This coming week the awesome people at ForYourArt and five other blogs are putting together Postopolis! LA. If you’re in LA it looks like something you should check out.
via Postopolis! LA
On the occasion of Los Angeles Art Weekend, Storefront for Art and Architecture and ForYourArt are pleased to announce Postopolis! LA, a live five-day event of near-continuous conversation about architecture, art, urbanism, landscape, and design to be held in Los Angeles from 31 March to 4 April 2009. Six bloggers, from five different cities around the world, will host a series of discussions,
interviews, slideshows, panels, talks, and presentations, fusing the informal energy and interdisciplinary approach of the architectural blogosphere with the immediacy of face-to-face interaction.
Hosted By: ArchDaily/Plataforma Arquitectura, BLDGBLOG , City of
Sound, Subtopia , Mudd Up!, We Make Money Not Art
For More info please visit Postopolis.
Are we in the midst of a Shepard Fairey backlash? Not exactly, but there is some sort of reassessment going on. The L.A.-based political poster artist designed an iconographic image that reverberated nationally, along with other forms of viral street art that have been piquing the interest of city dwellers for years–but the question that’s being debated at the moment is whether Fairey’s output makes for good art, or even good design. This comes in the wake of Fairey’s 20 year survey exhibition at the ICA Boston, along with news that he has won the Brit Insurance Design of the Year award (chosen by a panel that included MOMA architecture and design curator Paola Antonelli).
Reviews of “Shepard Fairey: Supply and Demand,” at the ICA have been middling to negative. In his review of the show this week, for example, the L.A. Times‘ Christopher Knight delivered a clear-eyed and even-handed assessment of Fairey’s ouevre:
“The 39-year-old designer … possesses aÂ limited pictorial vocabulary, while the grandest curatorial claims made for the nearly 250 examples in the galleries are unsupportable. But the 20-year success of “Obey Giant” can’t be denied, nor can the efficacy of its strategies in establishing “Obama Hope” in the public consciousness. If neither adds up to major art or effective counterculture politics, both are plainly worth considering.” (Read the full article here).
“this entire show seemed like a set up to me, not even getting into the fact that the BPD arrested the guy on the way to the show. (Yeah, what better way to boost the rebellious cred than getting arrested. Brilliant!!) The images were of the highest production value, but even he will tell you, this â€˜aint art.Â Not when youâ€™re doing avatar stencils for Joey Ramone and saying things like ‘Iâ€™m not a musician, but Iâ€™m still gonna rock it hard as nails.’â€
It’s not only Shepard Fairey-as-artist who’s being dissed, it’s Shepard Fairey the designer. In an article for the London Times here).ot Poster of the Year. Or Ad Campaign of the Year. And the prize’s self-defined role is to reward the most “innovative and forward thinking” design. This poster is neither innovative or forward thinking, certainly not compared with last-year’s winner, the bargain-basement laptop in reach of the world’s poor, designed by Yves BÃ©har” (read the full article
What I find most interesting is how all the Fairey take-downs seem to mirror Obama’s own “coming down to earth” transition in national press coverage of late, and I’m not just talking about Fox News. Even so-called liberal media outlets like MSNBC have their pundits training a colder, harder eye on the President, as his budget proposals, his stated commitment to health care and his nods to arts funding come under fire, often from both sides of the political spectrum. It seems that buoyant moment when a single iconic image and the word Hope could move a nation is over. In the worlds of art and politics alike, now it’s time for deeper scrutiny, (hopefully) more intelligent debate, reassessment and repositioning.
Cue Soul II Soul: “back to life… back to reality.”
Without You I am Nothing: Cultural Democracy from Providence and Chicago
03.27.09 – 04.25.09
1511 N. Milwaukee Avenue, Second Floor
â€œWithout You I am Nothing: Cultural Democracy from Providence and Chicago is an exhibition of works on paper that are not intended for public consumption but to create small venues for public participation.â€
Mar 27 â€“ May 9, 2009
835 W. Washington Blvd.
“Vaguely Paperly,” a group exhibition curated by Chris Johanson brings together a diverse group of artists who create works on paper utilizing varying mediums and techniques. The artists in this exhibition approach paper as a painting surface as well as a sculptural medium and address issues of re-use, repetition, memory, and personal politics.”
