I just got back from Justin Cooper’s performance at the MCA. His week long series entitled Vay Kay is part of the Here/ Not There series. Tonight’s performance was titled Crater. This performance involved a sound piece in the twelve by twelve space that was activated by people moving in front of the sensors. About 30 minutes into the sound piece the performance moved outside where there was a match between a 65 Million Year Old Dinosaur and British philosopher Thomas Hobbes
via the MCA:
“This is an interactive deconstruction of a family vacation argument using four invisible laser beams which crisscross the space. With multiple viewers moving through the space, the vocal laser beams are activated at completely random intervals to create a fragmented cacophony that refers to the memory of past experiences.”
Justin Cooper: Vay Kay
July 28 – August 2
Justin Cooper presents four different performances: Crater, Sprinkle, Relax, and Crumple on the theme of the family summer vacation.
Museum of Contemporary Art
220 East Chicago Avenue
Chicago, IL 60611
Last night I was looking at work by contemporary Icelandic artists when I discovered the work of Egill Sæbjörnsson. This video, Ping Pong Dance (2006), borders on being annoying while still holding onto that stoner “whoa” factor. “An installation with objects, video and sound. Ping pong balls fly out of the buckets and perform actions that seem impossible in reality.”
For more info on Egill Sæbjörnsson please check out his site.
The battle continues with a suit filed today in Massachusetts state court. From today’s New York Times:
“In their suit, the overseers, Jonathan O. Lee, Lois Foster and Meryl Rose, a member of the family whose donations created the museum in 1961, contend that Brandeis’ plans to close the museum “contradict the charitable intentions” of the museum’s founders, “abrogate Brandeis’ promises that the Rose would be maintained in perpetuity” as a modern and contemporary art museum and violate its commitments to those who donated art to the museum. Brandeis officials were not immediately available for comment.”
Read the full story here.
Over the last few days two news stories have assessed the recession’s mostly grim impact on art galleries in various cities across the country. The L.A. Times’ Suzanne Muchnic delivered the more positive of the two by focusing on the surprising opportunities, real estate-wise and otherwise, that the recession has brought to some L.A. dealers. Muchnic provides a rundown on the spaces that have closed over the past several months, including Anna Helwing Gallery, Lizabeth Oliveria and D.E.N. in Culver City and Mary Goldman Gallery, Black Dragon, the Project and Mesler & Hug in Chinatown. Forum, located in West Hollywood, and Carl Berg Gallery, in mid-Wilshire, have also closed. But other dealers, like Susanne Vielmetter, have found that drastically lower rents in desirable areas are allowing them to make big moves that weren’t possible a few years ago. Read the full story here:
A similar story by the AP contained less hopeful information. Focusing on Scottsdale, AZ, Santa Fe, NM, Portland, OR and New York City, writer Amanda Lee Myers (citing Artnet magazine) reports that in the past two years, 24 galleries in Manhattan–most of them in Chelsea–have shut their doors. In Santa Fe, the article notes, between 10 and 15 galleries have closed this year.
Read the Associated Press story here:
“It’s all self-inflicted,” Williams says of the tortured clowns. “I can understand that most people can repeat themselves and put themselves in compromising positions. I think that’s common to the human condition. But this makes me sad. I don’t relate to the clown. It’s sad that he’s doing that to himself. This exhibit as a whole makes me sad because this is what scares people. It makes it hard for me.”
If you haven’t already read this, I recommend you do so. Gaining insight into the inner psyche of professional clowns is never a waste of time. Poor clowns. (Via Art21 blog).