TOP V. WEEKEND PICKS (10/20-10/27)
Mark maker, mark maker, make me a mark. The intentionality of mark making creates a moment where something about the mark maker’s being is revealed. Captured in the mark itself are a litany of codes and codifications that stand beside something unique to that...Subversion of What? Kelley Walker’s “Direct Drive” at CAM St. Louis
by Pamela Fraser There are so many separate issues involved in the still-unfolding story of public reaction to Kelley Walker’s exhibition Direct Drive at the Contemporary Art Museum St. Louis, one barely knows where to start. At issue is not only the...TOP V. WEEKEND PICKS (10/13-10/19)
1. The Trace of an Echo October 14, 2016, 6-9PM Work by: Rachelle Hill and Millicent Kennedy Northeastern Illinois University-Fine Arts Gallery: 5500 N St. Louis Ave, Chicago, IL 60625 2. eschatoliotheca October 16, 2016, 11-3PM work by Matt Ericson, Angela...TOP V. WEEKEND PICKS (10/6-10/12)
E pluribus unum, out of many, one. The one is made up of all things, and all things issue from the one. Here it is the group, the collective, the hobbled together bunches that make up something else entirely. More than the sum of their parts, it’s 2 + 2 = 5 in...Corresponding Between Found and Made: An Interview with Jessica Stockholder
My work pivots around the ways in which actual physical phenomenon resonate metaphorically with thought and how we find meaning. Sight is blurred when the eye and body are moving and what we see is crisp and clear when our bodies are static. Our peripheral vision enters this continuum. Tending to the limits of our capacity lets us know more about what’s out there.