It’s a busy time of year and a busy week on top of it. MFA and BFA events left and right, writing and grading papers, final presentations, vacation plans, residency plans, devised escape attempts, and closing remarks. That’s right folks, summer is almost upon us. #huzza But let’s not get too far ahead of ourselves. This week in review —
Episode 400 y’all! Duncan and Richard published their road trip. What is estimated to be a five hour drive between St. Louis and Chicago was boiled down into a healthy 45-minute reduction of audio sauce. Get your fill of those fellas here.
Otherwise, some Monday T from our favorite gossip columnist, Dana Bassatt. Bassatt asks after G.R. N’Namdi Gallery’s vacated storefront, offers insider reportage about her Dinner Party field trip, and offers a great eye-spy on an easily overlooked building in all its freaky grandeur (shout out to Kokorokoko — this building seems right up your alley, perhaps?). All that and more here.
I reposted a link to The Highlights: an online arts journal who’s latest issue presents blog works/art/articles that touch on labor, Marx, and biographical statements while presenting images of honey glazed turkey, black rectangles and to do lists.
One more reason for a road trip courtesy of Kelly Shindler who published a great list of things to look out for art-wise in STLA:
“It’s the first of May, which means that it’s May Day, International Worker’s Day, and you may as well watch the Bee Gees perform this. It also means that lots of art spaces and museums are getting ready to open their first round of summer shows. In solidarity, I present to you my (rather long) shortlist of what’s on in St. Louis in the coming weeks…”
Stephanie Burke posts the TOP 10 shows-to-see (obviously everyone has been hard at work all winter, and the fruits of labor are now, this very moment, EXPLODING). Which is to say, all good things are upon us. HERE
Another new columnist arrives at the scene, adding one more reason to open that bottle of champagne. Yes, that’s right, Mairead Case published the first post in an on-going series, MAINTENANCE. In her words:
I want this column to be about maintenance, because endings get so much press right now—education is increasingly privatized and teachers are undervalued, slow media is undervalued, pedagogy and art practice and criticism are going weirdo Cerebrus on us—and instead of getting ever-crabbier or just throwing in the towel, I want to talk about how we’re living. How we’re taking care, how we’re keeping the wheels turning. How we’re supporting ourselves long-haul. (Why books? I spend most of my time in libraries and classrooms, and reading, so books seem like a good place to start.)
MAINTENANCE will focus on reviewing new publications, but there’ll always be older ones in the mix. Again, if there’s something you’d like me to cover, please be in touch: mairead dot case at gmail.com. Hi!
So — with that, hope you had a good weekend, and let’s plan a day of hooky. Meet me at the beach, noon on Wednesday. Call it a National Day of Wellness and Leisure. Wear your best suits. I’ll bring the cold cuts if you bring the beach ball. Maybe we can look as dapper as the old timers downstairs. See you soon.
A. The Death Instinct and the Life Instinct:
The Death Instinct: separation, individuality, Avant-Garde par excellence; to follow one’s own path to death—do your own thing, dynamic, change.
The Life Instinct: unification, the eternal return, the perpetuation and MAINTENANCE of the species, survival systems and operations, equilibrium.
– Mierle Laderman Ukeles, Manifesto for Maintenance Art, 1969!
Publications discussed here (an asterisk means it came out less than 365 days ago):
- Let It Sink by Jim Joyce (victimsofmathematics at gmail, 2013)*
- Filmme Fatales Issue 1, ed. Brodie Lancaster (filmmefatales.com, 2013)*
- Cha-Ching! by Ali Liebegott (City Lights/Sister Spit, 2013)*
- Collisions by Brendan Monroe (brendanmonroe.com, ??)
