This episode is full of drama and mystery. Is this the middle of the end? Will Duncan and Richard ever work together again? Is the closing to this weekâ€™s show the saddest thing ever on a podcast? Are squid the new deer?
This week Clare Britt from Fraction Workspace returns and discusses La Biennale di Venezia with Duncan and Joanna. Listen closely and you too can be on the cusp of the hot new trends.
Our new Washington D.C. correspondent Katy Chang checks in from the San Diego Comicon. She is the only other JD/MFA weâ€™ve ever met. Itâ€™s like Highlander, eventually she will have to duel Richard to the death. There can be only one.
AND, if that werenâ€™t enough action, Joanna and Terri discuss Douglas Couplandâ€™s book Hey Nostradamus!: A Novel. A high school shooting in Vancouver, I thought our neighbors to the north were pacifists.
The closing is the saddest thing ever on Bad at Sports, weep for Duncan.
As reported on Artnet and referred by Tony Fitzpatrick
HIRST BUYS HIS OWN SKULL. . .
“He only recognizes art with his wallet,â€ Damien Hirst once said of collector Charles Saatchi, â€œhe believes he can affect art values with buying power, and he still believes he can do it.” The quote reverberated ironically as it was announced that Hirst himself was part of the investment group that is purchasing For the Love of God, his $100-million platinum-and-diamond skull, recently on view at the White Cube gallery in London.
Hirstâ€™s involvement in the purchase (as well as the sale) raised immediate questions about the deal, with Bloomberg reporter Linda Sandler suggesting that perhaps â€œHirst hasn’t yet found a final buyer for his most expensive artwork, at a time when hedge fund managers and other art collectors have lost money in the credit markets.â€ Several years ago, when Saatchi sold off his collection of Hirst works, the artist teamed up with his gallery, with much fanfare, to repurchase his own works — a move that no doubt boosted his market value, not unlike when corporations buy back their own stock to raise their share price. [Read more]
This week Clare Britt from Fraction Workspace stops by to give the run down on a couple of the European shows with Duncan and Joanna. Namely Documenta and Munster. She will be back next week To consider Venice.
Also the fine and wacky folks from The Alliance of Pentaphilic Curators show up to encourage Philip von Zweck’s friends to explain why it should have been them while they “roast the bastard” in recognition of the sizable grant he won this year.
The opening and closing songs of this week’s show are there largely to amuse Kaveh Soofi.
If you don’t get it, you don’t, sorry.
An unnamed investment group has agreed to pay $100 million in cash for the final piece of Daimen Hirst’s June 3rd show at London’s White Cube Gallery. The platinum skull, studded with 8,601 diamonds was the final piece and brings the 2 gallery exhibition to a total of 180 million pounds ($362.4 million),
“The sale is expected to close in three to four weeks, when all the paperwork is finished, Frank Dunphy, Hirst’s business manager said. The group of buyers would be required to show the skull for two or three years in museums around the world.”
Usually, buyers operating at the $100 million level would get a discount, private dealer Richard Polsky said.
The buyers probably wouldn’t be “diamond people,” because the skull’s price was so much higher than the value of the diamond content, said London jeweler and art collector Laurence Graff, who looked at the skull when it was on show and didn’t buy it.
“I’m in the diamond business and I would only be interested in diamonds at diamond prices,” Graff said in a telephone interview today.”
The skull’s sale would enrich Hirst, 42, whose fortune has been valued at 130 million pounds by the London-based Sunday Times and who may get 75 percent or more of the proceeds of a sale, according to art professionals.
The show opens with a bang! Britton Bertran’s car is hit and we are the witnesses.
And as you listen to this week’s intro designed specifically to irritate Duncan, pause a moment and say to yourself…”Seriously? Episode 104?” Richard’s parents have called us both to mention how happy they are. Here we are poised on the cusp of another Bad at Sports season and this week Duncan is joined by friends of the show Lane Relyea and Claire Pentecost to interview/interrogate French American Theorist and Art Critic Brian Holmes.
As we roll over the two year mark we once again are faced with questions about the Bad at Sports Project. We know what we think but once again we want to hear from you. Please email your thoughts about the show and your hopes for it’s future to email@example.com please use the header “Hope Chest.” Thanks in advance for taking the time to help us get better.
Piet Zwart Institute Bio for Brian Holmes-
Brian Holmes is an art and cultural critic, activist and translator, living in Paris, interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. He was the English editor of publications for Documenta X, Kassel, Germany, 1997, was a member of the graphic arts group Ne pas plier from 1999 to 2001, and has recently worked with the French conceptual art group Bureau d’Ã©tudes. He is a frequent contributor to the international mailinglist Nettime, a member of the editorial committee of the art magazine “Springerin” and the political-economy journal “Multitudes”, a regular contributor to the magazine Parachute, and a founder of the new journal “Autonomie Artistique”. He is currently preparing a book in French, entitled “La personnalitÃ© flexible: Pour une nouvelle critique de la culture.”
Theo Hakola is a god among men.