This week: San Francisco brings another great guest to the table! Kota Ezawa, video archaeologist.
Ezawa’s work has been shown in solo exhibitions at the Hayward Gallery in London, Artpace in San Antonio, The Wadsworth Atheneum Museum of Art, Murray Guy Gallery in New York and Haines Gallery in San Francisco. He participated in exhibitions at Museum of Modern Art in New York, Whitney Museum of American Art, SF MOMA, Andy Warhol Museum and Musee d’Art Moderne de la Ville de Paris. His animations were included in the 2005 Shanghai Biennale and will be presented in the upcoming Sao Paulo Biennial. He received a Tiffany Foundation Award in 2003 and the SECA Art Award in 2006. Ezawa is Assistant Professor of Media Arts at the California College of the Arts.
Comic Art and Fine Art: Connecting the Dots
Art Institute of ChicagoApril 12, 2012
6:00 PM – 7:00 PM
Art Institute of Chicago
111 S. Michigan Ave
Free with museum admission, students free with ID
A Panel Of Leading Comic Experts:
Neal Adams, Ivan Brunetti, Geofrey Darrow and J.J. Sedelmaier discuss the history and future of this popular and populist art form. Moderated by Richard Holland.
Presented with the Chicago Comic & Entertainment Expo.
Explore the connection between Comic Art and Fine Art. This mini-tour includes a $2 off coupon to the Roy Lichtenstein exhibition at the Art Institute of Chicago when you show your C2E2 badge.
This week: The second part of our survey of residencies in the area. We speak with Nicholas Wylie and Emily Green about ACRE.
Then on to with Elizabeth Chodos and Michael Andrews from Ox-Bow. Wrapping it up with Joe Jeffers for Harold Arts.
ACRE (Artistsâ€™ Cooperative Residency and Exhibitions)Â is a volunteer-run non-profit based in Chicago devoted to employing various systems of support for emerging artists and to creating a generative community of cultural producers. ACRE investigates and institutes models designed to help artists develop, present, and discuss their practices by providing forums for idea exchange, interdisciplinary collaboration, and experimental projects.
Residency: Steuben, WI
Exhibitions: ACRE Projects / 1913 W 17th St / Chicago, IL 60608
This is Ox-Bow’s 102nd year as a school of art and artists’ residency. We are proud to celebrate our history and the thousands of artists who have passed through Ox-Bowâ€™s campus since 1910.
Each year Ox-Bow evolves and responds to new developments in the visual arts in order to serve artists, students, and the community in relevant ways. This yearâ€™s course selection reflects our commitment to developing a dynamic curriculum that bends genres into new formats, but also has deep roots in traditional craft-based practices. It is this dynamic between tradition and innovation that makes taking a course at Ox-Bow such a singular and rich experience. The group of faculty and visiting artists for 2012 is comprised of ambitious thinkers and makers, and we are excited to have them join us in the same remarkable landscape that inspired Ox-Bowâ€™s founding 102 years ago. We look forward to seeing you on campus this summer!
Anyone, whether they are a degree-seeking student, or a life-long learner can take a course. Courses can be taken for SAIC credit or for non-credit
SAIC advanced registration begins in-person on Monday, March 12th at 8:30 AM in the Ox-Bow office. General Registration opens March 26th online through our website,Â www.ox-bow.org.
September 2- October 6, 2012
Two week to five week residencies for artists
Fall at Ox-Bow is dedicated to the residency program. It is a unique time to gather artists from around the world, working in a wide variety of media. Given the small nature of the program, residents have a remarkable opportunity to create a close community. Most nights feature slide lectures, studio visits, or informal conversation that can open an individual practice to discussion, engagement, and challenge.
During the fall season, Artistsâ€™ in Residence have the opportunity to work in studios not available during the summer session. They also enjoy a more intimate community of like-minded, and diverse professionals. The fall season is also an ideal time to propose group or collaborative work.
Deadline:Â May 11th, 2012
Cost:Â $250 per week, (includes room and board and use of studio), due at the time the residency is awarded.
Financial aid available, see application to apply.
Fall residency scholarships and stipend made possible with support form the Joan Mitchell Foundation will be available. These funds are awarded to 10 individual painters and sculptors who are able to spend 4-5 weeks at Ox-Bow during the fall session. Selected artists will have their residency fees waived and receive a stipend after completing their residency. Â Apply on the application. Please include a brief statement of financial need.
Additional funding for the Fall and Summer Residency program is provided by theÂ John Hartigan Memorial Scholarship for Painters (acrylic and/or oils).
June 3 â€“ August 18, 2012.
Two-week Residencies for Arts Faculty
Over the summer, Ox-Bow offers 2-week residencies for artists who are also faculty members in the arts, in an adjunct or full timeÂ capacity. This program is designed to give teaching artists the much needed time to focus on their own work throughoutÂ the summer and also to connect to other faculty who are teaching at Ox-Bow.
Artists are selected upon the merit of their work and written statements describing their proposed use of the residency.Â During their stay, artists are encouraged to present a slide lecture or reading of their work and to participate in the communityÂ life at Ox-Bow. Recipients receive a small private studio and room and board. Please note that the classroom studio facilitiesÂ are not available to ARs.
