This Saturday August 22nd is the last chance to see a two-person show at Spoke that uses multiple perspectives and narrative strategies to explore everyday life in the occupied territories. Tirtza Even and Toby Millman’s exhibition addresses “the characteristics and consequences of the ongoing Israeli occupation on life in Palestine,” according to the press release. I haven’t seen the show yet–it’s only open on Saturdays, and the last few weekends have been kicking my ass, childcare-wise– but I’m planning to this weekend.Â Luckily, Even and Millman both have well fleshed-out websites that enable me to preview their work here in order to entice you to visit, too–unless, of course, you’re not a weekend slacker like I am and have seen it already.
Video and documentary artist Tirtza Even is on the Art & Design faculty at the University of Michigan. Her work focuses on “the less overt manifestations of complex and sometimes extreme social/political dynamics in specific locations such as Palestine, Turkey, Spain, the U.S., and Germany,” as she puts it on her website. At Spoke, she’s showing a 3-D animation that draws together multiple narratives of life in occupied territory. A recent video work, Once a Wall, or a Ripple Remains (2008) is part of what Even describes as an ongoing media project that examines “the shifting history” of this contested political and psychic terrain via a moving image pastiche of documentary footage, audio voiceovers, and various skewed perspectives. You can see excerpts from this and other related videos on Even’s website.
Toby Millman‘s Stories from Palestine is a series of ink and cut-paper drawings captioned by narrative vignettes culled from his 2006 visit to Palestine. Many of the drawings were traced from photographs and maps produced by the United Nations Office for the Coordination of Humanitarian Affairs for the Occupied Palestinian Territories (maps that are always under revision, as they are updated every few months to reflect current situations in Jerusalem, the West Bank and Gaza).Â Snippets from Millman’s encounters with various Palestinians are interwoven, their elliptical relationship to the cut-out imagery complicating any straightforward “read” on life in occupied Palestine. The subject of Occupation is a complicated one, to say the least, making the need for a nuanced and multifaceted understanding of it all the more vital. This show looks quite promising in that regard, and I’m looking forward to seeing it.
Spoke is at 119 N. Peoria #3D, Chicago, IL 60607. Hours are Saturdays from 11a.m.-5p.m.
Ready, set, go:
*The Victorian Poetic Home.
*The story behind Klan-themed Quilts.
*Most major art museums are still dramatically lacking diversity.
*Love, love love this: Little People: a Tiny Street Art Project; see above image for an example.
*Art21 has a really interesting article on the issues that arise when installing and conserving Jenny Holzer’s works.
*White House Canvas: Rachel Somerstein analyzes an overlooked aspect of the White House’s much-buzzed about new art picks: their unusual (for the White House, anyway) emphasis on Abstraction. (Via Hrag Vartanian).
*In Malibu, California, someone actually busts out the phrase “go back to the Valley!” in all stupid seriousness. You go, L.A. Urban Rangers!
First LACMA’s film program, now UCLA’s arts library. Although the former is more high-profile, the latter is an equally precious cultural resource that’s now at risk of closure.Â Over the weekend, the Los Angeles Times reported that UCLA is considering shutting down its arts library and merging its collection with “an existing facility at another library” as part of a cross-departmental effort to make up for what’s estimated to be a $131 million budget shortfall.
“This doesn’t mean we would stop serving the arts community,” said Gary Strong, the university’s head librarian. “We would do this from a different location. The fact is that we cannot support all of the separate libraries that we currently have.”Strong added that UCLA’s chemistry library is also under consideration for elimination. No layoffs from the library staff are currently planned, he said, declining to elaborate on any other plans. “I don’t know what’s next in terms of the budget.”The UCLA library system supports 12 facilities on an annual operating budget of about $40 million, according to the university. A spokeswoman at UCLA said study teams are being organized to examine the operational effect of closing the arts and chemistry branches. “What will not change, however, is the Libraryâ€™s steadfast focus on offering collections and services,” she said in a statement.
But many of UCLA’s faculty strongly disagree with their spokeswoman’s assessment. In a follow-up story today on the L.A. Times’ blog Culture Monster, David Ng reports that two professors in the University’s art history department, Steven Nelson and George Baker, have launched a campaign that includes a Facebook page and an online petition to garner support for keeping the library’s collection right where it is. In a letter written to University library Gary Strong and signed by over 69 fellow faculty members, Nelson and Baker say that
“It is unconscionable that this library, one that services the myriad needs of hundreds of faculty and thousands of students in some of our nationâ€™s best departments in the arts and humanities could even be considered for closure.”
Nelson told the Times that because the UCLA library system is operating near capacity, “There is nowhere to put the books and what will happen is that they will become inaccessible.”
What Nelson probably means by the word “inaccessible” here is that the books won’t be shelved in stacks but will instead be housed in an off-campus facility, available only by specific request. Anybody who’s used a University library before knows what a huge pain in the ass that is, and what’s more–if you’ve spent any amount of time researching you know how important is can be to flip through books in person or browse entire categories straight off the stacks. And of course, what’s also being eliminated is study space, and a designated area that is named, labeled, and devoted exclusively to the arts on a campus where so much critical research and activity in these areas goes on.
This story is particularly shocking because UCLA’s art, architecture and art history programs are so internationally prestigious. But then again — so was LACMA’s film program, and that didn’t seem to matter much.
Kathryn Born who is building a little corner of Art talk and opinion under the roof of the Chicago Tribune asks a lot of conversation starting questions every now and then to get the mind racing but most recently the Tribune home page front page story “Obama as The Joker: another image co-opted by conservatives because they don’t have art of their own” has her taking the political zeitgeist by the horns and goring herself.
The question is do Republicans make decent let alone good artists and why are they incapable of making political artwork of merit. Mix that with a bit of background history on the Obama Joker image that came out over 2 weeks ago. It has been discovered that the image was first created by a Chicago History Student at U of I by the name of Firas Alkhateeb who made a faux Time Magazine cover with a photo of Obama photoshoped to look like the Joker. That image was put on his flickr account and then appropriated by a currently unknown person on the west coast and the Time reference was removed and the Tagline “Socialist” was put in it’s place.
The question it seems is what is the role of Art in Politics, does political art have legs to have lasting impact as art or is it limited to only high water marks in history? Then finally what is the problem with Republicans and their inability to make quality political art? Are they too busy drawing paychecks to draw altogether? From one agitator to another, I salute Ms. Born and suggest a 2004 Siduri Sonoma County Pinot Noir which goes well with shoe leather as I well know from experience.
This week’s pick features Olafur Eliasson discussing the importance of model making for his show, Take Your Time, currently on view at the MCA.
Take Your Time will be up until September 13th.
220 East Chicago Avenue, Chicago, Illinois