via The Smoking Gun:
“Cops: Man created public art with items swiped from construction site
JUNE 12–A North Carolina man is facing criminal charges for creating an amusing piece of public art from construction barrels. Joseph Carnevale, 21, was nabbed Wednesday after a Raleigh Police Department investigation determined that he was responsible for the work constructed May 31 on a roadway adjacent to North Carolina State University. Carnevale, pictured in the mug shot at right, was charged with misdemeanor larceny for allegedly building his orange monster from materials pilfered from a construction site. According to an arrest warrant, Carnevale ‘destroyed three road blocking barrels by cutting and screwing them together to form a statue.’ Police estimated that Carnevale’s artwork caused $360 in damages to Hamlett Associates, the North Carolina construction company that owned the barrels. Carnevale is scheduled for a July 21 court appearance in Wake County.”
Read the full article here.
The first piece I was drawn to was the triptych “Omniscience Beta”, which consist of what look like headshots of CCTV cameras on a light pole on either side of an air traffic control tower. The Bechers would have been proud with this execution, which renders the objects as flattened angular sculptures, while at the same time the viewer is still very aware of the multidirectional gaze of the objects.
Around the corner is the first large print, entitled “Many Are Called, But Few Are Chosen #2″, its pair (#1) is across the gallery. The image is a cloudscape, rendered in granular black and white and interrupted with digital additions of angular forms sprouting through the clouds. The title’s biblical allusion, along with the choice of clouds and romantic black and white all point towards the futility of man in the face of god. It made me consider the significance of the attempt being made with computer generated lines and angles to add something to the image of the puffy, organic cloud landscape. The idea of futility or impotence is slammed home in the next piece, “Search Queries II (Self Esteem, How To?)” which is two strings of vinyl cut flags with the words SELF ESTEEM cut out of them. Parts of the letters hang limply, which I’m assuming is the feeling one gets when they search self esteem on the internets. Or buys a book about it. You’ve recognized a problem, you want to fix it, but dude, you just searched how to have self esteem on the internet.
The other triptych on the far wall, “Redactions From Personal Journal”, is three portraits of balls of paper sitting on the floor, with the wall behind it like a horizon line. I like the visual reference here to the cloudscape, the divided plane, the angular shape of the balled paper.Â Again here is that sense of futility, the striving for perfection, the self editing, which also made me think of clearing one’s internet browser’s history or deleting files from a computer. You know you did it, you just don’t want it there. I kind of felt sad for this guy.
There was a small gum installation that offered the only color in the room. Stamped into two segments of bubble tape were the words “All I Want Is To Not Want At All” (which is conveniently the title of the piece). I say this is convenient because upon my visiting the top half of the piece (“All I want is to…”) was laying face down on the floor, which rendered this piece completely pathetic and much more dramatic that perhaps it was originally intended to be.
The banner entitled “Search Queries III (Is There Something Meaningful?)” which states SOMETHING MEANINGFUL reminds me of those half assed parties you throw for coworkers and struggle to decorate with office supplies and come up with, yeah, something meaningful. It also made me think of the person who asks this question into the unknown and then answers it, cheekily.
The piece I was most into was a work entitled “Journal” from 2008 that was a 307 page document stack of dot matrix printer paper. It is presented as Everett’s computer history for the entire year of 2008. The front page has his IP address on it, as well as the year. Nice. As someone who internets quite frequently, I was excited to get a closer look at Everett as a person, and was interested to see how he chose to present himself via his internet history. Turns out, he googles himself a lot. As well as things like iPhones, videogames, takeout, netflix, and grammar. I’m not sure what I was expecting, well, definitely porn, which in my cursory page through I found nothing of the sort. The naughtiest thing I saw was a search for Ortho Tri Cyclen Lo. But after seeing the images of his redactions from his personal journal, I couldn’t put too much confidence in the authenticity of the history log. After all, what would I do on the internet if I knew people were going to be looking at it as a record of myself as an artist and person? Probably less PostSecret.
I really enjoyed the installation of the show. The work had plenty of room to breathe, and the sequencing worked. I liked the conversations between the pieces hanging near each other. The whole show was very office-supply-closet-chic. I liked that the work was installed with clear thumbtacks, that the journal was on dotmatrix paper, that one of the images was of a book with one line highlighted in bright yellow marker. I liked the complications of this sentimental work work done on generic, bland surfaces. I was also into the aesthetic success and skill presented through the visual aspects of the show, everything being neat, orderly, well installed, coupled with the almost failed, futile content of the images.
