October 7, 2007 · Print This Article
Is there an art scene in Wicker Park anymore? Why does Around the Coyote have such a crap reputation these days? Duncan asks the hard questions to Around the Coyote Executive Director Allison Stites and festival coordinator Jessie Cochran about what they are doing, what they are working on, and how they are trying to turn the program around, bring in quality curators and artists and make it relevant and interesting. They donâ€™t shy away from straight answers.
This week the San Francisco Bureau introduces their new co-host, the fabulous Patricia Maloney, in a survey of the fall season exhibitions. Brian, Marc, and Patricia review a smorgasbord of shows including: Olafur Eliasson at SFMOMA, the opening of the new Ratio 3, Jessica Silverman Gallery, Ping Pong, Queens Nails Annex, Heather Marx Galley and a cavalcade of others. Meanwhile, Marc pitches in with a report of the LA Chinatown openings while Brian and Patricia debate anatomical merits of R. Crumb and Tom of Finland. Good Times!
Duncan and guest host Shannon Stratton talk to Lisa Stone curator of the Roger Brown study collection about what a kickass resource it is and what you can do, by simply clicking a mouse, to help save it.
Kathryn Born checks in from the Hyde Park Art Center about their current show.
Coming soon! Jim Elkins, Judy Ledgerwood, Dominic Molon on rock, Lee Bontecou, Tony Fitzpatrick versus Mike Benedetto and ever so much more!!!
Through a series of gifts and bequests The School of the Art Institute of Chicago (SAIC) has become the primary repository of the personal, intellectual, and artistic effects of alumnus Roger Brown. His generosity to the School included a remarkable group of paintings and prints. Brownâ€™s gift of paintings is organized into two groups: the Roger Brown Permanent Collection, a study collection of works that are available for study and exhibition, and the Roger Brown Estate Collection of Paintings and Prints. Works from the Estate Collections are offered for sale to museums and private collectors, and are available for loan to museum exhibitions. Proceeds from the sale of paintings and prints provide a major source of operating support for the Roger Brown Study Collection.
SAIC is in the unique position to share a wealth of artistic, personal, and intellectual resources from the RBSC Archive with collectors and institutions considering loans or purchases. The RBSC Archive includes Brownâ€™s sketchbooks from early/student years to the early 1990s. From these we can often provide images from Brownâ€™s creative process for a specific work or art, or a time frame in Brownâ€™s career. We can often provide provenance, exhibition and publication histories, and at times we can find references to specific works or ideas in Brownâ€™s writings.
This week Anthony Elms and Duncan talk to Marc Fischer about the Public Collectors project and other things.
Then Marc LeBlanc and Brian Andrews talk about how Marc is turning Japanese, he thinks heâ€™s turning Japanese, he really thinks soâ€¦.
The intro discusses how Philip von Zweck is a thug.
Anthony, please, dear God, talk in to the mic, seriously.
The following blurbs were shamelessly stolen from PVZâ€™s site:
Marc Fischer is 1/3 of the group Temporary Services, 1/11th of Mess Hall- an experimental cultural center in Rogerâ€™s Park (where he co-organizes the Hardcore Histories series), and an artist who curated the prison-themed exhibition â€œCaptive Audienceâ€ at Gallery 400 earlier this year. In addition to believing that vinyl remains the superior format for the appreciation of recorded music, Fischer still refuses to own a fucking cell phone.
Anthony Elms overcame his youth as just another punk in Michigan to become the assistant director of Gallery 400, the editor of WhiteWalls, and a writer whose works have appeared in like every freakin’ magazine ever (except Artforum, whatever), plus in some exhibition catalogs for stuff that didn’t happen at VONZWECK, but was still ok. He’s pimped himself out at times; and participated in some panel discussions, but I think the panel discussion is always a bad idea, always. Anthony agrees.
On Public Collectors:
VONZWECK- as an entity, doesnâ€™t care about art. You know it, you always have. But VONZWECK likes administration, andâ€¦ stuff. Especially other peopleâ€™s stuff! So does Marc Fischer. He likes stuff so much heâ€™s started a whole new initiative to get to see it, and, being the unselfish soul that he is, to share it.
Itâ€™s called Public Collectors and it is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks people that have had the luxury to amass, organize, and inventory these materials, to help reverse this lack by making their collections public. Itâ€™s voluntary and itâ€™s free. Not about selling, or buying and not restricted to art. Itâ€™s about getting to see something you might not have access to otherwise and exchanges of knowledge.
For this – the kickoff, the ribbon cutting, Marc will be sharing one of his collections: records. Thatâ€™s right actual records, long players, vinyl, what have you. Many will be on display; many more will be brought to the space for listening on request.
But the idea isnâ€™t just for you to see Marcâ€™s stuff, itâ€™s for you to share your collection(s) and view other peoplesâ€™. Other collections are online and many more will be added soon at www.publiccollectors.org.
The Show kicks off with Caroline Picard discussing a Three Walls/Green Lantern project that breaks American indie arts ground. A communication resource for art like this country has never seen. It will blow your mind.
ALSO, NOT FOR THE FAINT OF HEART. Seriously, if you react negatively to the phrase blow job or the f-boom stay the hell away.
Jason Dunda and Teena McClelland (from the Alliance of Pentaphillic Curators) are back, along with Kathryn, Christopher Hudgens in a rare on mic appearance, Duncan, Terri and Serena all providing team coverage of opening extravaganza 2007.
You are mentioned in this episode, seriously, no name drop list this week because you know you are in here, someone is talking about you, maybe something good, maybe something bad, youâ€™ll just have to listen.
Mike B. is back with 28 somethings later.
Direct download: Bad_at_Sports_Episode_107-opening_shots.mp3
This episode is full of drama and mystery. Is this the middle of the end? Will Duncan and Richard ever work together again? Is the closing to this weekâ€™s show the saddest thing ever on a podcast? Are squid the new deer?
This week Clare Britt from Fraction Workspace returns and discusses La Biennale di Venezia with Duncan and Joanna. Listen closely and you too can be on the cusp of the hot new trends.
Our new Washington D.C. correspondent Katy Chang checks in from the San Diego Comicon. She is the only other JD/MFA weâ€™ve ever met. Itâ€™s like Highlander, eventually she will have to duel Richard to the death. There can be only one.
AND, if that werenâ€™t enough action, Joanna and Terri discuss Douglas Couplandâ€™s book Hey Nostradamus!: A Novel. A high school shooting in Vancouver, I thought our neighbors to the north were pacifists.
The closing is the saddest thing ever on Bad at Sports, weep for Duncan.