Deadline:Â April 6. 2012
Cost:Â $550 for 2-weeks, (includes room and board and studio use), due at the time the residency is awarded.
This summer Harold Arts offers three sessions, as well as a few weekend opportunities for those of you with tighter summer schedules.
Residencies at Harold Arts offer participants shared and individual studio facilities, comfortable accommodations, and chef-prepared meals. For musicians and others interested in working with sound we have our Poolhouse recording studio; a huge room, a wide array of gear, and engineers ready and willing to plan and execute your audio endeavors. Other facilities available for residents include modest wood-working facilities and and a wood-fired kiln for ceramic works.
And of course, the rolling hills and majestic white pine forests of Haven Tree Farm are yours to explore.
This week: We talk with the representatives of three different residency programs in part one of our residency roundup!
Our guests are Stephanie Sherman from Elsewhere, Ryan Pierce from Signal Fire, and Michelle Grabner from The Poor Farm.
This week: Duncan, Patricia and Richard talk to Andy Sturdevant, Shanai Matteson and Colin Kloecker who run/host/develop/ringmaster/coordinate/brainstorm Works Progress and the related project Salon Saloon from Minneapolis, Minnesota. Does Minnesota declare war on Oregon? Not for those who live in Portlandia with sensitive feelings, skip this episode and listen your Morrissey albums instead. Come back next week.
This week: Two for the price of one! We have two interviews, first one of Duncan’s heroes, Iain Baxter& and then sound and installation artist Bill Fontana.
Join us in NYC on the East River for our Kiron Robinson interview on March 17th!
Bill Fontana: b 1947 in Cleveland, Ohio; sound artist. He studied philosophy and music at the New School for Social Research in New York, with Phillip Corner and others. Following a prolonged stay in Australia, he was a guest artist in Germany and Japan. The composition of sound sculptures began in 1976; Fontana has since produced a large number of works in this genre. The compositions and live sound sculptures realised for the Studio Akustische Kunst of the german radio station WDR have been of central importance for Fontana’s artistic development; they include Â«Distant TrainsÂ», Metropolis Cologne, Â«Satellite Ear Bridge Cologne â€“ San FranciscoÂ», Â«Journey Through My Sound SculpturesÂ», Â«The Sound of an Unblown FluteÂ», Â«Soundbridge Cologne – KyotoÂ».
Biographical Summary – Iain Baxter
Critic David P. Silcox has written: â€œ[Iain] Baxterâ€™s work demonstrates the brilliant but contradictory traits â€“ tradition and iconoclasm, access and mystery, humour and seriousness, the calculated and the serendipitous â€“ that change art and our ideas about seeing art (and indeed everything) at a fundamental level. He is Canadaâ€™s first conceptual artist and perhaps first anywhere.â€
Baxter was born in 1936 in Middlesborough, England and emigrated to Calgary, Canada with his family a year later. He was educated in the United States, where he received his BS and MA from the University of Idaho, in biology and zoology. Through studying the natural sciences and doing illustrations of animals, Baxter became interested in art. It was with no background in art that he entered the Masters of Fine Arts program at Washington State, and upon receiving his degree was awarded a Japanese government foreign scholarship in 1961 to study Zen and art in Japan. He continues to see a close relationship between art and science. â€œI went from illustration to art,â€ he has said, â€œand getting into the field of art opened a door to a whole area of personal research in the phenomena of seeing and being. I think pure science is on that same level.â€ Whether in science or art, his focus was long on the relationship of the organism or being to its environment.
It was with this mentality that in 1965 Baxter developed a pseudonym and fictional business called N. E. Thing Co. Ltd. It was a revolution of the concept of â€˜artist,â€™ a displacement of the artist out of its natural environment of â€œart worldâ€ and into the environment of business. The company was also an umbrella concept through which he could develop many different â€˜departmentsâ€™ of artistic thought. N. E. Thing produced a range of printed matter including calendars, books and information sheets that assembled images of works by other artists.
Baxterâ€™s work as a solo artist and as founder of N.E. Thing Co. has been exhibited widely throughout North America and Europe, including the National Gallery of Canada, Ottawa; Ontario, the Canadian Cultural Centre, Paris, France; the Museum of New Art, Detroit, Michigan, and the Guggenheim Museum, New York, NY. It is in numerous public and private collections including the National Gallery of Canada, the Museum of Modern Art in New York, the F.R.A.C. Art Museum in Bretagne, France, and the Gemeentemusem in The Hague, Holland. Baxter was the Canadian representative in Taejon, Korea for Expo â€˜93. He been granted membership in the Royal Canadian Academy and a nomination as an Officer of the Order of Canada. In 2004, he won the Governor Generalâ€™s Award in Visual and Media Arts and received an Honorary Doctorate from the University of British Columbia. He lives and works in Windsor, Canada, where he is represented by the Corkin Shopland Gallery and since 1988 has taught at the University of Windsor in the School of Visual Arts.