Proximity Magazine Names BaS “Best Website for Local Arts Coverage” and says some very kind words:
Bad at Sports should have received a a grant from the XYZ foundation last year to help them make their art podcast website a real day job. But the powers that be often sleep on what is engaging, innovative and important in favor of the familiar, lame and business as usual. Bad At Sports was our top local art resource of the year. Thank you guys.
No thank you Ed, Rachael & everyone at Proximity and the Public Media Institute. We really apriciate the kind words and look forward to 2010 and what Proximity Magazine has in the works.
Also we have taken your advice and hired a few free interns to track down this XYZ foundation and get that grant asap. I can only assume that the Xavier Young Ziebold award is biennial so maybe next year
Off-Topic invites artists, curators, writers, and cultural workers to discuss a subject not directly related to the practice of making art. We would like to welcome Alicia Eler as our latest guest with her post,Â â€œWhere did all the Tweets go? A conversation lost on Twitterâ€. Â Alicia is a writer, critic, curator and the Arts & Culture Community Manager ofÂ ChicagoNow.com.
Where did all the Tweets go? A conversation lost on Twitter
GUEST POST BY ALICIA ELER
Is it easier and more efficient to host conversations on Twitter or Facebook? This was my only question when I began research for this blog post. Things changed when Twitter lost the conversation, which is ironic because the conversation is the entire point of Twitter.
I, @aliciaeler, organized what was to be my first of many conversations about lesbian movies on Twitter. The conversation would begin with tweets from Chicago celesbians @trishtype, the Afterellen.com Blog Editor; lesbian erotic fiction writer @deviantdyke; queer sex blogger @annapulley; freelance writer and bonafide lesbian @jennispinner; and ChicagoNow tattoo blogger/AfterEllen.com music blogger @chubbyjones. Later, we could move to Facebook and try it again. For the Twitter convo, @jennispinner and I came up with the idea to label tweets with hashtag #lezflix. The chat began promptly at 2pm on Tuesday, November 24, 2009, and lasted well over the 10 minutes we had originally planned. Lesbian twitterers from all over the country jumped in. [Read more]
…To Start Off The New Year!
Hey everyone! Hope ya’ll had a good hooliday! And now we stride fourth, from the ‘Ots to the Onezies, with many a show to look forward too. This weekend (especially Friday) is particularly ripe for new year pickings, so in celebration of all that, I give you…
THE FIRST 10 OF THE NEW YEAR!
(In not much of a particular order)
Happy ‘Effen 2010!
1. In Stereo at Rotofugi
I feel like I should hate this work for being hip and trite, but it just makes me think of Rosler’s 60-era “Bringing the War Home” too much for me to hate it. Make your own decision.
Reception Friday from 7-10pm. Rotofugi is located at 1953 W. Chicago Ave.
2. 3-for-1: Queen of Heaven, R&R (…&R), and Up Is Down at the Chicago Cultural Center
I am generally in favor of 3-for-1 shows, especially when there are actually three big shows in one place, something few other places do as well as the Cultural Center. On top of that the work looks worth seeing, to boot. Sheesley presents nearly photo-real paintings of puddles, Faier forces confrontation with death (or our refusal to confront it) with his images of mausoleums and their waiting rooms, and Slavick explores carnage in Afghanistan, Iraq, and Lebanon through over painted photographs.
Reception Friday from 6-8pm. The Chicago Cultural Center is located at 78 E. Washington St.
Thanks to my trusty feedreader, I’ve come across a contrasting viewpoint to the Art Work project that I posted on earlier this morning. On his blog LebenskÃ¼nstler Randall Szott notes that there are plenty of people who respectfully disagree with the underlying assumptions of Temporary Services’ new project. A tiny slice of the lengthier argument put forth by Szott follows:
“The idea that calling what you do â€œworkâ€ makes it â€œlegitimateâ€ or â€œmeaningfulâ€ is the crux of the problem I have with much of what one finds in Art Work. This sort of thinking is everywhere on the left and Marx does in fact provide the theoretical mirror in which many self-identified â€œcultural workersâ€ (I always shudder at this phrase) see themselves. Jean Baudrillard, the still mostly Marxist incarnation of which Bryan-Wilson cites, moved very quickly into a position not easily integrated within her piece or this newspaper as a whole. In his book The Mirror of Production he writes â€œThe critical theory of the mode of production does not touch the principle of production.â€ That is to say that Marxist analysis too readily embraces the terms of the debate and therefore provides a mere functional critique, one that Baudrillard might note, â€œâ€¦deciphers the functioning of the system of political economy; but at the same time it reproduces it as model.â€
Read Szott’s full argument here, along with comments responding to his post. Okay, and now I also feel appropriately shamed by my own use of the word ‘culture worker,’ which I agree can be cumbersome, pretentious, and plain-old lame sounding, but how else to encompass the different types of work we want to talk about under a single umbrella? Suggestions?
The rise of the “free economy” that Chris Anderson lauded in his book Free: The Future of a Radical Price (read Cory Doctorow’s astute review of the book’s arguments in the Guardian here) takes on an entirely different, and far less celebratory, meaning when applied to the work of artists, critics, curators, arts administrators and other low-paid (or no-paid) culture workers today. A newly launched newspaper called Art Work is attempting to lay bare hard truths about the flailing economy’s impact on cultural production. Finally, people are starting to talk about money, explicitly and on personal terms. Or at least, they’re trying to. [Read more]