This week: Duncan and Richard at CAA 2014! We talk to Michael Rakowitz in the first of what will eventually be a multiple interview series, this time we discuss his work The Breakup, currently on view at Rhona Hoffman Gallery. Next Richard’s new hero Jenna Frye on Makerness, BAS pal, artist, curator Jesse Malmed on WACH, and art book genius Matthew Smith of http://arenotbooks.com/.
This show is an epic. E P I C. So we put our hands up like the CAA canâ€™t hold us.
Who on Earth eats spearmint gummy. Yuck.
This week: Live from Miami, well it was broadcast live at the time, whatever, anyways, Sharon Louden!!
Sharon M. LoudenÂ graduated with a BFA from theÂ School of the Art Institute of ChicagoÂ and an MFA fromÂ Yale University, School of Art. Her work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Birmingham Museum of Art, Weatherspoon Art Museum and the Kemper Museum of Contemporary Art. Louden’s work is held in major public and private collections including the Neuberger Museum of Art, Whitney Museum of American Art, National Gallery of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others.
Sharon Louden’s work has also been written about in theÂ New York Times,Â Art in America,Â Washington Post,Â Sculpture MagazineÂ and theÂ Philadelphia Inquirer, as well as other publications. She has received a grant from theÂ Elizabeth Foundation for the ArtsÂ and has participated in residencies atÂ Tamarind Institute,Â Urban GlassÂ and Art Omi.
Louden’s animations continue to be screened and featured in many film festivals and museums all over the world. HerÂ animation,Â Carrier, premiered in the East Wing Auditorium of the National Gallery of Art in Washington, DC in March, 2011 inÂ a historical programÂ of abstract animation since 1927.Â Sharon also premiered a new animation titled,Â Community,Â at theÂ National Gallery of ArtÂ in the program, “Cine Concert: Abstract Film and Animation Since 1970” on September 8, 2013.
Louden was commissioned by theÂ Weisman Art MuseumÂ to make a site-specific work in dialogue with Frank Gehry’s new additions to the museum. EntitledÂ Merge, thisÂ solo exhibitionÂ consisted of over 350,000 units of aluminum extending over a 3,000 square foot space and was on view from October 2011 through May 2012.Â This pieceÂ was then reconfigured and permanently installed in Oak Hall at the University of Connecticut in Storrs, CT and completed in January, 2013.
Also in 2013, Louden received aÂ New York Foundation for the Arts Artist FellowshipÂ in the category of Architecture/Environmental Structures/Design.
RecentÂ exhibitions include aÂ solo exhibition ofÂ new work includingÂ Community (the animation that premiered at the National Gallery of Art), as well a site-specific installation, painting, drawing and sculpture atÂ Morgan Lehman GalleryÂ in New York in October through November, 2013. Currently on view is Â a solo exhibition of Louden’s paintingsÂ and drawings atÂ Beta Pictoris/Maus Contemporary ArtÂ in Birmingham, Alabama, which will run through February 16, 2014.
Sharon LoudenÂ has taught for more than 20 years since graduating from Yale in 1991. Her teaching experience includes studio and professional practice classes to students of all levels in colleges and universities throughout the United States. Colleges and universities at which she has lectured and taught include: Kansas City Art Institute, College of Saint Rose, Massachusetts College of Art, Vanderbilt University and Maryland Institute College of Art. Sharon currently teaches at theÂ NewÂ YorkÂ Academy of ArtÂ in New York City. Last summer, Sharon taught experimental drawing and collageÂ in theÂ School of Art at Chautuaqua InstitutionÂ in Chautauqua, New York.
Louden is also the editor ofÂ Living and Sustaining a Creative Life: Essays by 40 Working ArtistsÂ published byÂ Intellect BooksÂ and distributed by theÂ University of Chicago Press.Â The book is already on its fourth printing since the first runÂ sold out before its official release on October 15th, and has been #1 onÂ Amazon.com’s Bestseller List of Business Art References. It was also onÂ Hyperallergic’s List of Top Art Books of 2013.Â Recent press includes an interview in Hyperallergic blogazine,Â “How do Artists Live?”.Â
AÂ book tourÂ started onÂ November 2, 2013 which includes SharonÂ Louden and other contributors visitingÂ cities across the United States and in Europe through 2015.Â Highlights include an event in theÂ Salon atÂ the Art Basel Miami Beach Art FairÂ this past December, 2013 as well as aÂ discussion and book event at the 92nd St Y in New YorkÂ and a panel discussion at the Hirshhorn Museum and Sculpture Garden in Washington, DC in January, 2014. For more information on the book tour, please clickhere.
