On Sunday September 7th Japanese artist/designer Nagi Noda passes away. She was 35. There is no word on the exact cause of her death; but people have speculated that it was related to a car accident she was in last year that had left the artist with Chronic pain and other ailments.
“Beyond being a brilliant artist and wonderful talent, Nagi was one of the most incredibly unique spirits that I have known,” says Sheila Stepanek, CEO/EP Partizan US, which represented Noda. “Our thoughts and prayers are with her family and friends.” Stepanek says that Noda passed “in her Mark Ryden dress, Chanel boots, perfect make-up with Viktor & Rolf lace black eye lashes.”
She is most famous for the commercials she directed for Nike, Coca-Cola, and most recently for LG. She had collaborated with artist Mark Rydan on a fashion line Broken Label. The first time I experienced Nodaâ€™s work was her poodle video she had made for the Olympics (above). She will be missed.
Have you ever wanted to yell out over a valley and a village? Â To just let them know your alive and harsh their day? Â Well you still can and all you need is a phone.
From Unsworn Industries…
Telemegaphone Dale stands seven meters tall on top of the Bergskletten mountain overlooking the idyllic Dalsfjord in Western Norway.
When you dial the Telemegaphoneâ€™s phone number the sound of your voice is projected out across the fjord, the valley and the village of Dale below. PH:Â +4790369389
Check it out here…Â http://www.unsworn.org/telemegaphone/
Pope Benedict took the time this week to focus on one of the worlds largest menaces to civilized culture and faith, Martin Kippenberger’s Zuerst die FÃ¼sse.
The Green Frog measuring 4 ft. in height who is holding a mug of beer in one hand and a egg in the other while being crucified has been a thorn in the side of of the Church for over a decade. John Paul may have turned a blind eye to it’s existence at the Museion museum in the city of Bolzano but Benedict has had enough.
It is such an agregious work that Franz Pahl, the president of the regional government, being so enraged by the sculpture he went on hunger strike to demand its removal and consequently ended up in hospital during the summer.
“Surely this is not a work of art but a blasphemy and a disgusting piece of trash that upsets many people,” he told Reuters before the start of the board meeting.
In a letter of support for Pahl, the Vatican said the sculpture “wounds the religious sentiments of so many people who see in the cross the symbol of God’s love”.
Pope Benedict has set his sights on eliminating kitsch filled religiously sarcastic art, sexual abuse scandals and world genocide……… In that order and I applaud his steadfast dedication to this struggle and thank him from protecting me and others from religious work such as this and the “Where’s Waldo/Jesus” series, that really gets my mind a questioning.
In a recent interview he told the UKâ€™s Sky News: “Three years after Katrina I wanted to make a statement about the state of the clean-up operation.â€
Then went on to say that the levee wall offered “the best painting surface in the state of Louisiana.â€
August 26, 2008 · Print This Article
Back in mid September Damien Hirst decided to sell his art directly via Sotheby’s auction house. Bypassing his big-name gallerists: Larry Gagosian and Jay Joplin. Sotheby’s is enthusiastic and breathless needless to say.
Sotheby’s spokesman Oliver Barker has been quoted that “Damien is totally fearless. He’s not just an outstanding artist; he’s a cultural phenomenon.”
Gagosian & Joplin’s comment was not fit to print.
Sales are expected to range between $100 to $200 million. The most expensive of which is expected to be a cow with golden horns and hoofs encased in a formaldehyde filled gold display case.
Anyone that is familiar with the state of the film or especially the music industry will have a feeling of deja vu. As the middle market is continually in decline and producers and consumers are finding the distance and materials between them are either disappearing or rearranging in more direct value matchmaking oriented ways.
The conventional wisdom is that only blue chip artists could make this leap successfully but music has already show that even entry level artists can find that the old model of parent/child is less successful then a more community focused matchmaking system managed by independent investors or other like minded creators.