EDITION #19

November 6, 2013 · Print This Article

Work by Philip von Zweck

a long line

FULL DISCLOSURE: I would have written about it anyway but I am honored happen to be in the exhibition.

It was a sad day in Chicago when she woke up to the news that Edmund Chia was gone and not coming back. In his absence Chia left a long line “of text, broken up into 43 parts and distributed to artists for their interpretation, none of whom are privy to the complete document.” The result, a long line, came together in a seamless transition to new Peregrine directors, Claire Valdez and Jon Waites.

a long line, Peregrine Program

Valdez and Waites’ pairing of the mostly modest sized works have some fantastic isolated moments while maintaining a flow throughout the space as a whole. For those curious, the gallery sheet revealed the lines assigned to each artist. It’s an interesting mix to say the least. Pieces in direct response to their line, such as Ang Bidak’s butter application and Philip von Zweck’s chilling response to his line really engaged the poem and forces one to consider the individual line. Connor Creagan’s response to the line “art brings people apart, right” was a sweet twist on an FGT-like pile with neon green wristbands. Each wristband had a matching code buried in the pile.

a long line, Peregrine Program

Work by Connor Creagan

a long line, Peregrine Program

Of course there were a few works that felt dropped in to the show, unrelated to the text, though surprisingly few considering the scope. All in all, an exhibition befitting the Peregrine founder and a good sign for what is to come.

a long line, Peregrine Program

a long line, Peregrine Program

a long line is on view at Peregrine Programs (3311 W Carroll Avenue, #119) through November 24, 2013.

The Weatherman Report

Vincent Van Gogh, The Mullberry Tree, 1889 (oil on canvas, 54 x 65 cm). Image courtesy of the Norton Simon Art Foundation.

What’s the T?‘s First Annual Halloween Costume Awards

Screw ArtNews’ Top 100 List and if you won best gallery inside your mom’s pantry from NewCity, here are the awards that really matter!

Saddest Clown Award

Scariest Costume Award

Goes to Andrew Rafacz, obvi.

The Most OooOOoooAWwWWooOOOOoooAGHGHH Award

Most Understated Costume Award

Best Use of a Wire Hanger Award


Best Use of Your Arm as a Prop Award


Best Hair Award

If you didn’t win this year, it’s time to start planning for next Halloween, kitties! Think you deserve better? Let me know!

TRENDING

If you haven’t noticed recently, EVERYONE is freaking naked all of a sudden! In the past couple of weeks there have been no less than three exhibitions that feature nudity prominently, but unlike most trends, this is one we hope won’t go away.

Work by Nick Johnson, on view at document

Work by Jonathan Gardner, on view at Corbett Vs Dempsey

Work by Elijah Burgher, on view at Western Exhibitions

I’ve also been whispers about Hardcore Craft trending in Chicago. Next thing you know, even Net Art will be trending.

EDITION #18

October 7, 2013 · Print This Article

Upcoming & Outgoing

  • Rooting Symposium
    I’m only posting the press release because they say it better than I ever could. If I wasn’t going to be out of town my choice would definitely be the Rooting Symposium Trio Dinner Party on Sunday, October 13th featuring chefs Eric May and Mike Bancroft, Artist Edra Soto (what’s the difference between chef and artist anymore?!).

    Rooting: Regional Networks, Global Concerns highlights food through emerging programs and projects by artists, cultural workers, radical chefs, rural and urban farmers, and small businesses. The program spotlights creative responses to the extreme environmental, social and economic changes facing local and global communities with a focus on the Chicago region and New Delhi, India. The event pulls together local, regional, and international presenters to share projects and best practices addressing soil health, water conservation, advocacy, food production and distribution, and building sustainable communities. Organized by the Rhizome Alliance.

    Events will take place October 5th through October 13th and include the Rooting Exhibition closing reception, a film screening, bus and walking tours to local farms and art centers, a foraging workshop, dinners with Chicago area chefs and artists, and a symposium with keynote addresses, panel discussions, and a farmer’s market. Tickets and information available at rootingchicago.org.

  • Finally! A painting show to be super excited about! Jonas Wood’s exhibition at Shane Campbell Gallery opens October 12th from 6-8pm. 673 North Milwaukee Avenue.
  • Gotta get to the Renaissance Society for the conversation between new Executive Director and Chief Curator Solveig Øvstebø and Associate Curator and Director of Education Hamza Walker. This talk is going to be like that movie Waking Life but without the rotoscoping and more interesting.

    Saturday, October 26, at 3 p.m. The event is free and open to the public.

  • And Øvstebø is cuter than Miley.
  • Last but certainly not least, Osvaldo Romberg’s Translocations: Mies and Melnikov at the Farnsworth House in Plano Illinois will close on October 18th. This exhibition involves three things I love: a road trip out to Plano, a gorgeous house museum in the fall and, of course, a model of Melnikov’s eccentric home in Moscow. But really, the project is great, the weather is perfect and I know you’re looking for an excuse to get out of the city. Bonus points: The catalogue for the exhibition features writing by everyone’s favorite long-lost Chicago critic and educator with a specialization in Argentinean artists, Dan Quiles.

Battle of the Sexes Edition: Artist Jennifer Chan VS. Alan and Michael Fleming.

The Weatherman Report

Gladys Nilsson, Abode, 2013 (Gouache and watercolor on paper, 10 × 14 in) on view at The Nationals Exemplar.

Aiken’s Station to Station dubbed “Epic Fail”

Man, we thought that Pedro’s tweets on the events were harsh, but it appears they were more than well founded. Christian L. Frock reamed Doug Aiken’s Station to Station a new one in the NPR blog last weekend. We also heard form some seriously in the know ladies that the “open air sweatshop” that Frock refers to was actually that offensive.

“Station to Station promised great artists and great art — a train tricked out with video screens dashing across the country — and instead we got some third rate Burning Man rip-off abbreviated rock show with smoke and mirrors, no art, no train, and everything but our DNA stripped at the door.”

Better luck next time, Levis? What do you, dear reader, think of this obvious ploy for marketing material. LMK!

Feminism in the Age of Digital Art, or something.

Funny thing: Even though the first third of this interview based post on the digital art world and feminism by Corinna Kirsch for ArtFCity laments Facebook as [surprisingly] not the best venue for critical dialogue, I came across it where I find most of my fundamental reading, the book. And while I agree with Sofia Leiby’s comment on PJ’s FB that this piece was begging to be written, it felt like just the tip of a humungous iceberg still lurking sinisterly below. Like all good criticism on Facebook, I left with more questions than answers and a desire to revisit things like the Weird Dude Energy exhibition at Heaven by the duo Girl Don’t be Dumb (btw, wtf were they not questioned for this piece!?) and the slippery pink gaze of their eponymous tumblr.

Not sure how this fowards the womens agenda. Still from Sybil Prentice’s Website Nightcoregirl.net, via AFC.

Speaking of weird dude energy, peep this Artlurker post. Rob Goyanes details the fascinating life and art art of Michael Scott Addis. His step-brother is Mickey Rourke and that’s not even the craziest part.

Sunday, September 22nd Edition of The EXPO Register

September 22, 2013 · Print This Article

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The EXPO Register, September 19-22, 2013

September 21, 2013 · Print This Article

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Friday, September 20th Edition of The EXPO Register

September 20, 2013 · Print This Article

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