In addition, she continues to conductÂ GlowtownÂ workshops in schools and not-for-profit organizations across the country. Louden is also active on boards and committees of various not-for-profit art organizations and volunteers her time to artists to further their careers.
Sharon is a full-time practicing, professional artist who lives and works in Brooklyn, NY.
February 3, 2014 · Print This Article
This week: The first of our series of shows receorded at Pulse 2013. Duncan and Brian talk to Rachel Adams and Jennie K. Lamensdorf.
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This week: From OxBow, Duncan, along with with Abigail Satinsky and Elizabeth Chodos, sit down for a chat with Hesse McGraw.
Hesse is a curator and writer and is Vice President for Exhibitions and Public Programs at the San Francisco Art Institute. At SFAI he directs the Walter and McBean Galleries, and oversees SFAIâ€™s public programs, visiting artists series and public education programs for youths and adults. From 2008 to 2013 he served as chief curator at the Bemis Center for Contemporary Arts in Omaha, Nebraska, where he developed anÂ exhibition program focused on site-specific, immersive, cross-disciplinary, and socially engaged projects. At the Bemis Center he produced two-dozen exhibitions, includingÂ major public projects with artists Theaster Gates and Michael Jones McKean.
McGraw was formerly associate director of Max Protetch gallery in New York, and was the founding director and curator of Paragraph, which operates under the non-profit Charlotte Street Foundation in Kansas City, Missouri. He lectures widely and his writing has recently been published inÂ Afterall,Â Art Papers,Â OutpostÂ and in diverse exhibition catalogues.Â Recent awards and grants include an Andy Warhol Foundation Curatorial Research Fellowship, an ArtPlace America grant, a Robert Rauschenberg Foundation Artistic Innovation and Collaboration Grant, an NEA Our Town grant, and a Harpo Foundation grant.
Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a gay film festival in Seattle, stringing for The New York Times and as pre-med student at University of New Orleans where he moved one week before Hurricane Katrina hit.
In the wreckage of New Orleans, Fein found his new calling as an artist, experimenting with color and composition of the detritus of Katrina. His work soon became known for its pop sensibility as well as its hard-nosed politics. After a few starring roles in group shows, he had his first solo show in May 2008 at Jonathan Ferrara Gallery in New Orleans.
In the fall of 2008, his Prospect.1: Biennial installation, “Remember the Upstairs Lounge,” shined a spotlight on an overlooked piece of New Orleans history: a fire that swept through a French Quarter bar in 1973, killing everyone inside. The worst fire in New Orleans history has never been solved. His installation walked visitors right through the swinging bar doors, and offered visual riffs on politics and sexuality circa 1973. The piece was praised in Artforum, Art In America, The New York Times Magazine and The New Yorker, among others.
In late 2009, Fein had his first solo museum show, “Youth Manifesto,” at the New Orleans Museum of Art. The exhibition was an ode to punk rock as a force for social and cultural upheaval. True to form, the opening reception was shut down by police responding to the look of the unlikely art-going crowd.
In March 2010, Jonathan Ferrara Gallery presented Fein’s solo installation, â€œSkylar Fein: Rise of the Youth Front” at VOLTA Art Fair in New York during Armory Week. This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein’s work.In May 2010,Fein was invited by the New York curatorial project No Longer Empty to recreate his “Remember the Upstairs Lounge” installation in a vacant Chelsea space.The exhibition, once again, drew thousands of visitors and sparked renewed interest in this piece of history. In September 2011, Fein exhibited over eighty new works in his solo exhibition Junk Shot at Jonathan Ferrara Gallery, New Orleans. This exhibition embodied this artistâ€™s turn towards formalism and art historical reference while maintaining Feinâ€™s iconic sensibilities and aesthetic.
Skylar Fein was the recipient of a 2009 Joan Mitchell Foundation Award and his work is in several prominent collections including The Whitney Museum of American Art, The Brooklyn Museum, The Frederick R. Weisman Art Foundation, The Louisiana State Museum, The Birmingham Museum of Art, the New Orleans Museum of Art and collectors Beth Rudin DeWoody, Lance Armstrong, and Lawrence Benenson.