Friday’s Links Roundup

June 12, 2009 · Print This Article


Wallpaper* Magazine’s collection of Tart Cards

Hope everyone has had a great week. On this weeks roundup we check out Murakami’s latest video for Louis Vuitton, a new article on Marina Abramovi?, and Wallpaper Magazine’s collection on Tart Cards. Have a good weekend and hopefully we will see you at the closing of Green Lantern.Viva La GL!

Top 5 for 6/12-6/14

June 11, 2009 · Print This Article

1. Green Lantern says it’s the end but we can still be friends…

green lantern

After 4 (or so) years going strong, the Green Lantern is closing it’s doors. Unfortunately The Man clamped down, and now we must say good bye, though hopefully only to the current space. Hopes are high for the Green Lantern re-opening in 2010 in a new locale, but for now we celebrate the end of an era. So head over on Saturday the 13th for It’s Your Turn, and rock out with Caroline and the rest of the crew. BBQ and copious toasts will be had. Afternoon to 2am.

2. ebersb9? WTF is that?


I’m glad you asked. ebersb9 is a (relatively) new apartment gallery in the Noble Square neighborhood. Everyone likes new apartment galleries, right? Well, now you have the chance to check it out and go see some weird looking work by Krista Hoefle. The show is called The girl who stopped being human, and opens Friday night from 6 to 9. And just remember, people live there, don’t barf on the bathroom floor.

3. Jim Nutt (and others) talk dirty too you at the Smart Museum.

smart mus

Jim Nutt, Gladys Nilsson, and Dennis Adrian talk about the work of H. C. “Cliff” Westermann on Sunday at the Smart Museum. Come on, Jim Nutt is awesome, I’m sure the other two are smart, and you’ll probably learn something. What else do you have to do on a Sunday? Come on down for an enlightening afternoon, Sunday the 14th at 2pm.

4. Western Exhibitions presents…PORN!

western exib

Not just porn, but that’s what caught my eye (no surprise there). If you’re ambiling ‘roung the West Loop drop in, there are two shows opening. The afore mentioned porn is part of The Ecstasyis,work by Dutes Miller. Also opening is they will not ruin us through the things that we like, a show curated by Philip von Zweck and featuring the work of Joel Dean, Anthony Elms, Carol Jackson, Andy Moore, Mindy Rose Schwartz, Deb Sokolow, Amy Vogel. Two for one, and in the West Loop. Sweet. See yout here with Grolsch in hand. Opens Friday night, from 5 to 8.

5. The weather is better down where it’s wetter, under the sea (in a window on Armitage).

art on armitage

Art on Armitage is a strange place. It’s a window, rather than a whole gallery, and shows an array of work some good, some…Well, this week we’re going for a trip under the sea. Usually I’m not big into crafty work, but this stuff is just friggin’ cool looking. A whole coral reef made by knitting? How can you hate on that? Drive by, or stop and take a closer look ( and drink some wine) Saturday 2 to 5.

Wonder What the Painting Brad Pitt Bought Looks Like?

June 10, 2009 · Print This Article

Brad Pit Basel09Wonder what the painting Brad Pitt bought looks like? Well search no farther, the Oil on Canvas by Neo Rauch entitled “Etappe” which sold for just under 1 Million USD is pictured below. I know there are strong feelings on either side of the fence with this but the early narrative on Basel this year seems to focus on “Buy! Cause everything’s on sale and Europe hasn’t seen a fire sale like this since Dresden.” This only continues that take.

Neo Rauch's "Etappe"

Neo Rauch's Etappe

Read more everywhere but also here Also thanks to Britton Bertran for the heads up, Perez Hilton though? Really? 😛

Memo to the NYT: Enough with all the ‘Joy of Poverty’ Stories

June 10, 2009 · Print This Article

Fuck You

Fuck You

Hey New York Times, I still love ya, but please, just shut up with all those pseudo-uplifting “joy of poverty” stories that you’ve been shoving down our throats lately. Here’s a small sampling of what I’m talking about:

2/12/09: The Boom is Over: Long Live the Art!. This is the one where Holland Cotter told artists,

“…it’s Day Job time again in America, and that’s O.K. Artists have always had them – van Gogh the preacher, Pollock the busboy, Henry Darger the janitor – and will again. The trick is to try to make them an energy source, not a chore.”

That bit has already been roundly ridiculed on various arts blogs, so I won’t flog it any further. More recently, however, the Times published another of its attempts at an emotional pick-me-up, Tight Times Loosen Artists’ Creativity (5/19/09), in which an artist named Liz Fallon from Portland, Me. is cited as an example of how artists are learning to exult in their new-found freedoms, now that they’ve stopped selling work and can support themselves with crappy part-time tele-marketing jobs:

“As for myself, freed from the constraints of creating for a specific buyer,” Ms. Fallon wrote [in an email], “I’ve experienced my own surge in creativity and have been producing a great deal more than I used to. While it would be nice to still be getting paid for my work, the need to be more resourceful is having a beneficial effect on the arts community around me.”

