This is actually more of a stealth-rant, deploying reverse-psychology tactics and appeals to the culprit’s sense of fair play. Some creep stole an artwork by Chicago artist Damien James right off the walls of the Flatiron building, and what’s worse, the piece had already been sold.
“My initial reaction, not surprisingly, was anger. Intense, red piping-hot anger. â€œWhat the fuck!?â€ were my words, to be exact, extra emphasis on the â€œf.â€ Who steals art at a small neighborhood show? From an â€œemergingâ€ artist? (â€Emergingâ€ = â€œstarvingâ€) Even more, who steals a piece of art thatâ€™s already been sold? Now I know it was small, and as you passed by, maybe you thought it would fit perfectly in your bag or pocket or whatever, but did you not see the sticker above the drawing that said â€œsold?â€ Could you not have chosen a piece that hadnâ€™t already been paid for? Because you see, some artists who do shows in the Flat Iron, especially in the halls of the Flat Iron, are struggling; theyâ€™re artists who are desperately trying to carve out some tiny, peaceful existence. Weâ€™re trying to do something good, to make and share something outside the ever-present web of invasive consumerist insanity. I get (but donâ€™t condone) stealing an iPhone, an X-Box, cash; but a drawing? Not only did you steal something I made, but you took money out of my pocket. So: what the fuck!?
Really, what were you thinking? Was it, â€œthisâ€™ll look awesome on my bathroom wall?â€ Was it the thrill of stealing something? Are you some kind of Vincenzo Peruggia? Whatâ€™s next, a Steven Soderbergh art-heist caper?”
Hats off to James for channeling his justifiable rage into a piece that actually transcends the circumstances behind this unfortunate incident to say something larger about the need to show some basic human decency, even if you’re drunk off your ass, and even (especially) when it comes to small art shows at neighborhood galleries.
Hey ya’ll, I’m reporting to you from afar. I’m gonna keep this short, ‘cus I’ve got to get ready to spend a week in the woods hiking, shooting, canoeing, and watching zombie movies. Mmmmm…Chopper Chicks in Zombie town. But I digress. Here is my Top 5 for this weekend. Enjoy ‘em, since I can’t.
1. Aspen Mays explodes your brain with science!
In her first solo show, Aspen is showing off all her art/science craziness. Aluminum foil spaceman, check. Fireflies in the camera, check. You won’t be disspointed. Opens Friday at Golden gallery, 7-10pm.
2. Geometry and mold spores at Thomas Robertello Gallery.
This stuff just looks strange. The title is what caught me, the show is called “Taxonomies.” But with ceramic mold spores from Sarah Hicks and geometric paintings from Peter Barrett, it seems worth a look. Check it out Friday from 5-8pm.
3. The faculty has shown good taste at SAIC.
The faculty at SAIC has passed down their opinion on what’s good and what’s not. Surprisingly (well I was surprised), I mostly agree with them this time round. You can go see new work by Sarah Belknap, Joseph Belknap, Tif Bullard, Yu-Hang Huang, Merideth Lacina, Alison Rhoades, andIsabelle Schiltz at the Betty Rhymer for the Annual Faculty Exhibitions Committee Picks show (I don’t think this is the real title, or whether there is one, so I spliced this together. ) Opens Thursday from 4:30 to 7pm.
4. Artist dresses up as volcano, spends day reenacting Day in the Life of a Volcano.
Do I actually need to say anything else? The afore mentioned peice (by Eliza Fernand) is part of Post Scarcity, a new show at 65Grand curated Thea Liberty Nichols. Opens Friday, from 7-10pm.
5. Performing in the bedroom…
The Second Bedroom that is. Anni Holm is doing an installation called Sleeping Around. If you’re in Bridgeport, head over Friday night.
Sorry for the lack of pictures and links, the zombies are coming!
Here’s the scoop on the “top secret” Matthew Barney/Elizabeth Peyton “Blood of Two” project I blogged about on Monday. There are a couple of pics of the event, which featured local Hydra fishermen and other laborers as part of the performance, in the report from the NYT’s “The Moment” blog. A few choice excerpts:
“The evening before Mondayâ€™s sunrise arrival and unveiling of â€œBlood of Two,â€ the collaboration between Matthew Barney and Elizabeth Peyton, and the inauguration of the Slaughterhouse, the Greek billionaire and art collector Dakis Joannou hosted an exclusive dinner for the Barney and Peyton on the island of Hydra in Greece.
Held in an open air restaurant, where casual glamour and sophisticated simplicity were the order of the evening, the dinner drew the gallerists Jeffrey Deitch, Emmanuel Perrotin and Javier Peres; the artists Maurizio Catelan, Rirkrit Tiravanija and David Byrne; and David Teiger, a MoMa trustee, and long time collector, who entertained the audience with a speech dedicated to Joannou. The notable attendees feasted on mutton head….
At dawn, the crowd waited patiently on a winding cliffside road, where little by little the local psaras (fishermen) pulled out of the water an expected glass sarcophagus containing mysterious artifacts and artworks. The long pace of the unloading echoed the calm, focused and attentively observant crowd who were clearly intended to be part of the artwork, part of an imaginary film Matthew Barney unfolded in front of our eyes.
When was the last time you heard the phrase “feasted on mutton head”? Also love the “calm, focused and attentively observant crowd” line too. At least they weren’t all Tweeting, right? Oh, and the dramatic conclusion to the report is tops:
“In a climatic moment, flooding water unveiled beautiful small-format graphite drawings by Elizabeth Peyton, which mixed elements of Symbolist imagery and nautical fantasies. The relieved crowd then walked its way toward the port, the early morning sun soothing their shock and awe.”
“Soothing their shock and awe”?? Honestly, who writes this stuff?
Former BAS guests The Post Family will be hosting what looks to be an interesting panel discussion. I wish I could go but we are having a moving party for a BAS member. If your free definitely stop by and check it out. Then let me know how it was,
via The Post Family:
Quit Your Job and Become an Artist
The Post Family and Sonnenzimmer Panel Discussion
As part of Amos Paul Kennedy Jr‘s lovely letterpress show entitled Quit Your Job and Become an Artist, hear members from Sonnenzimmer and The Post Family discuss their own transitions from working in a â€œtypical jobâ€ to working as artists in independent and collaborative spheres within the traditional economy. Refreshments provided by Peroni. Brought to you buy Around the Coyote.
Wednesday, June 17 @6:30pm
Flat Splats Gallery
1817 W. Division St
$3 suggested donation
Last week I read an interview withÂ Marina AbramoviÄ‡ in Art Review and ended up spending my lunch hour watching some interviews and old performances of hers. This weeks pick is actually two different videos. The first is TateShots interview with AbramoviÄ‡. If your not familiar with the TateShots you should definently check them out.Â The second video is “Rythm 10″ (1973). This is probably not for the squeamish.