I wish I could write about the video work, which was three pieces that were briefly described to me, but I was told the artist had taken the videos with him.
I missed the opening on the 6th, but the show is now available to see by appointment.
Hope everyone has had a great week. On this weeks roundup we check out Murakami’s latest video for Louis Vuitton, a new article on Marina AbramoviÄ‡, and Wallpaper Magazin’s collection on Tart Cards. Have a good weekend and hopefully we will see you at the closing of Green Lantern.Viva La GL!
- Lori Waxman has a great article on the Tamms Year Ten mud stencils in New City.
- Takashi Murakami released his new ad for Louis Vuitton, Superflat First Love. Why do I feel like I have already seen this?
- Wallpaper Magazine lets designers take a stab at London’s tart cards. Here are my faves: 1, 2, 3,
- Art Review has a write up on Marina AbramoviÄ‡.
- Disco jail?Â Adrian Searle’s video of the Venice Biennale highlights.
- Want to know what is going on at Basel besides Brad Pitt and his new Neo Rauch? Check out what Art Fag City is checking out here, here, and here.
- IDK if anyone has said this but ThreeWalls has extended their residency and project deadlines until July 1. So, get on it.
- Camera or Voltron? The toy I always wanted.
- The Museum of Modern Art will be hosting a retrospective of Tim “I ruined Planet of the Apes” Burton on Nov. 22
1. Green Lantern says it’s the end but we can still be friends…
After 4 (or so) years going strong, the Green Lantern is closing it’s doors. Unfortunately The Man clamped down, and now we must say good bye, though hopefully only to the current space. Hopes are high for the Green Lantern re-opening in 2010 in a new locale, but for now we celebrate the end of an era. So head over on Saturday the 13th for It’s Your Turn, and rock out with Caroline and the rest of the crew. BBQ and copious toasts will be had. Afternoon to 2am.
2. ebersb9? WTF is that?
I’m glad you asked. ebersb9 is a (relatively) new apartment gallery in the Noble Square neighborhood. Everyone likes new apartment galleries, right? Well, now you have the chance to check it out and go see some weird looking work by Krista Hoefle. The show is called The girl who stopped being human, and opens Friday night from 6 to 9. And just remember, people live there, don’t barf on the bathroom floor.
3. Jim Nutt (and others) talk dirty too you at the Smart Museum.
Jim Nutt, Gladys Nilsson, and Dennis Adrian talk about the work of H. C. “Cliff” Westermann on Sunday at the Smart Museum. Come on, Jim Nutt is awesome, I’m sure the other two are smart, and you’ll probably learn something. What else do you have to do on a Sunday? Come on down for an enlightening afternoon, Sunday the 14th at 2pm.
4. Western Exhibitions presents…PORN!
Not just porn, but that’s what caught my eye (no surprise there). If you’re ambiling ‘roung the West Loop drop in, there are two shows opening. The afore mentioned porn is part of The Ecstasyis,work by Dutes Miller. Also opening is they will not ruin us through the things that we like, a show curated by Philip von Zweck and featuring the work of Joel Dean, Anthony Elms, Carol Jackson, Andy Moore, Mindy Rose Schwartz, Deb Sokolow, Amy Vogel. Two for one, and in the West Loop. Sweet. See yout here with Grolsch in hand. Opens Friday night, from 5 to 8.
5. The weather is better down where it’s wetter, under the sea (in a window on Armitage).
Art on Armitage is a strange place. It’s a window, rather than a whole gallery, and shows an array of work some good, some…Well, this week we’re going for a trip under the sea. Usually I’m not big into crafty work, but this stuff is just friggin’ cool looking. A whole coral reef made by knitting? How can you hate on that? Drive by, or stop and take a closer look ( and drink some wine) Saturday 2 to 5.
Wonder what the painting Brad Pitt bought looks like? Well search no farther, the Oil on Canvas by Neo Rauch entitled “Etappe” which sold for just under 1 Million USD is pictured below. I know there are strong feelings on either side of the fence with this but the early narrative on Basel this year seems to focus on “Buy! Cause everything’s on sale and Europe hasn’t seen a fire sale like this since Dresden.” This only continues that take.
Read more everywhere but also here Also thanks to Britton Bertran for the heads up, Perez Hilton though? Really?