In a follow-up interview Ms. Fallon said she supports herself working as a customer-service representative for a direct-marketing firm, and that the lack of commissions has enabled her to pursue new projects, like illustrations of classic children’s literature.

“Nobody wants me to do anything, so I’m just doing what I want,” she said.

Can’t offer a better retort than that already given by Susie Bright, who responded thusly during a related Facebook exchange (reproduced on the blog New Curator):


And again, on 6/9/09: Special Report: Contemporary Art: Getting Creative in a Downturn. Even the French are “getting creative” and (I love this) “rediscovering” drawing BECAUSE IT’S SO CHEAP.

“….In France, the slump has been marked by a return to traditional drawing, exhibited in a profusion of small-scale shows, often curated by art students….. Serghei Litvin Manoliu…said, “The golden boy approach to art is over.” His show, the 21st Century International Drawing Fair, was a crisis-friendly, minimalist affair, offered unframed works for around $300, displayed on tables in a bare, loft-like space in the hip Marais district of Paris.

Unlike art produced mainly as a commodity for financial speculation, Mr. Manoliu said, “drawing requires excellent skills.”

“The art world had lost every criterion of quality,” he said. “I believe this crisis is a fabulous opportunity for the arts.”

And then there are all the slide shows and video portraits of mostly fresh-faced, mostly recent art grads smiling brightly in the face of their own economic peril (unsurprisingly, all of the artists profiled are white).
The latest, and thus far most obnoxious example of what I’m talking about: The Joy of Less, from travel writer Pico Iyer, writing as part of the Times’ new “Happy Days” blog (billed “the pursuit of what matters in troubled times”). This one takes the cake. Iyer begins his article with a little epigraph that features the uplifting words of a Dutch woman interned in a concentration camp (she was murdered at Auschwitz two months later). Oh yes he does! Then he goes on to describe his own impoverished–but still joyful!–circumstances, now that he lives in a two-room flat in “nowhere Japan,” (nowhere fashionable, we presume).
I have time to read the new John le Carre, while nibbling at sweet tangerines in the sun. When a Sigur Ros album comes out, it fills my days and nights, resplendent. And then it seems that happiness, like peace or passion, comes most freely when it isn’t pursued.
The Sigur Ros reference is the best part. It’s important to be chic, even (especially!) in the midst of “troubled times.”
But seriously, of course I feel bad for Iyer, who lost his home in a fire several years ago, and much of his savings more recently, along with so many others. And I’m certainly not against the whole ‘live simply and prosper’ ethos. I just don’t want it delivered by the New York Times, purveyor of obscene “Special Design Issues” that tell me I “must have” $525 folding chairs and bare light bulbs that cost $99 bucks apiece.
Not everyone is merely a tourist in the land of lost opportunities. The Times has always been oblivious to material conditions outside of its own select, imaginary readership. And, (as Cotter would say), that’s O.K. I expect that from The Times – it’s why I and so many other people love it. I don’t mind if they pimp me chairs that no way in hell I could afford. Just don’t try to sell me on the idea that I should be happy about that.

Rant of the Week: Warren Ellis at Wired U.K.

June 10, 2009 · Print This Article

God, I love cranks. I love a well-written rant even more. If I can find enough of them, I’ll make this into a weekly series.


Today’s rant (on internet chatter vs. newspaper reporting, among other topics) comes courtesy of comic book author Warren Ellis on Wired UK. (Via Bruce Sterling’s Beyond the Beyond). This is just an excerpt, make sure you read the whole thing.

“….it’s worth standing outside in the cold away from the internet and consider why print and newspaper/magazine structures still exist. Because reporting and editing are honest-to-God actual fucking jobs that don’t get taught at the Huffington Post and the Daily Beast, and because all those faceless blog-networks infesting the Bay Area like tongue herpes have no interest in their minimum-wage blogmonkeys thinking about anything bigger than their hitcount. These things are fun and great for finding out about paedo-paramedics and Ukrainian porn, but they shouldn’t be confused with informed reportage and actual thinking. My name’s Warren Ellis. I’m a writer of fiction struggling with a world that’s getting stranger faster than I can make strange shit up. I work for Wired UK. Nice to meet you.”

Oh, nice to meet you too sir.

Apparently it’s a new column, so Ellis is just getting started. Drink deep, if it’s your cup of tea.