The Cannes Lions International Advertising Festival, not to be confused with the Cannes International Film Festival, recently awarded Belgian agency Boondoggle with 5 awards this year.Â After winning such a prestigious award you would think they would be worth something right? Wrong.
Bloody freaking hell! I have been loosing my shit lately. Sorry for the delay of the Top 5, I know ya’ll were standing around with baited breath to get the word from on high. Well, you weirdos, here you go, my Top 5 for this week:
1. Open House at Argonne National Laboratory!
WTF? That’s not art you say? Shut up. TheÂ laboratoryÂ is open to the public for one day only, and since it seems like psudo-science is all the rage in art these days, go over and get some inspiration. Or just head for the nanotech department and pretend like your living in The Diamond Age.
Saturday 9-4:30. Argonne National Laboratory is located at 9700 South Cass Ave. Lemont, IL.Â
2. Open House at…Open House?
Everyone likes new apartment galleries, right? Well, if not, move on to #3. If you do, check out this place. I cannot guarentee the quality of the show, or the quality of the place, but apartment galleries are always a crapshoot. Take a chance, you may be rewarded. The show (is it also titled Open House? Who knows?) is curated by Evan Lenox, Andre Lenox, and Lynnette Miranda, and features to work of a bunch of people I’m not going to name because I’d have to transcribe ’em all.Â
Friday 5:30-9pm. Open House is located at 3106 W. Fullerton Ave. #1.
This show seems like a crazy clusterfuck somehow involving Barbara & Barbara, The Post Family, and the (I quote) “man/beastÂ continuum.” How could you not be curious? A full Chicago crew to dazzle you, including Ben Speckmann, Timothy Pigott, Brian Yates & Tony Francesconi. Oh, and the show is called Pardon me, I am just not feeling like myself today, thus my silly title. Just thought you’d like to know.Â
Saturday 6-10pm. Barbara and Barbara is located at 1021 N. Western Ave.
4. Everybody’s Got (More) Money Issues With InCUBATE
InCUBATE is closing down Everybody’s Got (More) Money Issues at Mess Hall with one final meet-up kaBLAMO event. If you haven’t kicked it with InCUBATE yet, you’re missing out. They are the awesome crew that brought you Sunday Soup. Go and enjoy the final iteration of Everybody’s Got (More) Money Issues and discuss how the hell were going to (financially) survive these days.Â
Sunday 6-9pm. Mess Hall is located at 6932 N Glenwood Ave.
Yes, you get their banner as the photo. Why? No photo relating to Zummer Tapez on their site. Don’t like it? Oh well. This seems like a fun way to spend an hour or two on Sunday night. The show consists of a video mixed tape by Kent Lambert. It has a “suggested donation” of $5, you know what that means, so if you want to cough up the cash, go see the show.Â
Sunday 8pm. Roots and Culture isÂ locatedÂ at 1034 N Milwaukee Ave.Â
On this weeks roundup we look at some really bad art of Obama, Paul McCarthy speaks with the people over at BOMBSITE, and Art Observed checks in to see the love Steve Powers is spreading. Have a good weekend everyone.
Paul McCarthy interviewed by Benjamin Weissman on BOMBSITE.
Preservationists attempt to save Chicago’s Gropius architecture threatened by Olympic planning.Â
Jerry Saltzâ€™s picks for Fall shows in NYC.Â
Tribune covers what Chicago galleries are doing to get by.
I know it doesn’t say “Best New Websites of 2009” but Time’s picks feel unbelievably obvious.
NoCoast will be hosting a silkscreen workshop this Saturday and Sunday.
Watching the trailer for The Mockumentary.
Chicago Printers Guild is currently offering a mystery pack of prints. via The Post Family
Art Observed discusses the “Love Letter Project” with Steve Powers.
I saw this over on Try Harder this morning and couldn’t resist posting it. If only we all had the time and patience to explain to our parents what we actually did.
“Somebody teach me Dutch now!Â The formula for a fabulous new Dutch internet series is simple: a visual artist is seated at a table withÂ a work of his or her art, joined at the other end of the table by a parent.Â There is a brief explanation of the piece (with constant parental interruption)Â which leads into a sometimes rambling, sometimes heatedÂ conversation. There is just one problem: the producers of this brilliant experiment only inserted English subtitles into the first episode. Still,Â I keep watching. The universal language of a parent attempting to understand their spawn is universal and mostly consists of some variation of: “huh,” “okay,”Â or “nah.” Enjoy!”
John Grande, an artist and former printer for Annie Liebovitz and Jack Pierson, among other well-known photographers, has made a series of paintings based on Cindy Sherman’s Untitled Film Stills. Actually, they’re more than just “based on,” from what I can tell — they’re painted versions of Sherman’s photographs that seem to exist solely under the auspices of posing these questions (which I’ve lifted from a blurb on his gallery’s website):
“What if Sherman had been a male painter producing the same images on large scale canvasses from the beginning? How would this have affected her acceptance in the art world and the market value of her work? And what happens when a third party intervenes in self portraiture? Is there something of the third party that brings an “otherness” to the work? How does the dialogue about “the male gaze” shift now that a male is producing the work? Does the fact that these images were initially produced as editions and now they are one of a kind objects have any relevance to the ongoing dialogue between painting and photography? And if photography was supposed to bring about the death of painting, and most paintings end up being viewed as photographs anyway, does a painting of a famous photograph champion photography or painting?”
Wow, them’s a whole lot of questions that the paintings themselves appear in no way to address, other than by mere fact of their existence. There’s a strange, sci-fi esque alternate history thingee going on there with the gallery’s breathless series of “what if” queries that makes me giggle, I can’t help it. What if Cindy Sherman was really Robert Longo posing as an elderly woman masquerading as a downtown artist ALL ALONG, how would that have affected the notion of the “male gaze,” along with the art world’s acceptance of Sherman’s work? What if the death of painting was really the death of photography posing as the death of the Other? What then, by God, what then??
(Via Art21 blog).