Duncan and Terri talk to Anne Elizabeth Moore about her book Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity and related topics.
For years the do-it-yourself (DIY)/punk underground has worked against the logic of mass production and creative uniformity, disseminating radical ideas and directly making and trading goods and services. But what happens when the underground becomes just another market? What happens when the very tools that the artists and activists have used to build word of mouth are co-opted by corporate America? What happens to cultural resistance when it becomes just another marketing platform?
Unmarketable examines the corrosive effects of corporate infiltration of the underground. Activist and author Anne Elizabeth Moore takes a critical look at the savvy advertising agencies, corporate marketing teams, and branding experts who use DIY techniques to reach a youth market—and at members of the underground who have helped forward corporate agendas through their own artistic, and occasionally activist, projects.
Covering everything from Adbusters to Tylenol’s indie-star-studded Ouch! campaign, Unmarketable is a lively, funny, and much-needed look at what’s happening to the underground and what it means for activism, commerce, and integrity in a world dominated by corporations.
Anne Elizabeth Moore is the co-editor of Punk Planet, the Best American Comics series editor, and the author of Hey Kidz! Buy This Book: A Radical Primer on Corporate and Governmental Propaganda and Artistic Activism for Short People. She has written for Bitch, the Chicago Reader, In These Times, The Onion, The Progressive, and Chicago Public Radio WBEZ’s radio program 848. She lives in Chicago.
I will mail 5 bucks to the first person who can identify the name of the artist and title of the song used to close the show, it has bothered me for years that I don’t know who it is.
First: Amanda Browder and guest host Tom Sanford talk to New York Gallerist Leo Koenig.
From the Leo Koenig Site:
Leo Koenig opened his gallery in 1999 in Williamsburg, Brooklyn. There, he presented both promising young talent and established, historically significant artists. Within a year, the gallery moved to Manhattan, first to a space in Tribeca, then to Centre street in soho, where we were for 4 years. In August 2005, we opened our new ground floor space at 545 West 23rd Street in the heart of Chelsea.
For six years now, Leo Koenig Inc. has been presenting a surprising mix of fresh exhibitions, anchored by a well-learned tradition of publication. Ever vigilant that the artist’s work be seen in an appropriate context, the gallery has been dedicated to producing catalogues with penetrating essays, and limited-edition artist books.
With a focus on painting and sculpture, Leo Koenig Inc.’s current roster includes some of the most internationally renowned emerging and mid-career contemporary artists.
Next: Brian Andrews, Marc LeBlanc and Patricia Maloney discuss the BioTechnique show at the Yerba Buena Center for the Arts, which Brian Andrews thinks is utter crap.
Need something to listen to during your holiday travels? Well we are back once again with the BAS Holiday Spectacular! Over an hour of eclectic holiday related music, mirth and mayhem.
First a solid hour of gems from the BAS vault, some things you love, some things you hate, some things that will surprise you.
We finish it off with the West Coast Bureau playing holiday madlibs.
Not to be missed.
Direct download: Bad_at_Sports_Episode_121-Holiday_Spectacular.mp3
First: Shannon and Duncan talk Robert Reinard, Program Director, Collections & Exhibitions and Amanda Curtis, Program Director, Education from Intuit.
Intuit is a not-for-profit organization founded in 1991. Our mission is to promote public awareness, understanding, and appreciation of intuitive and outsider art through a program of education and exhibition.
Toward this end, Intuit strives to discover, document, maintain, preserve, exhibit, and collect examples of intuitive and outsider art; and to operate a permanent facility in which to pursue such activities.
Intuit defines “intuitive and outsider art” as work of artists who demonstrate little influence from the mainstream art world and who seem instead motivated by their unique personal visions. This includes what is known as art brut, non-traditional folk art, self-taught art, and visionary art.
Next: Terri and Joanna talk to Gretchen Kalwinski and Eugenia Williamson from Literago.org
Literago.org is intended as a portal to news and information about literary goings-on in and around Chicago. The site features a curated calendar with a corresponding weekly newsletter, news and photos, post-event write-ups, and the occasional essay about the state of literature in Chicago.
Duncan talks with James Elkins about globalism, imperialism’s and all sorts of lighthearted stuff. This is audio that was recorded this summer at The Stone Theory Institute’s first iteration; 2007: The Globalization of Art, co-organized with Zhivka Valiavicharska.
Bad At Sports sat in on the whole thing and has pretty much every second on tape. We will be posting five sections over the next month or two as raw audio with a short introduction by Elkins himself. These will not be the polished “podio” that you have been used too but for those of you academically inclined it will be freaking awesome…
check the blog regularly as we will update with out notice.
We have a James Elkins original picture of all the scholars involved with their names for download at…http://www.badatsports.com/megsmagic/2007-panorama.jpg
The show opens with an indictment of Duncan’s mean-ness.