March 28, 2008 · Print This Article
An exhibition at the San Francisco Art Institute’s (SFAI) Walter And McBean Galleries has been suspended after the gallery received over 3000 emails from students, faculty, and community members in protest. Don’t Trust Me is French artist Adel Abdessemed’s first exhibition on the West Coast. The controversial work consists of several monitors, each showing looped footage of a tethered animal – a goat, an ox, a horse, a sheep, a pig, and a fawn – being hit on the head with sledge hammer. In addition to the contentious footage, the exhibition includes a large neon brain, a series of wall drawings, and a large video installation that features the artist hanging from a helicopter while trying to draw Gericault’s Raft Of The Medusa (1818).
The institute is having an open forum at 12PM Monday at their lecture hall where concerned individuals will be able to discuss the issues surrounding the work with Director of Exhibitions and Public Programs and former BAS interviewee Hou Hanru, Dean of Academic Affairs Okwui Enwezor, and institute professors and artists John Rapko and Tony Labat. If you happen to be in the area, please come.
Mining the media fallout:
The San Francisco FOX affiliate KTVU did a short segment on the exhibition, watch it here.
SFAI has a statement out on Tuesday.
San Rafael-based animal rights organization In Defense Of Animals has referred to the videos as animal snuff films, you can link to their interpretation of the exhibition, here.
San Francisco SPCA has released a statement condemning the exhibition, read that here.
The San Francisco Examiner published an article about the exhibition, read that here.
Finally, after a six month wait, it is here…
The audio from the 2007 Stone Summer Theory Institute: Is Art History Global?
This will be a series of six or seven 2-4 hour excerpts from the week-long event. In advance of the second iteration “What is an Image?”Â You can find more info and the application for the 2008 Institute at… http://www.stonesummertheoryinstitute.org
The 2007 participants can be viewed at http://www.badatsports.com/megsmagic/2007-panorama.jpg
Keep in mind that this audio is rough “B-side stuff,” but nonetheless provides a chance to go behind the curtain on this thoughtful conversation.
In this episode we present… “The Intro Round Table Event.”
From The Stone Summer Theory Institute Site…
2007: The Globalization of Art, co-organized with Zhivka Valiavicharska
The book will be co-edited with Alice Kim; please see the book series for more information.
The â€œbiennale cultureâ€ now determines much of the art market. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time, there is extensive theorizing about globalization in politics, postcolonial theory, economics, sociology, and anthropology.
This was the first event of the series to bring political theorists together with writers and historians concerned specifically the visual arts and its art history.
Seminars were taught by Fredric Jameson, Harry Harootunian, Thomas DaCosta Kaufmann, Shigemi Inaga, Susan Buck-Morss, James Elkins, and Zhivka Valiavicharska.
Pablo Picasso, Marc Chagall and Andy Warhol were among artists whose works were counterfeited by seven people indicted for two art-fraud schemes that reaped a combined $5 million.
Those charged include three Europeans and residents of New York, Florida and Illinois, Chicago U.S. Attorney Patrick Fitzgerald said today in a statement. They sold thousands of fake prints in the U.S., Canada, Australia, Japan and Europe, he alleged.
“Most of us have never owned a work of art signed by Picasso,” Fitzgerald said today at a press conference. Some people who believed they did, he added, “bought fakes.”
Some of the prints in the scam were sold on EBay Inc., the world’s largest online auctioneer, Fitzgerald alleged. Others were funneled through two art dealers in Northbrook, Illinois, prosecutors claimed. [Read more]
Here is a visual breakdown (view image full size) of key indices in relation to the state of violence, oil production, death rate, phone subscriptions, prison population & most interestingly the electricity production.
The most interesting measurement is when you compare to pre-war states, especially the electricity output.
Read more here
March 19, 2008 · Print This Article
A newly discovered wooden sculpture of a Buddha that had religious objects sealed in its torso for 800 years sold for $14.3 million, setting a world record for any Japanese work of art, Christie’s auction house said.
The seated figure of Dainichi Nyorai, or the supreme Buddha, is attributed to Unkei, considered one of the two best sculptors of the early Kamakura period in the 1190s, when the most highly regarded Buddhist art was produced.
It was purchased at auction Tuesday by Mitsukoshi Ltd., one of Japan’s major department stores. Its presale estimate was $1.5 million to $2 million.
The Buddha, made of Cyprus wood, sits in a lotus position wearing princely attire, a crown and jewelry, and hair in a topknot. It is believed to have come from a temple during the Meiji period (1868-1911) when Shinto was adopted as the state religion of Japan, Christie’s said. [Read more]