Some people know a Rube Goldberg by the game Mousetrap but the idea is how can you take a simple action like turning on a lamp or closing a door and make it the most complicated elaborate and complex action posible where you still only do one human action and momentum takes care of the rest. Countless diagrams and art pieces have been made with that idea or goal in mind but what if you took it into the 21st century and made nothing touch from start to finish but used magents, RFID & fans to get the job done. Then you would have this:
Looks pretty intense. The film looks at the 1954 CIA coup in Iran from the perspective of two different women. It won Neshat the best director award at the Venice Film Festival, but apparently some of the initial newspaper reviews are coming in mixed. (Via L.A. Times).
Remember the “North Carolina Sewer Monster” from last Spring (which turned out to be not a monster exactly but a roiling pile of worms)? Yes, I know you tried really hard to burn the image of that creature out of your memory through heavy drinking and a little steel wool applied to the eyeballs, but I’m here to bring it all back to you.Â What’s grosser–the real thing, or Paul Nudd’s ongoing series of pus/slug/slime/vomit/ooze videos? I say the Sewer Monster wins hands-down.
Click directly on the stills below to see a brief video clip:
Here’s our midweek summary of this n’ that and other chit-chat happening in the world of art and beyond.
*Was overzealous corporate art collecting partly to blame for Lehmann Bros. fall? Former Lehman trader Lawrence McDonald speculates that indeed, it was, in his new book about the investment behemoth. Artnet fleshes out the issue in its latest report.
*Bill Viola rejects Vatican’s invitation to a summit “aimed at bridging the gap that has developed between spirituality and artistic expression over the last century or so,” reportedly because Viola disagrees with many of the Catholic Church’s policies. No word yet on whether artist Robert Gober was invited, and if so, whether or not he’ll attend.
*If you haven’t already been following this issue, this L.A. Times article provides an excellent one-stop summary of the current controversy arising from the Obama administration’s alleged attempts to “politically manipulate” the NEA and, by extension, the arts communities it serves.
*Wanna know what the Art Institute is deaccessioning this Fall? Read Green’s roundup of what they’re hoping to sell, here.
*Four Andy Warhol prints of famous sports stars stolen from Richard Weisman’s L.A. Collection.
*Annie Leibovitz finally reaches an agreement with her creditors.
*Bob Dylan to exhibit nearly 100 of his paintings in a 2010 solo exhibition at the National Gallery of Denmark in Copenhagen. An example of Dylan’s work heads this post. How will they stack up to Joni’s, I wonder?
September 15, 2009 · Print This Article
Let me preface this by saying that I am not stoned. But, I seriously wished I was when I watched this week’s pick. Be prepared to be entranced by the skills of Michael Moschen, a fit man with some serious juggling skills. Who knew there was such a thing as conceptual contact juggling?