This week (the) Amanda Browder and Tom talk with curator Manon Slome about the “No Longer Empty” series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol’ New York and how we can make lemonade out of these lemons.
Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ€, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. [Read more]
This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb’s work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone’s painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview.
As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic!
Shamelessly lifted blurb:
Deb Sokolow’s text-driven drawings map the obsessive, inner-dialogue of a nameless, paranoid narrator who speculates on various topics relating to popular culture, conspiracy theory and human nature. Recent projects include large-scale, site-specific drawings for the Van Abbemuseum in the Netherlands, Kemper Museum of Contemporary Art in Kansas City, Inova in Milwaukee, a new piece currently up at the Spertus Museum in Chicago and an upcoming group exhibition at the Smart Museum at University of Chicago in Oct. 2009.
Sokolow’s work is in the permanent collection of the Museum of Contemporary Art in Chicago, and she received her MFA from the School of the Art Institute of Chicago in 2004. Sokolow lives and works in Chicago. [Read more]
This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago’s west loop.
This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists.
Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date.
download This week Mark Staff Brandl interviews ex-pat artist Leonard Bullock.
Originally from North Carolina and New York City, Bullock has lived in Europe for the last 15 years, frequently exhibiting in Switzerland and Germany. He was often involved in significant events of the artworld in important locations, including starting an artist run gallery in the 80s in NYC, assisting Leon Golub and more, thus making him the source of a wealth of interesting anecdotes and unique criticisms.
Bullock is a painters’ painter especially in his mark-making; his direct facture has influenced many better-known contemporaries. He often paints on surprising surfaces such as fiberglass or silk and includes text and images with pure abstraction.
In the “outro” to this weeks show, Duncan defends the good name of Joseph Mohan, against Richard’s inappropriate commentary. [Read more]