This week: Brian and Patricia sat down with Oakland-based artist Michelle Blade on February 20 in her storefront studio, which is also the location of Sight School, the alternative space she created in 2009 to encourage dialogue around the connections between art and life.
It was the day following the opening for her solo exhibition, “Blow As Deep As You Want to Blow,” on view at Triple Base gallery in San Francisco through March 21. Their conversation tackled a range of topics, from the economic realities that perennially plague artists in the Bay Area to the pleasures of walking across a painting.
This is the second collaboration between Art Practical and Bad At Sports. Image: Music from the Mountaintops, 2010 (still). Courtesy of the Artist.
This week: The final report from NADA 2009! Duncan and Amanda talk to artists Nicole Awai, and Valerie Blass.
This weeks intro contains lots of important information. Bad at Sports needs your help with an exciting new project. If you have a question you want answered related to the art world, we’ll get you answers!
This week: The Amanda Browder show talks to Thomas Lawson and Stacey Allen about the new art journal East of Borneo.
Then Terri and Joanna discuss Gail Carriger’s novel “Soulless”.
ALSO PLEASE HELP US OUT!!! Post a video question for our new project! Duncan details in the BAS announcement section of the show.
Los Angeles, CA, September 30–Set to launch in spring 2010, East of Borneo is a dynamic and extensive website: part art journal, part multi-media archive edited by Thomas Lawson, Dean of California Institute of the Arts (CalArts) School of Art. This far-reaching publishing project will also include an imprint of highly focused books that reconsider neglected material and provocative themes within a contemporary context.
The development and launch of East of Borneo, signals the amicable end to CalArts’ productive eight year collaboration with Afterall. Under Lawson’s co-editorship, the contemporary art journal was produced in partnership with London’s Central Saint Martins College of Art and Design.
In an interview earlier this week, Lawson said, “As the internet forces radical change on all forms of publishing it has become ever clearer that all but the most entrenched art magazines are at risk of becoming obsolete in their current forms. The interesting and exciting thing about this is the potential the web opens up for those of us who want to push forward. As we envisage East of Borneo we will be able to offer readers and writers a much richer, and much more valuable and highly personalized, experience than print formats can. And editorially we will also be able to explore more fully our roots in Los Angeles, while maintaining very active links to the rest of the world.”
East of Borneo presents traditional art writing in all its variations–from personal to academic, poetic to theoretical–while providing a multi-media platform that highlights connections and encourages new lines of thought, research and consideration, as well as expanded forms of writing. With its robust web architecture and non-hierarchical editorial approach, East of Borneo reflects the sprawling, rhizomatic nature of Los Angeles as well as the broader, international art world.
Afterall 22, the last issue of the journal co-published with CalArts, is due on newsstands in October and will feature texts on the artists Sheela Gowda, Jos de Gruyter & Harald Thys and the artists’ group Art Club 2000.
Thomas Lawson is an artist, educator and writer. His essays have appeared in such journals as Artforum, Art in America, Flash Art, frieze and October, as well as numerous exhibition catalogues. From 1979 until 1992 he, along with writer Susan Morgan, published and edited REALLIFE Magazine, an irregular publication by and about younger artists interested in the relationship between art and life. A selection of writings from REALLIFE was published by Primary Information in 2006. For East of Borneo, he is joined by Stacey Allan, a writer and curator who was the Los Angeles-based associate editor of Afterall from 2007-2009. Lawson and Allan are working, on this new venture, with a highly experienced team of web developers, freelance editors and contributors based both in Los Angeles and abroad.
East of Borneo is published by the California Institute of the Arts, a 501(c)3 non-profit organization, and is supported in part by grants from the Andy Warhol Foundation for Visual Arts and the J. Paul Getty Foundation.
This week Duncan and Richard talk to Michelle Grabner and Annika Marie about Picturing the Studio and among other things whether or not anyone does four studio visits a day. Go check out the show, even the art I disliked was interesting.
Lifted from SAIC:
This exhibition explores the richly complex politically- and psychologicaly-charged notion of the artist’s studio today. With works by over 30 artists spanning the past two decades, this exhibition also includes several specially designed installations undertaken by artists on site. Curated by Michelle Grabner, SAIC, and Annika Marie, Columbia College, “Picturing the Studio” is presented in conjunction with the College Art Association’s 98th Annual Conference in Chicago, February 11-13, 2010. It is made possible in part with funds from the College Art Association and the Illinois Art Council, a state agency.
Artists include: Bas Jan Ader, Conrad Bakker, John Baldessari, Stephanie Brooks, Ivan Brunetti, Ann Craven, Julian Dashper, Dana DeGiulio, Susanne Doremus, Joe Fig, Dan Fischer, Julia Fish, Nicholas Frank, Alicia Frankovich, Judith Geichman, Rodney Graham, Karl Haendel, Shane Huffman, Barbara Kasten, Matt Keegan, Daniel Lavitt, Adelheid Mers, Tom Moody, Bruce Nauman, Paul Nudd, Frank Piatek, Leland Rice, David Robbins, Kay Rosen, Amanda Ross-Ho, Carrie Schneider, Roman Signer, Amy Sillman, Frances Stark, Nicholas Steindorf, and James Welling.
This week Bad At Sports debuts its collaborative partnership with the online journal Art Practical. Scott Oliver, who has previously been on the show with the Collective Foundation, sits down with J. Morgan Puett. They discuss Mildred’s Lane, a collaborative project with Mark Dion, the revolutionary politics of garments, and reclaiming the term migrant worker. An abridged transcript of the conversation can be found at Art Practical .
Hooshing and the Nexus of Clothing: A Conversation with J. Morgan Puett
By Scott Oliver
I met J. Morgan Puett during her Bridge Residency at the Headlands Center for the Arts this past fall. I knew little of her or her work, but was immediately struck by her warmth and charm, and by the language she used to talk about her practice. She refers to it as “a practice of being” in which “an ethics of comportment” defines any engagement she might have—with students, collaborators, participants, fellow artists-in-residence. But also with her son’s teacher or her car mechanic. Terms like “hoosh,” “workstyles (a play on lifestyles),” “algorithm,” “emergent,” “entangled,” and “complexity” pepper Puett’s speech, effectively communicating her expansive approach to art. She doesn’t often mention “social practice,” perhaps because her work has been socially engaged all along. But the term is also insufficient, so is “installation art” (a form her work often resembles). Puett’s work is difficult to summarize. It is sprawling, layered, immersive and open-ended. It is as intellectually rich as it is sensually pleasurable. It is narrative, process-based and participatory. In short, it is meant to be experienced, yet none-the-less fascinating to discuss.
Scott Oliver is a sculptor and project-based artist living and working in Oakland, California. He has written catalogue essays for Southern Exposure, The Present Group, and independent curator Joseph del Pesco. Oliver co-founded Shotgun Review, an on-line source for reviews of Bay Area visual art exhibitions, with del Pesco in 2005 where he was a regular contributor until 2008. He is currently working on an audio walking tour of Oakland’s Lake Merritt. [Read more]