Artist Blake Fall-Conroy is in the process of making a sculpture that enables everyone to earn minimum wage (or rather, the wage set by the state of New York–Illinois law guarantees a minimum wage of $8.00 per hour for workers 18 years of age and older). From Conroy’s website:
“The minimum wage machine allows anybody to work for minimum wage. Turning the crank will yield one penny every 5.04 seconds, for $7.15 an hour (NY state minimum wage). If the participant stops turning the crank, they stop receiving money. The machine’s mechanism and electronics are powered by the hand crank, and pennies are stored in a plexiglas box.”
Right now your doing one of two things probably
- 1. Shoping for beverages for a party
- 2. Looking for music for a party playlist
Well BaS is here to help and even though our tastes run a bit indie-rock and instrumental we can promote the biggest hits of 2009. Luckily someone has done the work for me and remixed the top 25 songs of this year in one song. Yes one song and one music video. Hopefully this will help in your search, if not you can always go with “Blitzkreig Bop” but that’s like black it goes with anything.
I still think “Take Your Shirt Off” by T-Pain is a underrated masterpiece that will be remembered years from now 🙂
Infosthetics.com a site dedicated to collecting, sharing and promoting the art of pleasing data visualization celebrates it’s 5th birthday with a flash visualization of all their posts over that time broken down by time, category, comments & author using color and line. Bad at Sports would like congratulate Infosthetics “Where form follows data” and we follow them. Keep up the good work!
Guest post by Jeriah Hildwine
Recently on display at 65 Grand was An Object In The Woods, featuring artwork by Bob Jones.Â One of Jones’ works is titled Ghillie Suit.Â I hardly needed the title to know what it was about; I’m quite familiar with that soft-edged overspray of Krylon Camouflage Ultra-Flat spray paint (available in Brown, Olive Green, Black, and Khaki) anywhere, particularly with the telltale silhouettes of foliage (in this case hay).Â The association is a fond one, and the work fits well into Jones’ theme.Â It is a distinctly rural image, the quintessential “object in the woods.”
A ghillie suit is a garment intended to provide the wearer with concealment, typically in a wooded environment (although desert and snow versions do exist).Â The most common etymology is that the garment was named after the gillies (“lads” or “servants”), who were Scottish game wardens tasked with protecting a landowner’s game from poachers.Â These gamekeepers sometimes wore suits of shredded rags to help them blend in with their surroundings, either as a form of portable hunting blind or to conceal themselves from the poachers they were pursuing.Â The suits entered military usage with the Lovat Scouts, a Scottish Highland unit of the British Army formed during the Second Boer War (1879-1915).Â This unit served as sharpshooters, and were in some ways the antecedents of the military sniper, who remain the primary users of ghillie suits to this day. [Read more]
Posting will be very light on the blog for the next week or so while we all enjoy the holiday break away with our families. However, we will be posting a new Off-Topic essay tomorrow, so look out for that! And don’t forget to listen to this week’s podcast, an interview with Monica Bonvicini about her current exhibition Light Me Black at The Art Institute of Chicago, conducted by Richard and Duncan. Happy holidays everyone!