- Life Form by Amélie Nothomb, trans. Alison Anderson (Europa Editions, 2013)*
- Rumspringa by Tom Schachtman (North Point, 2006)
Right now I’m taking a class with some painters—mostly we read, and talk—and the other day, we were talking about endings. For painters, I’m learning endings mean say, photography, and intubated paint, and Rodchenko. I’m a writer so I started thinking about Samuel Beckett, the Independent Press Association, Kathy Acker’s parrots and pirates, her red/read. But more generally, meditating to “This body will be a corpse,” and to be fair that really just used to crack me up. It is very hard for ex-Sad Teenage Girls like myself to meditate to that, because for so long we were like “Yes I know, hurry up already.” [Read more]
Work by Jenny Kindler.
The Mission is located at 1431 W. Chicago Ave. Reception Friday, 6-9pm.
Work by Caleb Charland.
Schneider Gallery is located at 230 Superior St. Reception Friday, 5-7:30pm.
Work by Marissa Lee Benedict.
Threewalls is located at 119 N. Peoria St. #2C. Reception Friday, 6-9pm.
Work by Daniel Bauer.
Alderman Exhibitions is located at 1138 W Randolph St. Reception Saturday, 11am-5pm.
Work by 23E Laboratories, Jason Robert Bell, James Fotopoulos, Kari Gatzke, HALFLIFERS, Lauren Marsden, Jennifer and Kevin McCoy, Bjørn Melhus, Shana Moulton, Caspar Stracke and MASTERS OF TIME AND SPACE, and Jennet Thomas.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
Work by Carol Jackson and Julie Potratz.
slow os located at 2153 W 21st St. Reception Staurday, 6-9pm.
Work by Kelly Kaczynski.
Comfort Station is located at 2579 N. Milwaukee Ave. Reception Saturday, 6-8pm.
Work by Amanda Ross-Ho.
Shane Campbell Gallery is located at 673 N. Milwaukee Ave. Reception Saturday, 6-8pm.
Work by Emily Carter and Meg Leary.
ACRE Projects is located at 1913 W. 17th St. Reception Sunday, 4-8pm.
Work by Kaoru Arima.
Queer Thoughts is located at 1640 W. 18th St. #3. Reception Friday, 6-9pm.
It’s the first of May, which means that it’s May Day, International Worker’s Day, and you may as well watch the Bee Gees perform this. It also means that lots of art spaces and museums are getting ready to open their first round of summer shows. In solidarity, I present to you my (rather long) shortlist of what’s on in St. Louis in the coming weeks.
The River Between Us
Laumeier Sculpture Park
April 13–August 25, 2013
A symbiotic traveling exhibition coorganized with Longue Vue House and Gardens in New Orleans, The River Between Us is the latest in a series of projects at Laumeier that explore the theme of place. This time, the mighty Mississippi provides the inspiration for the show, which will feature both new commissions and historical documents. Featured artists include Ken Lum, Allan McCollum, and Alec Soth, among many others.
Rudely Interrupted Evening with Mr. Manners
May 3-5, 2013
Local guerilla curatorial collective The Transients stage shows in recently vacated commercial spaces. Their newest project takes place in the old downtown YMCA, which piques my interest. This weekend-long series of events includes collaborative videos and screenings, a brunchtime screening featuring a twenty-one-gun salute (!), and a performative event by the Archeospiritist Study and Consortion Initiative Illinois (!!).
Andrew James: Without the zeroes and ones,
the big and the huge don’t mean dick (v.1)
Isolation Room/Gallery Kit
May 3–June 1, 2013
Worth going just for the title—and the fact that Andrew James also runs St. Louis’s excellent Good Citizen Gallery—this show at the petite apartment gallery Isolation Room features a new kinetic object by the artist that, notes curator Daniel McGrath, “scoots on wheels like a Minecraft translation of an intravenous drip.”
Contemporary German Art: Selections from the Permanent Collection
2013 MFA Thesis Exhibition
Mildred Lane Kemper Art Museum, Washington University
May 3–September 7, 2013
The Kemper showcases highlights from its formidable collection of contemporary German art, including works by Thomas Bayrle, Isa Genzken, Charline von Heyl, Sergei Jensen, Wolfgang Tillmans, and others. Also on view is the latest MFA Thesis show of work by twenty-three new grads.
