Jessica Slavenâ€™s untitled exhibition via Art Fag City
Last night as I was readying myself to listen to this weeks podcast (I heart Paddy Johnson) I was trolling Art Fag City to see what I might have missed while being distracted by my day job. What I found was Jonson’s curated online show with Add-Art titled The Future of Online Advertising. Add-Art (developed by Eyebeam) replaces the advertisements found on websites with art from a database that is curated regularly. Unfortunately, I had a few problems. Instead of seeing art my advertisements were blacked out (which was still nice) and it made Firefox crash. Especially when i was visiting the BAS website. It seems though that these problems have been fixed so I will give it another shot.
A little bit about this show via Add Art
“The Future of Online Advertising, a group exhibition featuring the work of Ben Coonley, Jason Corace, Charles Gute, Brian Kennon, Elke Lehmann, Jessica Slaven, Maya Schindler, and Sheila Wilson appropriates a familiar turn of phrase in the same way the participating artists in this show draw upon pre-existing cultural material. Taken from the similarly named annual New York online advertising conference, the title means to broadly describe a utopic form of advertising; which is to say, in the future, all advertising is art. It is aesthetically challenging and engaging, it is inventive and it is smart.” Read the rest of the statement here.
If you are interested in trying it out for yourself download it here
Recently Artadia announced their 2008 Chicago Awardees. This year’s awardees are: Melika Bass, Juan Angel ChÃ¡vez, Jim Duignan, Theaster Gates, Kelly Kaczynski, Dutes Miller and Stan Shellabarger, and Kim Piotrowski.
“Artadia: The Fund for Art and Dialogue is very pleased to announce the Artadia Awardees 2008 Chicago. As part of Artadia’s unique two-tiered review process, a second panel of three internationally prominent jurors, Allison Peters Quinn (Director of Exhibitions at the Hyde Park Art Center, Chicago), Kristin Poole (Artistic Director of the Sun Valley Arts Center, Sun Valley, ID), and Tumelo Mosaka (former Associate Curator of Exhibitions at the Brooklyn Museum, NY), conducted studio visits with 15 short-listed artists for three consecutive days (October 23-25) in Chicago to evaluate the artists’ work.” Read the rest on Artadia’s website.
While we are on the subject of awards, AIA has announce their Chicago winners. None of which I am familiar with…
via Apartment Therapy
“Downtown Chicago has a reputation for being an open-air “museum” of great architecture, but we also have some incredible houses and apartments tucked away on neighborhood side streets. The AIA tries to bring all Chicago’s great buildings (big and small) to our attention through their annual awards. This year, many of the awards went to innovative homes and green buildings. We saw some familiar spaces among the submissions…” Check out the rest of this article and photos of the nominees here.
Congrats to all the winners.
Art Observed posted a Richard Prince interview on VBS.tv. In the four part series we travel to his studio, visit a local diner, and get some insight into his work. Other than the obnoxious Rock Band ads all over the site I would recommend checking it out.
Two weeks have passed and the news piles up ever higher. Switzerland returns 4,400 stolen antiquities to Italy the swiss then give a sigh of relief that they now have more room in their closets. Australian Paintings Keep Turning up in Texas in response Texas schools now add Australia to the geography curriculum (Sorry it’s low hanging fruit and I only hit those I love) & we elected a new President (which if you were outside of the country during you would have thought it was for World Emperor) but overall a slow week that was covered well by Meg.
So this week you get a two’fer of Art News Roundup “German Style” Yehaaa! HÃ¼ndinnen. Last week the Lennie Small to Richard & Duncan’s George Milton checked out Preview Berlin, Art Forum Berlin, Berliner Liste & Bridge Art Fair: Berlin.
Erste up Preview Berlin:
Great location, excellent execution of booths, usage of space, and everything that goes into making a fair. The art was hit and miss but still better then the rest in many ways. There was a growing foam tower with bottle peice that was eye catching by Dieter Lutsch but faded quickly for me. The Gallery Realace from Berlin was the least interesting for me and little did I know would set the tone for the rest of the shows when it came to Berlin art. Their works were largely splashes of dynamic black and white shapes or red color fields with artworld fortune cookie thoughts.
They stood out but were really out of time and place for me. Oddly enough or fitting the UK/US galleries had more interesting works that we lower in contrast both visually and conceptually. Mixed Greens in NYC had works by Joan Linder that were large parchments with well know artists CV’s hand written. People from Mary Kelly, Lee Bontecou to Suzanne McClelland and Louise Bourgeois. Priska C. Juschka Fine Art had the most interesting work for me in the show with Jade Townsend’s “Gathering Loose Ends in a Bucket” which was a stark western town with gravestones and shops after an attack complete with black and white fire on both building and man alike. Old hat for some people and rightfully so but was a nice work for me.
artMbassy Berlin was quite interesting and their artist Dora Tass with her work with US currency imagery on lead has a lot of potential. With commentary on US military war profiteering it would be interesting to have her in a show with Burtonwood & Holmes.
