Episode 93: Gaylen Gerber/Michelle Grabner
June 10, 2007 · Print This Article
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Gaylen Gerber
This week Michelle Grabner and Duncan interview Gaylen Gerber.
“Gaylen Gerber’s work often incorporates the artwork of other artists in its realization. Gerber asks other artists to cooperate with him and let their work be installed against the ground he provides. In doing so he focuses our attention on a central aspect of perception, which is that to perceive something at all you must first be able to perceive it as distinct from its context or background. By positioning his work as the contextual ground against which we see another work of art, Gerber draws attention to the permeability of the distinctions between object and context and fundamentally questions the stability of perception itself. Gaylen Gerber has exhibited widely including recent exhibitions and cooperative projects at the Musee d’Art Moderne Grand-Duc Jean in Luxembourg, Luxembourg; FRAC-Bourgogne and Musee des Beaux-Arts, Dijon, France; Kunsthalle Bern, Bern, Switzerland; and The Art Institute of Chicago, Chicago, Illinois.
Photo Caption
Exhibition view of Gaylen Gerber’s 2006 Mudam exhibition featuring Gerber’s work with Kay Rosen, Sam Salisbury and Remy Zaugg. Zaugg’s text roughly translates: and if, as soon as I act, I was not being anymore. Photo: Jean-Noel Lafargue.”
The closing song goes out to Duncan.
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Episode 92: Loveliness/ Evil Chicago Politics
June 3, 2007 · Print This Article
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Are you tired of all the self obsessed, cynical, angry art that’s out there today? Well Alex Jovanovich is out there to fix what ails you and point you in the right direction! Terri talks to Alex about his Loveliness Workshops.
Next, Kathryn talks to Paul Klein about the screwed up stuff going on with public art funding in Chicago. Paul is working of some interesting activist stuff and we will post a letter/manifesto on the recent events, on our blog.
Then, Mark Staff Brandl checks in from the Central Europe Bureau!
Last, Mike Benedetto, with another Art Superstar Cinema Spotlight. The Supertsar is Monique Meloche. The movie is Volver directed by Pedro Almodovar. Mike made his own bed music for this bit. Wow.
Wow, what a whole lot of show.
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This week Terri talks to Gregg Bordowitz and David Getsy about queer art, queer theory and what it means to be queer in 2007. Duncan and Meg were there too, but it is mostly Terri, Gregg and David’s show.
Gregg Bordowitz is a writer, AIDS activist, and film-and videomaker. His work, including Fast Trip, Long Drop (1993) and Habit (2001), documents his personal experiences of testing positive and living with HIV within the context of a personal and global crisis. His writings are collected in The AIDS Crisis is Ridiculous and Other Writings:1986-2003. He is currently on faculty in the Film Video and New Media department at The School of the Art Institute of Chicago.
David Getsy is an author, theorist and Assistant Professor of 19th and early 20th Century Art Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago
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Episode 90: Ruth Lopez and Tony Fitzpatrick
May 20, 2007 · Print This Article
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Special Correspondent Tony Fitzpatrick interviews Time Out Chicago’s Ruth Lopez about just about everything. It’s an engaging and insightful conversation. Duncan and Richard chime in now and again.
The show closes with further proof that if there is an obscure musical tidbit in Tony’s past, we can find it.
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This week Book Reviews and West Coast News! Terri Griffith and Joanna Topor
review Miranda July’s book No One Belongs Here More Than You. Worked in
to the commentary is discussion of the Mackenzie’s sex life and Oprah’s
use of the phrase Vah-Jay-Jay.
Brian Andrews and Marc LeBlanc talk to curator Joseph del Pesco and artist
Scott Oliver about the Collective Foundation.
The Collective Foundation (CF) is a temporary organization. The concept of
curator Joseph del Pesco and artist Scott Oliver, CF relies on the contributions
of numerous people who are working to advance art in the Bay Area. During the
organization’s launch at YBCA, The Foundation will set up temporary headquarters
in our galleries. They will hold think-tank discussions, how-to sessions for
navigating the CF Web interface, and Shotgun Review Second Saturdays where participants
will review as many Bay Area art shows as possible. The furniture for the Foundation’s
headquarters will be borrowed from local individuals, modified for the exhibition,
and returned at the close of the show—a generous illustration of the benefits
of networking. Find out more at www.collectivefoundation.org.
Duncan makes a funny noise at the end of the show.






