This coming Saturday evening (that means tomorrow night people), Floor Length and Tux (aka FLAT), the Chicago project space run by EC Brown, Catie Olsen, Michael Thomas and Meg Duguid will host a one-night only event they’re calling “Untitled Circus.” There will be refreshments and much conviviality and music and some free CD giveaways, but what I’m most interested in with respect to the proceedings is the compilation of critical writings on Chicago’s thriving apartment gallery scene that Brown et. al have solicited from a number of Chicago artists who are deeply invested in it.
These booklets, which contain essays written by Caroline Picard (Green Lantern Gallery/Press), Liz Neilson (Swimming Pool Project Space), Eric Mays (Roots and Culture), Lucia Fabio (of the late lamented Mini Dutch) and many many more luminaries from the scene will be distributed via a spinning magazine rack owned by Mr. Thomas. With the kind permission of the writers, we’ll be posting some of these essays here next week for the benefit of those of you living outside of Chicago – think of it as a kind of “mini-series” / online symposium on Chicago’s apartment gallery scene, made possible by the ingenuity and generosity of the FLAT folks and, of course, all of the participating writers.
Over email, I asked EC Brown, Michael Thomas and Meg Duguid to answer a few questions about the event. Their responses follow. Check out the Circus for yourself tomorrow night, Saturday, December 5, from 7-10pm, at 2332 W. Augusta #3F.
What will FLAT 4: Untitled Carnival consist of beyond the distribution of theÂ booklets? Will there be a discussion? What can people expect to see/experience? [Read more]
Yes, it is true, we have done a pretty lame job of getting the word out but Amanda Browder and Duncan MacKenzie will live at the NADA fair in Miami Florida! They will be recording all day for an upcoming series of interviews and episodes from the fair and they will be selling limited edition Bad at Sports TShirts. Come check it out and chat with them if you like. The days interviews will include Chris Duncan, Ruba Katrib, Heather Hubbs, Brendan Fowler, Atsushi Kaga, Paul Gabrielli, Scott Hug, Valerie Blass, Nicole Awai and several others…
check it out.
I feel better already, or at least I think I do is Austin Eddyâ€™s first solo show which opened at GOLDEN gallery a few weeks ago. The exhibition consists of 11 paintings and one installation of (when I saw them) dying tiger lilies in a hand-made clay vase perched atop a green doily (my Sicilian grandmother is very drawn to this particular shade of green). In the first room of the gallery the paintings depict intimate interior spaces, while a second room shows tighter painted portraits of plants.
The paintings are small, most under two feet, and at first glance the gallery appears a little empty. Perhaps this is because the last show I saw in the space was huge photographs that took up most of the walls. The paintings themselves, however, seem to vibrate with energy. They are incredibly, almost absurdly, overworked, with layer upon layer of texture and pattern. Yet somehow they feel restrained; there is a great tension between the almost grotesque amount of physical material and detail, and these moments that are executed with such control and gracefulness that make the pieces as a whole feel so much more comfortable to look at.
The perspective in the depictions of interior spaces is playful and storybook-like, imparting a super flat feel to all of the work. The few figures that appear function like the other objects in the room, feeling flat and expressing almost caricatures of emotions. The titling add another aspect to the playfulness of the work, with names such as â€œsometimes you have to just make things work, even when its really hard.â€, â€œmy what a glorious view you have of the milky way there, pete.â€, and â€œsometimes some things seem far better in other places.â€. The name of the show and the titles impart a hesitant or unsure mood on the work, while I think the work itself appears super confident, almost cocky in railing against conventional views of less being more. They also suggest pretty bizzare narratives (at least in my head).
I was really interested in Eddyâ€™s practice and what he had to say about this new work, and he was kind enough to answer some of my questions (even though it was Thanksgiving day) [Read more]
Sup ya’ll. Time for another rousing round of what the f*#k is Steph doing this weekend?, aka The Top 5! You ready? Well, here you go:
1. A Crash of Critters at Fill in the Blank
Ok, so I’ve got the love for Fill In The Blank, it’s in my neighborhood, and they always put out a good spread and some tasty eye candy. This round is no exception. Based (as I understand) on the idea of ascribing hilarious names to groups of animals, this will appeal to all people interested in cartoon animals and those of us who own, willingly, a copy of James Lipton’s “An Exaltation of Larks.”
Fill in the Blank is located at 5038 N. Lincoln Ave. Opening reception Friday, 7-10pm.
2. Obsession In Ice at Carl Hammer Gallery
So, I’m not generally one for holiday themed art shows. As a matter of fact, I generally hate them. This show, however, is an exception. Featuring the work of Wilson “Snowflake” Bentley, this show brings to us some of the first images ever made of individual snowflakes. A farmer/scientist, Bentley captured the first image ever of an individual snowflake in 1885. So, go to the show, muse on old-school science, and remember: you are an unique and individual snowflake, just like everybody else.
Carl Hammer Gallery is located at 740 N. Wells. Opening reception Friday, 5:30-8:30pm. [Read more]
Off-Topic invites artists, curators, writers, and cultural workers to discuss a subject not directly related to the practice of making art. We would like to welcome Stacia Yeapanis as our latest guest with her post, â€œMy Feminism is 80s Teen Movie Favoredâ€. Stacia is a Chicago based interdisciplinary artist who’s first monograph was recently published as part of The Museum of Contemporary Photographyâ€™s Midwest Photographers Publication Project this past spring.
My Feminism is 80s Teen Movie Flavored
Not many people remember the teen movie The Legend of Billie Jean. Expected to be a box office hit in the summer of 1985, it disappointed producers, earning a measly $3.5 million, and has yet to be released on DVD. This movie is why I still own a VCR.
The plot is simple: Billie Jean Davy is a teenage girl from a trailer park, who becomes an outlaw after being involved in an accidental shooting. She goes on the run with her friends and cuts her hair and becomes a celebrity hero seeking justice. The tagline, according to IMDB, is â€œWhen you’re seventeen, people think they can do anything to you. Billie Jean is about to prove them wrong.â€
I was 7, not 17, when it was first released. I canâ€™t remember exactly when or where I watched it for the first time. I remember that I believed the main conflict was between kids and adults. Thereâ€™s no doubt the movie was marketed to the MTV generation. The theme song, Invincible by Pat Benatar, had already made it to #10 before the movie was released. I probably related to the movie because I was a kid and because life constantly feels unfair when youâ€™re a kid.
But when I re-watched The Legend of Billie Jean at age 31, it was obvious to me that this overlooked teen movie is about more than a rebellious teenâ€™s sense that her parents arenâ€™t fair because they make her clean her room or get off the phone and do her homework. For me, itâ€™s one of my earliest feminist texts (and a scathing critique of capitalism, but thatâ€™s another post). Watching it was like having myself and my experience of the world mirrored back to me. I donâ€™t mean that Iâ€™ve ever cut my hair short or been an outlaw or slept at an abandoned mini golf course. I just mean that I must have learned something watching this movie over and over again. And itâ€™s something I value. [Read more]