Sandro Porcu’s beating live heart that reacts to a microphone was interesting but as with much of the work in Preview little beyond the obvious.
Zweite Comes Berliner Liste:
Berliner Liste was the everything and the kitchen sink show. How do you protect for a soft economy? Let everyone in who is willing to pay and alot of people were willing to pay for Liste. Easily over 112 galleries and multiple floors where for the first time ever I can agree with the “Too much art” mafia in their complaints of having a visual overload. There was not a theme, focus or anything to Liste it was just an avalanche of art with many galleries working in souvenir art to the works. Low cost versions of the art they are selling that echo the original in one way or another. Like it or hate it this could very well be the future of art by diversifying the collectors, distributing the income over a larger spread and decreasing the risk. On paper it’s smart, in art I don’t know.
Liste was about the money though, from multiples of black and gold pugs by Maisenbacher Art Gallery who brought Black Angels to Art Amsterdam last year. Buy a copy for yourself for 100 EUR if you want. The same went for Stefan Strumbel who had German Pop Cookoo Clocks befit with guns, dead rabbits & skulls in a Avril Lavigne album cover sort of “punk” way. Again you can get smaller versions for a lower cost. The best version of this for me was the work of Gerard Mas who I have seen many times and the more I do the more i like. He works with a very low contrast, fragile and human figurines with porcelain blushed skin. Very exciting work and in the larger context of this show some of the best for me. Lino Lago had some of the best executed work for me in the show with his works that comment on the intersection of art and commercial support which was pretty blunt but very well done. I would like to follow his work more in the years to come. The only other theme in Liste and Berlin in general was the undying love of Andy Warhol who was echoed in countless works in almost every show which was cute at first and quickly became “Where’s Waldo” with each show. Heiner Meyer did it this time for Liste.
Dritte is Art Forum Berlin:
Art Forum Berlin which is the anchor of the Berlin art fairs was also it’s weakest link for me. The work was largely the same, very bleak, very black and white, very depressing, very………. German? At least that is what I was told by many Germans I spoke to in regards to the show. Many liked it, many didn’t but all agreed this is how it works here. In fact the consensus was that Art Forum was large, powerful, stark and cold while Bridge Art Fair: Berlin was colorful, playful, young and fun. I had many conversations to this effect. Art Forum was also rather small since one wing was established art, one huge wing was young and independent art and the back was magazines, books and cafe. All in all alot of pomp but nothing really solid. The independent artist area also was quite disappointing. It was very lean on physical work with white walls, big pillows to sit on and florescent lights being largely the only visual that sticks in your mind when you leave. The work was exceedingly minimal and many were just one installation shows or videos of flash animation. Overall not one of the best uses of independent space. All in all the show was easily missed and not anticipated in 2009. Oh and Warhol was alive and well here as well.
Last but not least is Bridge Art Fair Berlin:
It needs to be said that I will have to be limited on my praise or crituque of Bridge since I am associated with them but can express that for a first showing in Berlin the work was strong and a great contrast in location, style, attitude & execution to the other shows. Based in East Berlin where the true up and coming art world is strong and growing Bridge put on a colorful, exciting and fresh show that for a first year was well reviewed. With performances by Momus which brought people from everywhere and Galleries with work unseen in Berlin it was a show not to be missed.
All in all an interesting series of shows in Berlin but not some of the worlds best sadly.
Creative Time’s DRINK THE NEW WINE:Exquisite Dialogul
I haven’t checked out Creative Time’s website in a very long time. Since my last visit they have posted a series of interviews with a bunch of artists. The interviews feature: Malcolm McLaren, David Byrne, Matthew Buckingham, Sharon Hayes, Mark Tribe, Mike Rottenberg, Malclm McLaren, Genesis P-Orridge, Mika Rottenberg,Mark Tribe,and Susanne Oberbeck.
via creative time
“Hereâ€™s how it worked: the artists engaged in a volley of two to three e-mail correspondences with each of two other artists we matched them with. Each artist instigated one conversation and was on the receiving end for the other. They were each provided with brief information on their partnersâ€™ recent work and upcoming projects with Creative Time, but were encouraged to talk about anything of interestâ€”related or unrelated to their projects, and from the politically important to the scandalous. As youâ€™ll soon read, they all took this to heart, and the conversations touch on the ideas that inspired their work, politics, sex, music, and even the sausages in Basel. ”
Check them out here
Performa’s Metal Ball
Last year while I was doing a residency program in New York I was able to check out a few performances from Performa 07. Performa is a non-profit organization that is “committed to the research, development, and presentation of performance by visual artists from around the world.” Proceeds from the ball will go towards Performa 09
“The Metal Ball is inspired by the Bauhausâ€™ Metallic Festival, when the famous school was decorated entirely in metallic colors and substances and guests reveled in an exuberant festival of music, light and action. Following the enormous success of Performaâ€™s 2006 White on White Party, The Metal Ball will once again feature an exciting line-up of art and musical performances presented on multiple stages throughout the evening. ” For more info pleas visit Performa’s site.
Have a good weekend everyone.