3/27/2009 – 5/2/2009
“photographic device composed of mirrors and duct vents that extends out through the gallery window and allows a view of the sky from indoors.”
Roots & Culture
1034 N MILWAUKEE
CHICAGO, IL 60622
March 27th- May 2nd: “I Don’t Believe You” new work by Jamisen Ogg and Oli Watt
with Lauren Anderson in the Noble St. Gallery
THE BOX GAME
1744 W 18th Street
Chicago, IL 60608
Saturday March 28, 7-10PM
â€œArtists Lukas Geronimas and David Horvitz have created a touring game-cum-performance entitled The Box Game, in which YOU decide â€˜What’s in the Box?”
New York City Gold Coast
55 W. Chestnut St. APT. 2205, Chicago, IL 60610
â€œNew York City Gold Coast presents a solo exhibition of new works from young artist Elizabeth Weiss. you canâ€™t just change your mind, a series of paintings, drawings, and sculptures hopes to explore questions of cognition and understanding with playful, casual, formal relationships. Opening reception March 28th 6pm-9pm. you can’t just change your mind, you can’t just change your mind, you can’t just change your mind.â€
*image: Angelina Gualdoni, Blush, at Kavi Gupta this Friday
About a month ago I was able to catch a showing of the Swedish vampire film Let the Right One In after much nagging from my film buff sister. Adapted from John Ajvide Lindqvistâ€™s 2004 best selling novel LÃ¥t den rÃ¤tte komma in, the film centers on the relationship that forms between Oskar (KÃ¥re Hedebrant) and the undead Eli(Lina Leandersson).
Oskar a 12-year old who spends his days being bullied at school and his nights imagining revenge. He meets Eli another outcast who has recently moved next door to Oskar. Set in the suburbs of Stockholm in the mid 80â€™s, the frozen landscape becomes the perfect setting for the sudden rash of murders. The film is remarkably beautiful but also is playful with its use of vampire folklore. Finally we see in a film what happens when a vampire enters a room uninvited. Hands down the best contemporary vampire film I have seen.
*Note: I rewatched the film this weekend after I picked up a copy at Target. I thought I had seen some subtle changes in the conversations but didnâ€™t think much of it. The consumerist yesterday posted an article about the dumbing down of the subtitles. Hopefully they will release a copy with the original subtitles soon.
If you listened to this weeks epically long show then you might know that the Southern Graphics Council:Global Implications Conference starts today. If your into printmaking and are in the Chicago area go check out the conference this week, and say “Hi” to Duncan.
Southern Graphics Council: Global Implications Conference
March 25 – 29, 2009 / Chicago
“Printmaking is the artmedium that is most responsive to changing technologies, while also retaining many otherwise obsolete techniques. As print artists, we find ourselves uniquely situated. We employ the latest digital imaging tools and centuries-old techniques for hand mark-making. We make exquisite, precious objects and democratic gestures. We are able to share our imagery and processes with anyone, anytime while also creating community, dialog and collaboration in our own shops.
As our world becomes increasingly interdependent, local practices are at once threatened, celebrated, worthy of preservation and dangerously divisive. As printmakers, our medium is likewise evolving, its borders increasingly permeable. Our traditions are a source of strength, but also a source of isolation. We now realize that our resources are limited, that what is done in one location will probably affect someone, somewhere else.
The 2009 Global Implications Conference features exhibitions, demonstrations, lectures, panel discussions, private collection viewings, and special events at over 40 locations around Chicago.
Keynote speakers include Kathan Brown, Enrique Chagoya, Anne Coffin, and Jane Hammond.”
For more information including the schedule go here.