS”
Organized by MCA Curator Julie Rodrigues Widholm.
July – November, 2013
MCA Chicago Plaza Project
The Museum of Contemporary Art of Chicago
220 E. Chicago Ave. (MVDR Drive)
Chicago IL 60611
The Chicago Loop Alliance deserves credit for the good work it’s done in offering such opportunities to people like Gwendolyn Zabicki.
“Never a lovely so real”
Clarissa Bonet, Dmitry Samarov and Noah Vaughn
Curated by Gwendolyn Zabicki
Pop-Up Art Loop from the Chicago Loop Alliance
Sponsored in part by Columbia College Chicago
July 11, 2013
108 N. State St. (Block Thirty Seven, First Floor)
Chicago, IL 60603
Above, left-to-right: Nick Butcher (half of Sonnenzimmer), Jennifer Salim, E. Aaron Ross, and Aaron Delehanty standing in a projection by Theodore Darst at the Chicago Artists Coalition’s “Natural Fallacy” opening.
Noelle Allen, Theodore Darst, Brent Fogt, Jordan Martins, Nicholas Sagan, and Matthew Schlagbaum
Curated by MK Meador
July 12 – August 1, 2013
Chicago Artists Coalition
217 N. Carpenter St.
Chicago, IL 60607
Hear it on Vine: vine.co/v/hamYhHDJJ0d
Thanks to Abigail, Lauren, and Shannon for playing along. I’m sorry that I didn’t get a better shot of you three together. Good luck and best wishes…
Edie Fake and MSHR a/k/a Brenna Murphy & Birch Cooper
June 28, 2013
119 N. Peoria, #2C
Chicago, IL 60607
“In Between Drinks”
June 28, 2013
2124 N. Damen Ave.
Chicago, IL 60647
It’s too bad that a piece which suggests many questions related to resource allocation within the context of non-European, urban poverty, here found available for view in the lobby of a free, teaching museum, was ignored in an article entitled “Marginalizing Chicagoans’ Access to Culture” at Newcity.
Sponsored by BMO Harris Bank
January 19 – December 8, 2013
The David and Alfred Smart Museum of Art
5550 S. Greenwood Ave.
Chicago, IL 60637
May 14, 2013
1301 N. State
Chicago, IL 60610
It’s the third of Jessica Taylor Caponigro’s installations which I’ve seen, each of the three having been abstracted from both architectural and also literary sources. The comparison between works made over time (a span of several years) is interesting, and maybe best reveals her intent.
Jessica Taylor Caponigro
Curated by Aimee Quinkert
May 11 – June 2, 2013
1821 W. Hubbard St., Suite 209
Fred Sandback: Sculptures
April 26 – June 1, 2013
Rhona Hoffman Gallery
118 N. Peoria St.
Chicago, IL 60607
Fine Arts Open Studios
5:00 – 8:00 PM
April 18, 2013
1006 S. Michigan Ave.
Above: An overhead view of Erik Wenzel’s Artforum installation “Fernweh,” as seen within Brandon Alvendia’s The Storefront gallery, on the show’s opening night.
Wenzel, like Fake, above, and Andre, in the previous article, has made use of the floor for the purpose of presenting modular units in a grid pattern. Here the invitation to the audience to walk upon the artwork is wanted to be especially cheeky: an institution (magazine) and a commercial appropriation of culture resources (gallery ad) are both trodden upon, which action symbolically mimics Wenzel’s own “progress” through the real and metaphysical worlds of art.
April 20 – May 12, 2013
2606 N. California Ave.
Chicago IL 60647
“The Economics of Art 2013″
Dmitry Samarov, Ian Ferguson, Julie Murphy, Steve Seeley, and Jimmy Bunnyluv, along with Anthony Freda, Dave Pressler, David Cooper, El Gato Chimney, Hernan Paganini, Klub7, Raudiel Sanudo and Ruel Pascual.
August 3 – 31, 2013
1016 N. Western Ave.
Chicago, IL 60622
Work by College for Creative Studies students Austin Brady, Megan Leigh Jessup, Sean Maxwell, Tom Burns, Fatima Sow, Andrew Mehall, Maggie Kozma, Benjamin Thompson, Eric Maurer, Kristina Sheufelt, Shaina Kasztelan, Jen Wang, Leucochloridium Paradoxum, Joanna Marie Care, and Jordan Stohl.
6018 NORTH is located at 6018 N. Kenmore Ave. Reception Saturday, 5-9pm.
Work by Anastasia Chatzka, BEERY/KARP, Carl Moberg, Catie Olson,EC Brown, Jonathan Ozik, and Tom Burtonwood.
New Capital is located at 3114 W. Carroll St. Reception Friday, 7-10pm.
Work by Marissa Lee Benedict and Brittany Ransom.
Chicago Artists’ Coalition is located at 217 N. Carpenter St. Reception Friday, 6-9pm.
Work by David Alekhuogie, Rashayla Marie Brown, Alexandria Eregbu, Christina A. Long, Hannah Rodriguez, and Cameron Welch.
Sullivan Galleries is located at 33 S. State St. 7th fl. Reception Friday, 4:30-7pm.
Work by Sam Jaffe.
65GRAND is located at 1369 W. Grand Ave. Reception Friday, 6-9pm.
This week: Richard talks to Tom Burtonwood and Holly Holmes, about their work individually, collectively, and their current gallery What it is.
Tom will be in the Bad at Sports booth with Makerbot Madness and EXPO this week!
Work by Caroline Carlsmith, Alex Chitty, New Hands (Carson Fisk-Vittori & Michael Hunter), and Kristina Paabus.
Alderman Exhibitions is located at 1338 W. Randolph St. Reception Friday, 6-9pm.
Work by Cameron Gibson, Eduardo Fernández, Marine de Contes, Julian Dalrymple, Meghan Johnson, Nathan Meltz, Miguel Guzman, Jennifer Baker, and Rob Frye.
The Milk Factory is located at 907 N. Winchester Ave., Rear Apt. Reception Saturday, 7-11pm.
Work by Tony Fitzpatrick, Duncan Robert Anderson, Daniel Bruttig and Chris Hefner.
LivingRoom is located at 1530 W Superior St. Reception Friday, 7-10pm.
Work by Alberto Aguilar and Jorge Lucero.
Beverly Arts Center is located at 2407 W. 111th St. Reception Saturday, 7-9pm.
Work by Mark Adkins, Alberto Aguilar, Jane Fulton Alt, Marissa Benedict, Daniel Bruttig, Robert Burnier, Tom Burtonwood, Scott Carter, Stephen Cartwright, Andrew Copper Smith, Margaret Crowley, Matt Davis, Michael Dinges, Diana Gabriel, David Giordano, Emily Hermant, Alexander Herzog, Matt Irie, Elk Grove Village; Barbara Jeanne Jenkins, Evanston; Stacee Kalmanovsky, Buffalo Grove; Julia Klein, Barbara Koenen, Morgan Krehbiel, Katie Loomis, Ivan Lozano, Jorge Lucero, Bobbi Meier, Jackie Melissas, Holly Murkerson, Julie Oh, Joel Parsons, Karen Perl, Cole Pierce, Melissa Ann Pinney, Wolfie Rawk, Todd Reed, Patricia Rieger, Nicole Seisler, Lindsay Sherman, Soo Shin, Geoffry Smalley, Alex Tam, Xavier Toubes, Rafael E. Vera, Sarah Williams, Robin Woodsome, and Kaylee Wyant.
Evanston Art Center is located at 2603 Sheridan Rd., Evanston. Reception Sunday, 1-4pm.