Mike Newton: Contact
Fort Gondo Compound for the Arts
May 4–June 1, 2013
I’ve sang Fort Gondo’s praises elsewhere on this site. Its latest exhibition curated by new director Jessica Baran features several videos by New York-based artist Mike Newton that draw inspiration from the question of how to represent and understand interpersonal communication, particularly as it relates to eye contact.
Whole City: St. Louis
Luminary Center for the Arts
May 4–25, 2013
The latest in a series of guest-curated exhibitions collectively titled How to Build a World That Won’t Fall Apart, this show by Minneapolis design studio Works Progress takes the form of an intensive short-term residency that seeks to better understand the cultural landscape of St. Louis. Starting with the question “what makes us whole?” the interviews and conversations that they conduct in the city will be made manifest into an exhibition and free newspaper.
White Flag Projects
May 4–June 10, 2013
In typical White Flag fashion, the curatorial conceit remains a mystery, but I’m listing this for Peter Hujar’s photo of Susan Sontag alone.
Donald Judd: The Colored Works
Pulitzer Foundation for the Arts
May 10, 2013–January 4, 2014
Former Chinati Foundation director Marianne Stockebrand curates the first show focused exclusively on Donald Judd’s works in color. Everything in the show was made late in his career between 1984–1992. Modern Art Notes’ Tyler Green will speak with Stockebrand on the occasion of the show at the Pulitzer on May 11. Not to be missed.
Hiraki Sawa: Migration
Saint Louis Art Museum
May 3–September 8, 2013
Japanese artist Hiraki Sawa presents a new animation in the latest in SLAM’s ongoing New Media Series curated by Tricia Paik.
East Building Expansion
Technically opening on June 29, this long-awaited expansion gives the museum’s substantial collection of modern and contemporary art room to breathe. The inaugural hang will feature much of its strong postwar holdings of works by Joseph Beuys, Gerhard Richter, Sigmar Polke, Anselm Kiefer, and others, as well as an art historical overview of work by the Abstract Expressionists, Minimalists, and more contemporary artists such as Kiki Smith and Julie Mehretu. The expansion also marks the premiere of Stone Sea, a new site-specific commission by Andy Goldsworthy.
Bad at Sports
April 24–May 5, 2013
Kerry James Marshall
May 24–July 7, 2013
Contemporary Art Museum St. Louis
In a stunning turn of events, CAM has an exhibition by Bad at Sports up right now. Duncan and Richard recap their road trip to STL here, and interviews with many of the curators and organizers behind these very shows will be released soon. CAM’s summer season opens with solo shows by Lari Pittman, Mika Taanila, and Kerry James Marshall on May 24.
So we will definitely be rolling down to River North on May 2nd from 5-8, (Thursday night.) Because someone (Claire Molek and co.) wrote this…
The Brave New Art World is an arts unification movement dedicated to the service of consciousness:
ART IS FOR THE PEOPLE
We maintain there is infinite, inherent value in the practice, product and distribution of art as a vehicle for consciousness. This vehicle inevitably affects every ripple of human society and therefore art is for everyone; it demands to be shared.
In this year and in this time, all classist and elitist projection represents fear and is from here on irrelevant. All value is determined in and of itself, and all conceptual activity is inherently valuable. Every exchange of idea and/or energy is conceptual, and cannot be devalued by tradition, market or judgment.
It is paramount we share our practices with one another in the fullest sense of our shared existence. We must assemble with regularity, hospitality, transparency, and acceptance.
By taking part in this movement you ultimately purpose your value as an individual, and as a member of the human race. Thereby we progress our civilization as a whole with every thought, action, expression or motion. Today we step forward in the awareness of our shared responsibility to one another and to real life, in and of our shared values; in truth, community, and growth.
And we at B@S want us all to march toward truth, community, and growth, (as long as we manage to do it with a health disrespect for authority but love for one another.)
Check it out here… Yup, CLICK THIS.