Is The Cleveland Museum of Art the latest casualty of “Museum Bubble” syndrome? The Museum is cutting 14 jobs or 5% of its staff, The New York Times reported, following a story in The Cleveland Plain Dealer. There have been lots of Museum staff cuts like this one, including, of course, those at The Art Institute, so I’m calling attention to The Cleveland Museum’s situation only because it seems to provide a textbook example–and just the latest one, I should add–of a larger cultural/economic (culturo-economic?) phenomenon, which Ben Davis has described as “The Museum Bubble” for Artnet Magazine. Go read Davis’ piece, if you haven’t already, and decide for yourself if his Bubble argument holds water. I find it pretty convincing, especially when comparing Davis’ analysis to what’s happening in Cleveland. Thoughts?
Hey everyone. Sorry about last week, but worry not, I’m back. Now, you may be thinking, “Top 3? What the hell is up with that?” Well my dear guys and dolls, there ain’t a lot to pick from this week, so this is what you get. I’ll make up for it on Epic Gallery Crawl Of Doom night in September, maybe I’ll do a Top 10 then or something. Well, here you go:
1. Toward Ash & Anxiety at Rooms Productions
Rooms Productions is pretty much the only reason I go to Pilsen anymore, but it seems like very few people know about it, which is a damn shame. the place is run by Todd and Marrakesh Frugia, who also make most of the work shown there. This is the only place I’ve found in Chicago that is dedicated to performance work AND consistently shows good work. If you end up in Pilsen, get your butt over to Rooms.
Rooms is located at 645 W. 18th. Opening reception Friday from 8-11pm.
2. Size Matters at Packer Schopf
I said it was slow this weekend, and I wasn’t kidding. But that’s not the only reason I’m listing this closing reception. If you haven’t been by Packer to check out Size Matters, this is your last chance. It’s a great group show of gigantic work. While you’re there, be sure make it to the basement to see Krista Wortendyke’s show.
Packer Schopf is located at 942 W. Lake St. Closing reception Friday from 5-8pm.
3. Michaela Calhoun and Irene Perez at Second Bedroom/Medicine Cabinet
Two for one in Bridgeport! If you happen to be down south on Saturday, head over to Second Bedroom/Medicine Cabinet. Michaela Calhoun’s rocking an installation in the bathroom…erm…I mean Medicine Cabinet. Magpies pecking a face? Sure, why not. Irene Perez has taken over the Second Bedroom with her installation Atlantic O, exploring the big O…ocean that is.
Second Bedroom/Medicine Cabinet is located at 1854 W North Ave. Opening reception Saturday from 7-11pm.
Last Monday, a woman Tweeted that her water broke moments after the event occurred. And it was a long Tweet too – close to the 140 character limit. I guess it was bound to happen. Now, to be fair, she’s not just any woman, she’s Sara Morishige Williams, the spouse of Twitter founder Ev Williams–probably the only person one would expect to Tweet at such a moment–and it was very early on in her labor. But still. I’m not one of Williams’ Twitter followers, but upon learning of this news of course I had to know how far into the labor she got whilst hanging on to her iPhone (wow–you’ve gotta be pretty good with that thing if you’re able to type on it with clenched fists).
Turns out, not too far. Her last Tweet before officially becoming a mother read: “Epidural, yes please.” I can’t help but think she kinda punked out by not Tweeting throughout the delivery. I mean, she’s the wife of Twitter’s CEO, for God’s sake, shouldn’t she feel some sort of cultural responsibility when it comes to this sort of thing?
Just kidding. Mostly.
Hubble took the deepest look in the darkest patch of sky for a second time with even more sensitive lenses and measurements have predictably found the eternal quote to be true:
This time though it was able to use red shift relations to map the image in 3D.
Yes, you heard that right — the Dallas Cowboys are launching a new contemporary art program that, according to their press release, will be “an ongoing initiative to commission contemporary artists to create monumental, site-specific installations for the recently completed Cowboys Stadium.”
In time for the first regular-season game against the New York Giants on September 20th, the entry ramps, staircases, pedestrian ramps, concession stands and other prominent areas of the team’s new 1.5 billion dollar stadium will be adorned with works by a number of big-name artists, including Franz Ackermann, Mel Bochner, Daniel Buren, Olafur Eliasson, Annette Lawrence, Dave Muller, Matthew Ritchie and Lawrence Weiner, the organization announced last Friday. The Dallas Cowboys Art Program is funded entirely by Cowboys owner and general manager Jerry Jones and his wife Gene, who are both prominent contemporary art collectors.
Serving on the advisory board are The Modern Art Museum of Fort Worth’s Michael Auping, Charles Wylie of the Dallas Museum of Art, Texas collectors Howard Rachofsky and Gayle Stoffel, and San Francisco art advisor Mary Zlot, among others.
I’m fascinated by this new program, and I even find it kind of heartwarming in a mom and apple-pie sort of way. And not only because of the discordant pairing of art and football (because really — why not?). It took real chutzpah on the Jones’ part to focus not on cheesy murals of football heroes or the like, but on artworks that are sure to provoke bemusement on the part of some fans. But also, hopefully, a sense of genuine pleasure and even ownership will develop over time.
“Hey–let’s walk through that weird light show again before going to our seats! It’s by some artist guy with a funny name…I don’t remember who, but the thing is so cool!”
That’s good enough for me. It would be great, however, to see a slightly more robust representation of women artists among those included in this laudable new program’s starting lineup. I mean, chicks dig football too. (Or some of them do, maybe not this one, but that’s besides the point). How cool would it be to see a kick-ass Nancy Rubins sculpture installed on the premises, or a commissioned Jenny Holzer LED screen added to this mix?
Here’s what Jerry and Gene Jones said about the program in last week’s Fort Worth Weekly:
“From top to bottom, we’re taking a whole new approach to what a national sports arena can be,” said Jerry Jones. “Cowboys Stadium isn’t just a place to go and see a game or a concert. It’s an experience you share with your family and your community. That will include things that a lot of people wouldn’t anticipate seeing at a stadium — like contemporary art. Football is full of the unexpected and the spontaneous — it can make two strangers into friends. Art has the power to do that too, to get people talking, and looking, and interacting. It’s not just about what you see on the field or on the wall. It’s about creating exciting experiences.”
Gene Jones said, “We’re breathing new life into a tradition that extends back to the Greeks and Romans, who integrated the art of their time in stadiums where the best athletes gathered to compete. The Art Program at Cowboys Stadium brings this dialogue between art and sport into the modern day. We’re making it possible for some of the world’s leading contemporary artists to create work on a scale unimaginable anywhere else and we’re connecting new audiences with their work.”
And here’s the full list of artists included in the current program:
Franz Ackermann, Ricci Albenda, Mel Bochner, Daniel Buren, Olafur Eliasson, Teresita Fernandez, Terry Haggerty, Trenton Doyle Hancock, Jim Isermann, Annette Lawrence, Dave Muller, Matthew Ritchie, Gary Simmons, and Lawrence Weiner.
Thee Program will also sponsor acquisitions of work by Doug Aitken, Wayne Gonzales, Jacqueline Humphries, and a second work by Eliasson.
Get ready for lots of puff pieces in the Dallas papers about the head-scratching reactions football fans are having to the Stadium’s newest occupants. You can read the press release that contains full details on the program here.